City Crime
RSG Approves N74.9bn For Assembly, Hospitals, Road Contracts
The Rivers State Executive Council has approved N74.9billion contracts for the reconstruction of the State House of Assembly Auditorium, construction of Kalaibiama/Epellema Road, and completion of four zonal hospitals across the State.
Also approved is the renovation of Bonny General Hospital, renovation and upgrade of Neuropsychiatric Hospital, Rumuigbo; as well as construction of new General Hospital at Rumuigbo in Obio/Akpor Local Government Area of the State.
The Executive Council, according to a statement by the Chief Press Secretary to the governor, Nelson Chukwudi, gave the approval during its meeting at the Government House, Port Harcourt, last Friday.
While the reconstruction of the demolished Assembly Auditorium in Port Harcourt will cost N19, 566, 621, 284.24, the Kalaibiama-Epellema Road and bridge in Opobo-Nkoro Local Government Area will gulp N29,035,907,233.76; just as the hospitals will cost N26,350,310, 714.88.
The zonal hospitals are located in Ahoada Town in Ahoada Local Government Area, Degema Town in Degema Local Government; Omoku Town in Ogba/Egbema/Ndoni Local Government; and Bori Town in Khana Local Government Area.
The State Government said that it decided to complete the construction of the zonal hospitals in four local government areas of the State in order to strengthen the secondary level healthcare service delivery to the people of the State.
At its meeting presided over by Governor Siminalayi Fubara, and attended by Deputy Governor, Prof Ngozi Odu and other Council members, approval was also given for the cancellation of all previous contracts awarded for the construction of those zonal hospitals.
Briefing newsmen after the meeting, Commissioner for Health, Dr Adaeze Oreh, said the approval was sequel to the memos presented by the Ministry of Health to the State Executive Council.
Specifically, Dr. Oreh said the ministry requested for the approval of the cancellation and termination of all existing contracts for those zonal hospitals in the State, and the re-awarding of fresh contracts that will enable completion of the projects, including the renovation of the Bonny General Hospital.
Dr Oreh stated that there was also the request for the renovation and upgrade of the Neuro-Psychiatric Hospital and the construction of a new General Hospital at Rumuigbo in Obio/Akpor Local Government Area of the State.
She said, “We are thankful to the Rivers State Executive Council that the various decisions sought and prayers that were made by the Rivers State Ministry of Health for the approval of the termination of the contracts for completion of the Zonal Hospitals at Ahoada, Bori, Degema and Omoku, and the re-award of fresh contracts for their completion were approved.
“That the request to the State Executive Council for the approval of the award of these contracts in total summed up to N26, 350, 310, 714. 88k that was approved for the completion of those Zonal Hospitals, the renovation of Bonny General Hospital and the upgrade of the Neuro-Psychiatric Hospital.
“This also included the construction of a new General Hospital at Rumuigbo, Obio/Akpor Local Government Area, which were not among those initially awarded for renovation.”
Dr. Oreh explained that the State Executive Council also approved that following the termination of the previously awarded contracts, fresh contracts should be awarded to new competent contractors who have such capacity to deliver on those projects.
She emphasised that such contractors would also be mobilized to site so that they can commence construction work on those separate projects in the health sector in order to advance healthcare delivery in the State.
On his part, the Permanent Secretary of the Rivers State Ministry of Special Projects, Dr Roland Obed-Whyte, said his ministry presented two memos that requested for the award of separate contracts.
He said that the first is a request for Council’s approval for the award of contract for the reconstruction and furnishing of Rivers State House of Assembly Auditorium Complex.
He said, “This contract has been awarded to Monier Construction Company Nigeria Limited (MCC) at the cost of N19, 566, 621, 284. 24 kobo with completion duration of 9 Months.
“This Rivers State House of Assembly Building Complex is made up of about 34 ensuite offices, two storey building with elevator, gallery, meeting rooms and conference hall.
“It also includes the renovation and refurbishing of other existing structures within the House of Assembly Complex. It also includes the provision of ambulance and other external works.”
Dr. Obed-Whyte explained that by the time the work on the Rivers State House of Assembly building is completed, it will turn out to be one of the very best Assembly complexes in the country.
He also said that the second memo that was presented to the State Executive Council requested for the approval of the contract for the award of the construction of the 5.75 Km long Kalaibiama-Epellema Road, with a 450 meters length of bridge and carriageway of 10.3 meters with solar lights.
According to him, “It is awarded to Monier Construction Company Nigeria Limited (MCC) at the cost N29, 035, 907, 233.76 kobo with a completion duration of 12 months.
“Again, in these two contracts, 30 percent mobilization is to be paid as an advance payment. We believe strongly that when that road is completed, it will connect over four or five communities within that axis, and the issue of boat mishap and its attendant problems that riverine transportation faces will be a thing of the past.”
He said the governor is determined with his mantra of “Rivers First” to open up the coastal areas with what he is doing on the Trans-Kalabari Road project, adding that with this project in the Opobo axis, the people will be the greatest beneficiaries.
In her presentation, the acting Director General of Rivers State Bureau for Public Procurement (RSBOPP), Engr Ine Briggs, said due diligence has been done by the agency in scrutinising the projects and the cost efficiency, adding that after due diligence was conducted, the agency issued certificates of no objection to each of the projects.
She said, “The consideration of all these projects approved today by the Rivers State Executive Council, the Bureau is glad to inform the general public that it has duly carried out its regulatory function in ensuring that value for money has been met, economy has been met, fitness for purpose has been met in defending the stakeholders’ position in expenditure of fund from the State.
“So, the Bureau has issued a certificate of no objection for the two projects from the Ministry of Special Projects and the projects for the Ministry of Health.
“The Bureau wants to assure the public that it will carry out its oversight functions at ensuring that quality specifications as enshrined in the approvals, would be met, and the people will feel their government, and that is our assurance as a regulatory body.”
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Women In STEAM: Overcoming underrepresentation: A Nigerian woman’s journey in Asian tech, design
In this episode of Women in STEAM, Nabhel Harmony, a Nigerian product designer living in Indonesia, reflects on her journey navigating the global tech industry as an African woman in the room.
Ms Harmony says underrepresentation is a major challenge, often leading to bias and underestimation.
PT: What inspired you to pursue a career in product design?
Ms Harmony: I began as a graphic designer in 2017, first learning CorelDRAW to help my mom with flyers, then building skills with Adobe Suite and working at a printing press. The real shift happened during my master’s programme when I came across a Microsoft UX video. That moment, along with learning Figma, inspired me to pursue product design. Since then, I have focused on creating intuitive, human-centred digital experiences, driven by the belief that design should be both impactful and useful.
PT: What experiences or skills do you think are essential to break into the field?
Ms Harmony: I think the essentials for breaking into design right now come in two layers. First, you still need a strong foundation in UX, understanding user needs, problem-solving, and being able to communicate ideas clearly. Tools like Figma are great, but more important is learning how to think like a designer: how to frame problems, test assumptions, and iterate.
The second layer is adaptability. With the rise of AI-powered tools like Stitch, Claude, Cursor, Lovable and others, the way we design is evolving. These tools can speed up workflows and even generate starting points for us, but they do not replace the need for critical thinking or empathy. I always encourage new designers to learn the traditional UX process and experiment with AI tools to see how they can supercharge creativity and productivity.
Finally, I would say, the designers who will thrive are those who are curious, willing to explore, and able to use both human insight and machine assistance to create experiences that feel truly meaningful.
PT: Can you share an example of a project that had a significant social impact, and how you approached designing for that specific challenge?
Ms Harmony: One project with real social impact was the redesign of iglooconnect, a platform that links smart locks with services like Airbnb. The old system was clunky and confusing, creating barriers for property managers, small businesses, and international users, sometimes even affecting safety and livelihoods. I approached it with empathy, becoming a user myself, gathering insights from support teams, and studying competitors.
We streamlined user flows, simplified navigation, and improved accessibility. The result was a platform that now supports thousands globally, helping property managers focus on hospitality, enabling small businesses to grow, and making the experience intuitive for international users. It reinforced for me that good design isn’t just about looks, it’s about equity, trust, and opportunity.
PT: As a senior product designer, what qualities do you look for in a design team, and how do you foster a collaborative and innovative environment?
Ms Harmony: As a senior product designer, I look for curiosity, empathy, and resilience in a design team. Curiosity drives exploration, empathy ensures we design for people and collaborate well, and resilience helps us embrace feedback and ambiguity. To foster collaboration and innovation, I focus on building trust, encouraging open dialogue, celebrating collective wins, and creating a safe space for experimentation and growth.
PT: As a design tutor, how do you approach mentoring junior designers, and what advice would you give to those looking to grow in their careers?
Ms Harmony: I mentor by focusing on mindset over tools. I encourage juniors to see design as problem-solving, not just screen-making. I give them small, real projects to build confidence, and I make feedback a two-way process so they learn to see critique as growth.
My advice is simple: stay curious, build portfolios that show your process (not just polished screens), and find a design community to learn with. Skills evolve, but curiosity, empathy, and resilience will always set great designers apart.
PT: Can you discuss your approach to designing accessible and user-centred solutions, and how you balance business needs with user requirements?
Ms Harmony: My approach to accessible, user-centred design starts with empathy. I focus on understanding user pain points, then simplify flows to make products clear, inclusive, and intuitive. To balance this with business needs, I connect user pain points to outcomes such as efficiency, adoption, and retention. For example, in one of my recent projects, I simplified access flows for property managers by creating an integrated dashboard which not only improved usability but also reduced support tickets, creating value for both users and the business.
PT: What challenges have you faced as a woman of African descent in the tech and design industries, and how have you overcome them?
Ms Harmony: One of the biggest challenges I have faced as a woman of African descent in tech and design is representation. Living in Asia, particularly here in Indonesia, I have often found myself as the only African woman in the room, which sometimes meant dealing with bias, being underestimated, or having to work harder to prove my expertise.
I have overcome this by leaning into resilience and community. I built networks with other designers and used those connections for support and growth. More importantly, I let my work speak for itself, focusing on delivering impact and creating meaningful solutions.
PT: How do you think designers can give back to the community, and are there initiatives you have been involved in to promote design education and awareness?
Ms Harmony: One of the most meaningful ways designers can give back is by creating access to knowledge, to opportunities, and representation. For many people, design may feel like an unfamiliar career path, especially now with the rapid rise of AI. And the first barrier is often simply not knowing where to start. By mentoring, sharing resources, and opening doors, we can demystify design and make it more inclusive.
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I have been mentoring women who are breaking into tech and design through She Code Africa. Additionally, I mentor on ADPList, guiding emerging designers worldwide on career growth. Last year, I partnered with the Interaction Design Foundation (IxDF) to provide free and discounted memberships, extending access to high-quality courses that many may not otherwise be able to afford. I also run a Telegram tech community of over 800 designers, where I regularly share opportunities like jobs, internships and courses that can help someone to take the next step in their career. Altogether, these efforts have allowed me to support hundreds of aspiring designers in building strong foundations and finding their place in the industry.
PT: How do you stay up-to-date with the latest design trends and technologies, and what resources would you recommend for others looking to do the same?
Ms Harmony: I stay up to date by staying active online, especially on Twitter (X). It may sound a little cheesy, but it genuinely works for me. I follow thought leaders and official design team accounts like Google Design, Microsoft Design, and tools like Figma and Framer on Twitter (X) and LinkedIn. I also make it a point to experiment with new tools as they are released, particularly AI-powered ones like Figma Make, Cursor, Lovable, and Stitch. From time to time, I complement this with online courses, which help me strengthen my foundation and stay adaptable.
For others, I would recommend a balance: structured learning through platforms like the Interaction Design Foundation or Coursera, paired with mentorship opportunities on ADPList or She Code Africa for aspiring African women in tech. That mix of formal education, community learning, and hands-on exploration is what keeps you not only up to date but truly adaptable in such a fast-moving field.
PT: What message would you like to convey to women and underrepresented groups who are interested in pursuing a career in tech and design, but may be hesitant or unsure?
Ms Harmony: My message would be simple: you belong here. Tech and design can sometimes feel intimidating, especially when you don’t see many people who look like you in the room, but your perspective is not just valid, it’s valuable. The industry needs diverse voices and experiences to create solutions that work for everyone. If you are hesitant, start small. Take a course, join a community like She Code Africa and surround yourself with people who will support and encourage you. Do not wait until you feel “ready”; none of us ever really does. Growth comes from trying, learning, and showing up consistently.
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