Entertainment
Kizz Daniel’s buga Featuring Tekno Debuts At No 1
Buga tallied 11.4 million equivalent streams (No. 1 on streaming, up 1900%) and 47.5 million in radio reach (No. 2 debut on radio).
In the process, it sets a new record for the biggest streaming week ever in a week since TurnTable Charts began tracking in July 2020 – breaking the previous record held by Pheelz & BNXN’s “Finesse”
Additionally, it sets a new record for the biggest total activity by a song in history; again surpassing the record previously held by “Finesse” on chart dated on March 14, 2022. Interestingly, the record for biggest streaming week/biggest total activity have been broken three times in 2022; “Baddest Boy (Remix)” on January 31, “Finesse” on March 14 and “Buga” on chart dated May 16. All three songs were boosted by record-breaking streaming numbers during the tracking week.
“Buga” is Kizz Daniel’s third No. 1 entry on the Top 50 – same as Omah Lay and Burna Boy, and two behind Davido who holds the record for most No. 1s on the chart. “Buga” is Tekno’s first chart topper in Nigeria.
The song contains production credit for both Reward Beatz and Blaise Beatz – the latter has emerged as the No. 1 producer of Q1 2022 and this marks his third No. 1 entry on the Top 50 (all with Kizz Daniel). Reward Beatz tops the chart for the first time after a previous top 10 entry on “Oshe” by Kizz Daniel with The Cavemen.
Black Sherif’s “Kwaku The Traveller” drops to No. 2 after leading the Top 50 for five consecutive weeks. It tallied 3.36 million equivalent streams (No. 2 on streaming, down 16%) and 37.8 million in radio reach (No. 7 on radio, down 14.5%)
Fireboy DML’s “Playboy” drops 2-3, it continues to lead the radio chart after tallying 50.5 million in radio reach (down 1%) and 2.17 million equivalent streams (No. 6 on streaming, down 11%).
Camidoh’s “Sugarcane (Remix)” with Darkoo, Mayorkun and King Promise rises to No.4 on this week’s Top 50; it tallied 2.97 million equivalent streams (No. 4 on streaming, up 51%) and 27.3 million in radio reach (No. 14 on radio, up 380%).
Rema’s “Calm Down” drops 4-5 on this week’s top 50; the song has spent all of its 13 weeks on the chart in the top five. It peaked at No. 2.
Asake’s “Sungba (Remix)” with Burna Boy slides 3-6 after toping the chart for one week. Young Jonn’s “Dada (Remix)” with Davido holds at its No. 7 peak for another week.
Rounding out this week’s top ten; Pheelz & BNXN’s “Finesse” falls 5-8 after topping the chart for three weeks. BNXN’s “Kilometer (Remix)” with Zinoleesky slips 6-9 while Victony’s “Kolomental” debuts at No. 10 – following the release of the artiste’s Outlaw EP.
“Kolomental” is Victony’s second top ten entry – after the No. 2-peaking “Holy Father” with Mayorkun. It tallied 1.02 million equivalent streams (No. 24 on streaming) and 40. 6 million in radio reach (No. 5 on radio) and 2.95 million in TV reach (No. 48 on TV).
Just outside this week’s top ten; Naira Marley’s “o dun” with Zinoleesky debuts at No. 12 while T Dollar’s “Rise” starts at No. 21, Jack Harlow’s “First Class” at No. 20 and FUTURE’s “WAIT FOR U” with Tems and Drake at No. 25.
Ahead of next week’s Top 50 which will see five major releases aim to debut and challenge for No. 1, Kizz Daniel’s “Buga,” Burna Boy’s “Last Last” and Spinall & Asake’s “PALAZZO” are the leading the race.
Entertainment industry: platform to create jobs for Nigerian youths
Mrs Bolanle Austine-Peters, a movie producer on Sunday said that the entertainment industry can serve as a veritable platform for creating jobs for Nigerian youths.
The movie producer disclosed this in Lagos that the multi-billion naira industry was capable of generating huge revenue for the nation as well.
Austine-peters, also the founder of Terra Kulture, a cultural firm, said that the industry was also capable of employing millions of youths in all field of endeavours across the country.
According to her, the industry is the third largest employer of labour around the world, and it has contributed meaningfully to the development of the nation.
“The industry is full of creativities and potential that is capable of developing a country.
“The industry has removed millions of youths off the streets and also contributed meaningfully to the nation’s Gross Domestic Product (GDP),’’ she said.
She commended Nollywood practitioners for projecting the country’s fashion and movie industry positively around the world.
“Africa fashion, style and movie industry is trending and it is gaining world recognition.
“African movies, most especially Nollywood has taken over the global market.
“There is no where you will go to in the world that they do not recognise and appreciate Nollywood movies, Nigerian movie will get soon,’’ she said.
Austine-Peters said that her firm had empowered and trained so many youths on artistes, movie productions and visual arts.
“We have been doing our best and we will continue to extend our social/corporate responsibility to the people, especially to the youth,’’ she said.
She said that her firm equally organises exhibitions forum monthly for artistes, movie producers and visual artists to showcase their creativity and talents to the world.
Austine-peters also appealed to the Federal Government to create more enabling environment for the industry to thrive.
The Tide Entertainment reports that International stars Busta Rhymes and Gunna topped the bill, while the festival showcased a powerhouse roster of African talent including Wizkid, Tiwa Savage, Shenseea, Phyno, Fave, Juma Jux, Qing Madi, and Diamond Platnumz, among others.
The festival launched December 7 with an eye-catching opening ceremony featuring aerial ballet performers, establishing an elevated artistic vision for the weeks ahead. That first night brought Nigerian heavyweights Wande Coal, Young Jonn, Ice Prince, Darey, Fola, Shoday, and Jerry Shaffer to the stage.
The Federal Ministry of Art and Culture partnered with the festival, with Minister Hannatu Musa Musawa acknowledging Detty December Fest as a vital force in Nigeria’s cultural landscape. She emphasized its impact on amplifying the country’s creative presence internationally and driving holiday tourism.
The 2025 edition raised the bar for live entertainment in Lagos, building on Detty December’s established reputation as a catalyst for tourism, entertainment, and economic growth during the year-end season.
The milestone was confirmed on Monday by FilmOne, the movie’s distributor, who announced that the film is now the fastest title in West Africa to cross ?1 billion. The achievement further cements Akindele’s dominance in the Nigerian film industry.
Since its release, Behind the Scenes has shattered multiple records. It posted the highest single-day box office gross ever on Boxing Day, earning an impressive ?129.5 million. It is also the highest-grossing film of 2025 so far, and remarkably, it marks Akindele’s third movie to cross the ?1 billion mark, a feat no other director has achieved.
The Tide Entertainment reports that with this latest success, Akindele has strengthened her position as Nollywood’s highest-grossing producer of all time, becoming the first filmmaker to deliver three billion-naira blockbusters within a single calendar year.
Reacting to the achievement, the actress and filmmaker expressed heartfelt gratitude to her supporters, collaborators, and distributors, while also revealing the film’s growing international reach.
“Over the years, I’ve always valued my fans, because without God and you, I am nobody,” she wrote.“Thank you all for coming out to watch this movie and for supporting my brand through the years.Thank you to the distributors, my colleagues—especially those not in the movie who still came out to meet and greet my fans.Big love to the cast and crew. This is only the beginning; let’s take Behind the Scenes even further.”
She also disclosed that the film is currently screening in cinemas across two European countries and the United States, signaling its expanding global appeal.
Akindele’s box office dominance has been nothing short of historic. In 2023, Battle on Buka Street became Nollywood’s highest-grossing film with ?640 million. She raised the bar again in January 2024 when A Tribe Called Judah became the first Nigerian movie to hit ?1 billion. Later that year, Everybody Loves Jenifa broke another record, grossing ?1.6 billion to become the highest-earning film in West African history.
Nigerian singer Innocent Idibia, popularly known as 2Face, has revealed his former bandmate Faze’s position in the long-running rift between him and their other ex-bandmate, Blackface.
The Tide Entertainment recalls that Blackface and 2Face have been involved in an on-and-off feud over the years, with the former repeatedly accusing the latter of intellectual property theft, allegations 2Face has consistently denied.
Addressing fans midway through his performance at the Made in Benue Festival in Makurdi recently, 2Face said Faze has maintained a neutral stance in the dispute between him and Blackface.
He stressed that the rift does not involve Faze in any way.
“You all know that Plantashun Boiz consisted of Blackface, 2Face and Faze. But due to some unforeseen circumstances, Blackface is not with us right now.
“However, no matter the beef wey me and Blackface get, nothing concern Faze inside. So, Faze is right here with me and we will represent Plantashun Boiz,” he said.
The rift between Blackface and 2Face began after Plantashun Boiz disbanded in the 2000s.
Following their split, Blackface blamed 2Face for the breakup and accused him of song theft.
The relationship between the duo has remained strained over the years despite several attempts at reconciliation, with peace efforts often short-lived.
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