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Nigeria Loses 21,300 Barrels Of Oil To Spill, NOSDRA Confirms

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Nigeria suffered losses amounting to 21,291.673 barrels of oil, an equivalent of 3,364,084.375 litres, due to spill in 2020, according to the latest data obtained from the National Oil Spill Detection and Response Agency (NOSDRA).

This showed a 50 per cent decline, compared to 2019, when 42,076.492 barrels of oil (6,648,085.706 litres) were spilled.

NOSDRA, while noting that the spill could be attributed to several factors, explained that the bulk of the spill was caused by sabotage and theft.

According to the agency, much of the spill in 2020 was recorded in February, when 6,327 barrels were lost, followed by 4,676 barrels recorded in January, while July took the third position by recording 2,174 barrels.

In August, 1,815 barrels of spill were recorded, followed by 1,596 barrels in April, while 1,262 barrels were spilled in June.

The agency stressed that December, November, October, September, May and March had 846, 572, 401, 321, 235 and 229 barrels of spill, respectively.

Interestingly, in 2019, February also recorded the highest spill with 9,148 barrels, followed by June with 6,404 barrels, while January made the third position with 5,559 barrels.

Also, November, August, July, October and April had 4,113, 2,620, 1,978, 1,338 and 1,230, barrels, respectively, while September, March, May and December recorded 1,113, 1,015, 993 and 879 barrels, respectively.

For barrels of oil that occurred due to operational issues, March had the highest with 323 barrels, followed by May with 235 barrels, while November had 116 barrels.

Similarly, July, February, had 92 and 45 barrels, respectively, while January and October had 40 barrels each.

In the same vein, April, September, June, December and August had 37, 10, 8, 2 and 0 barrels, respectively.

Coincidentally, in 2019, March also had the highest number of barrels spilled with 2,179, followed by September, which recorded 1,452, while May came third with 610 barrels.

February, May, August, July and November recorded 417, 237, 265, 145 and 123, barrels, respectively, while October, December, June and January recorded 51, 33, 30 and 1 barrels, respectively.

According to NOSDRA, there were around 370 publicly available oil spill records in 2020, which were attributed to about 24 companies.

Prominent among the companies was Shell Petroleum Development Company (SPDC), which had 186 spills and 13,280 barrels attributed to it.

This was followed by Nigeria Agip Oil Company (NAOC), which had 35 spills with 695 barrels.

Eroton Exploration and Production recorded 21 spills with 4,412 barrels, while Seplat Petroleum Development Company had 21 spills with 95 barrels reported volume.

Heritage Oil Limited had 19 spills worth 378 barrels, while First Exploration and Development Company, ND West and Chevron recorded 12 spills (62 barrels), 10 spills (1,490 barrels) and 9 spills (2 barrels), respectively.

Enageed Resources Limited, Nigerian Petroleum Development Company (NPDC), Platform Petroleum Limited, Mid Western Oil & Gas Company had six spills each worth 47, 83, 11 and 143 barrels, respectively.

Aiteo Exploration and Production, as well as Total Exploration and Production recorded five and seven spills each worth 430 and 83 barrels, respectively.

Though Mobil Producing Nigeria and Nigerian Pipelines and Storage Company had zero barrel recorded in their names, they had four and seven spills, respectively.

Pan Ocean Oil Corporation, Guaranteed Petroleum Limited and Addax Petroleum recorded two spills each worth 20, eight and zero barrels, respectively.

Esso Exploration and Production Company, Neconde Energy Limited, Kamlik Nigeria Limited and Infravision Limited had one spill each worth zero, 13, 3 and 38 barrels, respectively.

NOSDRA also explained that oil spills could be caused by breaks in ageing or poorly maintained infrastructure, accidents, vandalism and other incidents.

It noted that in the past 10 years, a number of spills have also been caused by oil theft, also known as bunkering.

This is where oil is stolen from pipelines and then shipped to local or international markets.

There has also been an increase in artisanal refining when camps in the mangrove refine crude for local or other needs.

These are unregulated and so can cause serious pollution.

According to NOSDRA, there are no legally binding regulatory penalties or fines for oil spills in Nigeria.

Currently oil companies are required to fund the clean-up of each spill and usually pay compensations to local communities affected if the spill was the company’s fault.

A recent court case related to repeated oil spills in the Bodo area of Ogoniland argues that a failure by companies to adequately protect pipelines from vandalism or theft, or continuing to operate when vandalism or theft is rife, constitutes culpability on behalf of the pipeline operator.

NOSDRA also noted that there are many issues relating to reporting and cleaning up oil spills in Nigeria, including corruption, and insecurity.

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HYPREP Inducts 100 Ogoni Youths For Creative Arts Training

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The Hydrocarbon Pollution Remediation Project(HYPREP) has inducted and given orientation to 100 Ogoni youths for training on Creative Arts. The beneficiaries were drawn from Khana, Gokana, Tai and Eleme Local Government Areas of Rivers State.

The induction and orientation ceremony, which took place at the CRAB of the Department of Theatre Arts of the University of Port Harcourt on Wednesday, was a prelude to the training proper, billed to commence next Tuesday.

As usual, HYPREP issued undertaking forms to the trainees, for them to complete and submit as a guarantee that they would subject themselves to the requirements of the programme as well as be of good behaviour throughout the four-month duration of the training.

HYPREP also announced that it would pay N150,000 to each of the beneficiaries monthly, as transport and feeding allowance, stressing, however, that only those who fully participate in the training would be entitled for the allowance.

Speaking at the event, the Project Coordinator of HYPREP, Prof Nenibarini Zabbey, welcomed the trainees to the programme, saying, HYPREP’s projects are evolving and that one thing that is happening today is that the Project has gotten leadership right, by making promises and keeping those promises.

According to him, the Project had equally promised to move away from rudimentary skills acquisition to high impacts acquisition levels, which it has kept today by sponsoring the training on Creative Arts.

He noted that in planning its livelihood programmes for Ogoni youths, HYPREP has taken time out to look for skills that would add value to the lives of the beneficiaries.

Zabbey, who was represented at the event by the Director of Technical Services, Prof Damian-Paul Aguiyi said by packaging the Creative Arts training, it was expected that the Ogoni people would have their own version of Nollywood known as Ogoniwood just as Nigerians are familiar with Hollywood, Bollywood, Kannywood and Nollywood.

To achieve this goal, the Project Coordinator explained that it was the reason for choosing a reputable establishment like Halibiz Consult Limited, to partner with the Department of Theatre Arts of the University of Port Harcourt, which he described as one of the most prestigious in the Niger Delta, for the training of the beneficiaries.

He also indicated that in doing this, HYPREP was desirous of going for talents that would help the Ogoni people grow in the film industry, and urged the beneficiaries to take the training seriously.

Zabbey equally enjoined the trainees to put in their best so that in the next three to five years, they would carve a niche for themselves and become forces to reckon with in the film industry.

On her part, HYPREP’s Head of Sustainable Livelihood, Mrs Josephine Nzidee said HYPREP does what it says it will, stressing that the process of training Ogoni youths on specialised skills started three years ago.

According to her, the selection process for the training was rigorous and transparent, and was carried out by renowned actors actresses.

She disclosed that the training consists of three major aspects, which include acting, script writing and make-up, while Nollywood actors like Charles Nnoje, Ngezu J. Ngezu and award-winning make-up artist, Jude Odo would be on hand to drill and groom the beneficiaries.

Mrs Nzidee noted that the programme is a specialised training that does not have anything like starter packs but that it is purely a professional certification programme that would launch the beneficiaries into the Nollywood industry in Nigeria.

According to her, the Creative Arts training is one of the four specialised trainings organised by HYPREP to ensure that the Ogoni people are well positioned in vital industries like Aviation, Maritime, Creative Arts and Mechatronics.

She said the last of such trainings on Mechatronics would take place in the coming months, and urged the beneficiaries to take the training seriously so as to put the Ogoni people on the Nollywood map.

She further indicated that while Charles Nnoje and Ngezu J. Ngezu would take the beneficiaries on the practical aspects, Jude Odo would take them on the make-up aspects.

Also speaking, the External Relations Manager of Halibiz Consult Limited, Alabo Experience Douglas said his company gives much premium to standard and quality, and assured that the firm would give the trainees value for the money spent on the programme.

While charging the beneficiaries to be dedicated and punctual, he stressed the need for them to approach the programme with the mindset of being empty so that at the end of the day, they would benefit maximally.

On his part, the Head of the Theatre Arts Department of the University of Port Harcourt, Dr Ovunda Ihunwo said the CRAB is an acronym for Creative Review of Arts and Books, stressing that it was named by renowned playwright, Prof Ola Rotimi.

According to him, the CRAB had nurtured, groomed and produced Nollywood actors and actresses like Bobmanuel Udokwu, Ejike Asiegbu,Francis Duru, Hilda Dokubo, Monalisa Chinda, Julius Agwu, and a host of others, assuring the beneficiaries that they were on fertile environment to hone their talents.

He noted that symbolically, the crab is a nutritious seafood common in the Niger Delta, and reiterated the need for the beneficiaries to come empty for the training, as it were.

Ihunwo disclosed that the theory classes of the programme would run for three weeks while the fourth week would be for the master classes, and urged the trainees to avail themselves of the opportunity to make a difference by telling the Ogoni story, which he described as inexhaustible by themselves, in order to put Ogoni on the map.

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Nasarawa Varsity Student Commits Suicide

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A 23-year-old student of Nasarawa State University identified as Jatau Rilokwah, has been reportedly found dead in the university’s senior staff quarters.
A counter-insurgency expert, focused on the Lake Chad region, Zagazola Makama, disclosed this on his X handle on Tuesday.
According to him, the discovery was made on April 27, 2025, by a security officer at the university, Emmanuel Gyawo.
He stated that Gwayo was directed by Prof. Shedrack Jatau to check on his son upon arriving at the residence, and he found Rilokwah hanging from the ceiling.
“Professor Jatau, who was reportedly out of the State at the time, was informed of the incident. A team of police detectives, led by the Divisional Crime Officer of Angwan Lambu, was dispatched to the scene.
“The body showed no signs of violence, and no suicide note was found. Rilokwah was rushed to the Federal Medical Centre in Keffi, where he was confirmed dead by a medical doctor,” he further stated.
He added that the student’s corpse had been deposited in the hospital morgue.
He also quoted police sources as saying that investigations were ongoing to determine the circumstances surrounding the incident.

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Ogun, Nike Art Gallery Set To Transform Olumo Rock

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The Ogun State Government has partnered with Nike Art Gallery to establish a new exhibition space at the Olumo Rock Tourist Centre in Abeokuta, a move Governor Dapo Abiodun says is aimed at boosting annual tourist visits from 20,000 to over 100,000.
Abiodun disclosed the plan on Wednesday while receiving the founder of the Nike Art Gallery, Chief (Mrs) Nike Davies-Okundaye, at his office in Oke-Mosan, Abeokuta.
“I went to Olumo Rock about a month ago and I decided that we needed to do something about restoring Olumo Rock to its old glory. From statistics, Olumo Rock hosts about 20,000 people a year in its current state, and I felt that we could increase that to at least ten times,” the governor said.
As part of the plan, an events hall within the tourist centre will be repurposed as a permanent gallery operated by Nike Art Gallery.
“I told them to shut it down. Practically, we want to bring it down and turn it into a gallery for you to use as an exhibition gallery,” he told Davies-Okundaye.
He added that the gallery will be ready before the National Sports Festival in May, when the State will host about 15,000 visitors.
“I want them to be able to see our tourist sites,” he said, listing attractions such as the Olusegun Obasanjo Presidential Library, the Ransome-Kuti family home, and the Adire market among key heritage spots to be showcased.
Highlighting Ogun’s improved infrastructure, the governor said, “Now that we’ve succeeded in having the intra and inter-state roads in place, you can come to Ogun State by rail; you can come by air. We’ve constructed one of the best airports in Nigeria, and very soon, you will be able to come by sea.”
Davies-Okundaye, in her remarks, praised the state’s efforts to promote tourism and pledged to use the new gallery to attract global attention.
“This gallery will bring many Heads of State. The one I opened in Abuja already has more than 10 Heads of State, including those from South Korea and the Czech Republic. The same will happen here,” she said.
She also applauded the Governor for his commitment to the Adire fabric industry.
“Adire is all over Nigeria, but Ogun has been promoting Adire for over 50 years. Today, the only cloth we can call our own is called Adire. This is what we can sell to the Europeans,” she said.
Abiodun reaffirmed his administration’s backing of the Adire industry, citing policies such as the Adire Ogun Digital Marketplace, compulsory wearing of Adire in the state, and provision of solar-powered production equipment to support artisans.
He also revealed plans to open a creative arts and entertainment village in partnership with Bolanle Austen-Peters, expected to be completed within two months.

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