Entertainment
Rivers State Born Entertainers On Parade
The Nigerian
Entertainment clan has come a long way with a lot of achievements to show for it. In Rivers State, the vibrant entertainment industry boasts of top stars in music, movie and comedy. These showbiz personalities have helped to boost the industry as they are regular features at shows, concerts and other social events. They are also stars to be reckoned with outside the state as a result of their exploits in their various fields of endeavour. Among the Rivers State-born movie stars include:-
Sam Dede:- This hunk actor is one of the pioneers of the make believe industry in both Rivers State and Nigeria as a whole. The ‘Issakaba hero’ and lecturer of Threatre Arts at the University of Port Harcourt has featured in most of the best movies in Nollywood. One of his recent movies titled ‘Grass Market’ also featured top stars such as Nobert Young and Emmanuel Okutuate which was premiered in Silverbird Cinemas Port Harcourt between February 19th and 25th this year.
Columbus Irosoanga:- This Okirika, Rivers State born top Nollywood actor and Theatre Arts lecturer at University of Port Harcourt has helped to groom up coming artistes. His acting career started in the early 80s when he featured in various soap operas with other top actors such as Comish Ekiye in Nigeria Television Authority (NTA) and also took part in dramas at the Rivers State Council for Arts and Culture. He is one of the showbiz personalities to contend with in the industry.
Hilda Dokubo:- The entertainment clan in Rivers State is incomplete without sultry actress Hilda Dokubo who has come a long way. From acting she became a Special Assistant to former Governor of Rivers State, Dr Peter Odili. She started her movie career as a child actress and was featured in many Nollywood movies and currently runs an NGO titled Centre for Creative Education in Port Harcourt which helps to train people for job creations.
She also uses the organisation to encourage the Niger Delta youths to embrace peace rather than militancy.
Ibinabo Fiberesima:- The beautiful Nollywood super actress and former beauty queen is currently the chairperson of the Actors Guild of Nigeria (AGN) Rivers State Chapter. The friendly and unassuming Ibinabo is the franchise owner of Miss Earth Nigeria and also anchors big events amongst other social activities.
Millicent Jack: She is another top practitioner in Nollywood. She is currently the vice chairperson of the Actors Guild of Nigeria (AGN) Rivers State Chapter. Pretty Millicent is also the African Movie Academy (AMAA) Best custumier for 2009. She is well known in the make believe industry because of her professionalism in the industry.
Gentle Jack: His muscular physique is a reference point in Nollywood though he refused to admit that his towering height and intimidating biceps have stereotyped him. Kalabari, Rivers State born Gentle Jack has won the Abuja carnival king twice and has featured in uncountable movies. The Gentle giant also runs a body fitness equipment outfit.
Tonto Dike:- Ikwerre Rivers State born screen diva, Tonto Dike is one of the most controversial actresses in Nollywood as she is always enmeshed in one controversy or the other. Despite that, she is a favourite of most producers because of her prowess in role interpretation.
Monalisa Chinda:- This lady needs no introduction not just because she is an actress and a beautiful one indeed, but because she is been quite successful in her chosen field. However, this Glo Ambassador was recently enmeshed in a divorce matter with her erstwhile husband Segun Dejo Richards. The beautiful Ikwerre born Nollywood top actress has featured in many Nollywood movies.
The Music Industry:- Among those that hold sway in the music industry in the state are:
Duncan Mighty:- Ikwerre born Duncan Mighty is a king not only in the south-south but in Lagos, the mainstream of entertainment. He is loved for his music, style and dance steps. He performs well in any concert within and outside Port Harcourt. His latest album titled ‘Ahamefula’ is making waves in the music industry.
Lexy M :- This Ogoni, Rivers State born music sensation is the current chairman of Performing Musicians Association of Nigeria (PMAN) Rivers State Chapter.
He won the best Highlife Musical Artiste of the year 2009 at Odudu music Award. He has a new album titled ‘Eleni’ which has 12 tracks.
Peter Stonecold:- Peter Stone cold is a very popular musician in Rivers State. He won Gyration category at the Odudu Awards with his.
popular, ‘Hold Your Waste’ song. He is very good in stage performance and will soon be dropping his next album.
Sotty:- This Buguma, River State born pretty singer took the music clan by storm with her debut album titled ‘malaria. She is a very good musician and has topped the African Fusion top chart videos on NTA2 Channel 5 severally and she is doing very well in her music career.
Muma Gee:- Gift Iyumame Uwame aka Muma Gee is a prodigious artiste with a celestial knack for the genuine and the resplendent. Her emergence in the music scene in Nigeria marked a decisive turning point in an era that has witnessed a death of authentic music native to the Nigerian audience.
Her style of music shows a pristime stylistic performance pattern original to the African people and ends carrying its rhythm. Something different from the westernised musical contraption that is now common stance in the industry. No wonder she has many awards for her musical talent.
Comedy Clan
For the comedy clan we have the following stars.
Julius Agwu:- This top comedian is one of the forces to be reckoned with in the stand up comedy clan. His past was symbolised by thorny pathway. He actually started his comic business in school at Uniport, but when he later came to Lagos he lived the life of a nomad until his break through came. Today, he is a millionaire and dines with society top brass. This very busy comedian is still actively cracking ribs at the moment, but still finds time to hang out with friends, fans and well wishers. Apart from comedy, he is also into music and acting.
Tekena Iyalla:- This graduate of marketing is popularly known as chief of waterside and one of the Funky 4+1 members on Rythym 93.7 FM which airs every Friday. He is also the winner of music comedy category for his comedy titled ‘Handbag’. Tekena is a talented comedian and his dress sence is very commendable.
Dan D Humorous: Born Daniel C. Nwoka is a multitalented stand up comedian who delivers his jokes in a unique way. He had a festival of comedians recently tagged ‘Good Boy Gone Better. He is a member of the Funky 4+1 on Rhythm 93.7FM and a graduate of linguistics.
Prince Hezekiah:- The Buguma born comedian started comedy in 2001 in Port Harcourt. Good in Gospel concerts, he also anchors ‘Make Your Day’ in AIT, Laffo Roma, he is now on Ray Power 106.5 FM and anchors launch hour comedy show tagged Laugh and Jamz.
To be continued Additional reports from City People.
The family of veteran Nollywood actor, Pete Edochie, has dismissed viral rumours circulating on social media claiming that the film icon is dead.
Reacting to the reports in a video shared on his Instagram page on Tuesday, the actor’s eldest son, Leo Edochie, described the claim as false and malicious.
“I’ve been receiving text messages and calls over the nonsense post by some people that our father, Chief Pete Edochie, is dead. It is a lie from the pit of hell,” he said.
Leo added that the actor is alive and in good health, condemning those responsible for spreading the rumour.
“Our father is alive, hale and hearty. And if you wish someone dead, two things usually happen. The person will live very long and you will die before him. Shame to all of you,” he said.
The rumour had sparked concern among fans before the family’s clarification.
Nollywood veteran actress Omotola Jalade-Ekeinde is making her directorial debut with a different and sharper focus. Speaking recently with Newsmen,, the screen icon highlighted a glaring void in the industry’s catalogue, which is the authentic reality of mother-daughter relationships.
“We don’t have too many films that explore or showcase the relationship between mothers and daughters,” Omotola said during the interview, describing the subject as something deeply personal to her.
Speaking honestly about raising her first daughter, she admitted she had only one mode at the time, which was discipline. “I didn’t do a good job,” she said plainly, explaining that she understood motherhood strictly through control, not softness or emotional openness.
At the centre of Mother’s Love is Adebisi, a sheltered young woman from a wealthy home whose life is shaped by her father’s rigid control. Her first taste of freedom comes through NYSC, where distance from home allows her to begin discovering who she is outside her family’s expectations. She forms a friendship with a young man from a more modest background, and through him, starts to see the world and herself differently.
But the emotional core of the film isn’t Adebisi’s rebellion. It’s her mother. Long after being presented as quiet and compliant, she slowly reveals a resolve when her daughter’s safety and future are threatened. As secrets surface and buried grief comes into view, Mother’s Love becomes less about youthful independence and more about maternal sacrifice, unspoken trauma, and the emotional costs of survival inside a patriarchal home.
The Tide Entertainment reports that the film doesn’t shy away from weighty themes by including PTSD, unresolved grief, and social inequality at the centre of the story. It is far removed from the soft-focus sentimentality that often defines Mother’s Day-style narratives.
It also marks Omotola’s directorial debut, a significant moment considering how long she has shaped Nollywood from the front of the camera. She stars in the film alongside a mix of familiar faces and newer talent, including Ifeanyi Kalu, Olumide Oworu, and Noray Nehita.
Beyond the film itself, Omotola’s interview touched on a tension that has been simmering in Nollywood for a while now: how movies are marketed in the age of TikTok. Addressing the growing expectation for actors and filmmakers to create viral dance content to promote their work, she didn’t mince words. The pressure, she said, is exhausting and unnatural.
For her, the industry wasn’t meant to function this way. Still, she was careful not to judge anyone else’s approach. Everyone invests differently, carries different risks, and should be allowed to promote their films however they see fit.
“Do whatever you can do. It’s exhausting, it’s not natural. For me, the film industry is not supposed to be like that. We are encouraging nonsense if we are doing that. It doesn’t mean that whoever is doing it is wrong.”
Her comments arrive not long after the public back-and-forth between Kunle Afolayan and Funke Akindele over marketing styles, a debate that quickly turned into a proxy war between prestige storytelling and viral strategy. Omotola’s stance sits somewhere calmer. She understands the shift social media has brought, but she’s also clear about her own boundaries.
Omotola’s critique about the lack of mother-daughter stories isn’t unfounded. In Nollywood, mothers often exist as symbols rather than people. They’re either saintly figures who pray endlessly for their children or villains whose cruelty drives the plot forward. What’s missing is intimacy, the negotiations, and the regrets. The love that exists alongside resentment and misunderstanding.
Films rarely sit with the emotional complexity of women raising daughters in systems that also failed them. There’s little room for mothers who made mistakes but are still trying, or daughters who love their mothers while questioning the damage they inherited. Mother’s Love attempts to occupy that space, offering a more grounded portrayal that reflects lived experience rather than archetypes.
That’s where the film’s potential impact lies, in the decision to centre a relationship that Nollywood has largely flattened. If it works, it could open the door for more stories that treat motherhood as a lived, evolving reality rather than a fixed moral position.
Mother’s Love, directed by and starring Omotola Jalade Ekeinde, had its world premiere at the 50th Toronto International Film Festival on September 6, 2025. The film is set for a nationwide cinema release in Nigeria on March 6, 2026.
Funke Akindele’s Behind The Scenes becomes Nollywood’s highest-grossing film of 2025, earning ?1.77bn in under four weeks.
Multi-award-winning actress and producer Funke Akindele has done it again, and this time, the numbers speak louder than applause.
Her latest film, Behind The Scenes, has officially emerged as the highest-grossing Nollywood film of 2025, pulling in an astonishing ?1.767 billion in less than four weeks.
The Tide Entertainment reports that Funke Akindele Makes Box Office History as Behind The Scenes Crosses ?1.77bn
Earlier in its release cycle, the film’s distributor, FilmOne Entertainment, revealed that Behind The Scenes smashed five opening-weekend records, including the highest single-day gross ever recorded on Boxing Day, with ?129.5 million in one day. That announcement already hinted that something unusual was unfolding.
Reacting to the milestone, FilmOne described the moment as both surreal and communal, crediting audience loyalty for pushing the film to the top spot once again as the number-one movie of the weekend. And that sentiment feels accurate. This wasn’t just ticket sales; it was momentum.
What makes this achievement even more striking is that Behind The Scenes is Funke Akindele’s third film to cross the ?1 billion mark. Before now, there was A Tribe Called Judah, and then Everybody Loves Jenifa, a film that didn’t just open big, but went on to become the highest-grossing Nollywood film of all time. At this point, it’s no longer a fluke. It’s a pattern.
Part of Behind The Scenes’ success lies in strategy. The film enjoyed advanced screenings on December 10 and 11, quietly building curiosity and conversation before its nationwide release on December 12. By the time it officially hit cinemas, audiences already felt like they needed to see it.
Then there’s the cast. The film brings together a lineup that feels deliberately stacked: Scarlet Gomez, Iyabo Ojo, Destiny Etiko, Tobi Bakre, Uche Montana, and several others. Familiar faces, strong fan bases, and performances that kept word-of-mouth alive long after opening weekend.
Still, beyond timing and casting, there’s something else at work here. Funke Akindele understands Nigerian audiences. Their humour, their pacing, their emotional buttons. She doesn’t guess, she calculates, experiments, listens, and refines. That understanding has slowly turned into box-office dominance.
Behind The Scenes crossing ?1.77 billion isn’t just another headline; it’s confirmation. Funke Akindele has moved from being a successful actress to becoming one of the most reliable commercial forces Nollywood has ever produced. Three-billion-naira films don’t happen by luck. They happen when storytelling, business sense, and audience trust align.
And right now, that alignment seems firmly in her hands.
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