Entertainment
PH Gets New Museum, Zoo
Stakeholders in the tour
ism industry in Nigeria converged last week in Port Harcourt for the pre-opening facility tour of the Museum of African History and Culture, and Zoo located in the Brooklyn Tourist Centre, Rumuosi near the University of Port Harcourt.
The complex is the brain child of one of the leading tourism practitioners in the country, Alabo Mike Amachree, the former President of the Association of Tourism Practitioners of Nigeria (ATPN).
The Museum has history of top Manarchs who has left indelible marks in the history of Nigeria.
After being taken round the complex to see the zoo and the museum, the practitioners also visited the chairman of the Rivers State Council of Traditional Rulers, His Majesty Dandeson Douglas Jaja, the Amayanabo of Opobo.
Amachree described tourism as a major economic activity which generates income and also creates employment for the people.
He said for a country or state to attract tourists of local and international status, there was the need for such infrastructures and super structures capable of attracting tourists to be put in place in addition to the tourists attractions.
According to him, it was on that basis that the practitioners visited the monarch to make suggestions on how the state could build its tourism profile so as to attract tourist.
The former ATPN President stated that Rivers State with international airport, seaport and network of roads, and the petroleum industry, has comparative advantage over other states in the country for tourists’ inflow.
He noted that Rivers State was the first state in Nigeria to establish a tourist site known as Isaka Holiday Resort in 1967 by the first Military Governor of the Old Rivers State, King Alfred Diete-Spiff while he (Amachree) established the second one called Port Harcourt Tourist Beach.
“It is also n record that my association the ATPN organized the first Abuja carnival under my leadership in 1991 as well as the second Rivers State Cultural and Musical Carnival tagged RIVCAM 93”, he said.
He remarked that tourism was not about building hotels and organizing carnival, but that emphasise should be laid on developing high class tourist sites and museums where our history, cultural relics, artifacts and monuments would be permanently exhibited for admiration of visiting tourists.
“The tour operators would then market the sites and bring in visitors”, he said adding that development and promotion of tourism is entirely a private sector affair while government provides enabling environment.
He said traditional rulers, as custodians of culture, history and tradition should be assisted by the government to equip their palaces with relics and artifacts to promote tourism in various communities.
Amachree charged private investors and the government to open up rural areas by establishing private tourists sites which would create more jobs.
Responding the Amayanabo of Opobo praised Amachree for his consistency in efforts towards developing tourism in the country and expressed excitement at the new museum of African History and Culture.
He noted that if tourism is developed to its full potentials, oil would take a back seat and promised to take the message to the government.
Chris Oluoh
Funke Akindele’s Behind The Scenes becomes Nollywood’s highest-grossing film of 2025, earning ?1.77bn in under four weeks.
Multi-award-winning actress and producer Funke Akindele has done it again, and this time, the numbers speak louder than applause.
Her latest film, Behind The Scenes, has officially emerged as the highest-grossing Nollywood film of 2025, pulling in an astonishing ?1.767 billion in less than four weeks.
The Tide Entertainment reports that Funke Akindele Makes Box Office History as Behind The Scenes Crosses ?1.77bn
Earlier in its release cycle, the film’s distributor, FilmOne Entertainment, revealed that Behind The Scenes smashed five opening-weekend records, including the highest single-day gross ever recorded on Boxing Day, with ?129.5 million in one day. That announcement already hinted that something unusual was unfolding.
Reacting to the milestone, FilmOne described the moment as both surreal and communal, crediting audience loyalty for pushing the film to the top spot once again as the number-one movie of the weekend. And that sentiment feels accurate. This wasn’t just ticket sales; it was momentum.
What makes this achievement even more striking is that Behind The Scenes is Funke Akindele’s third film to cross the ?1 billion mark. Before now, there was A Tribe Called Judah, and then Everybody Loves Jenifa, a film that didn’t just open big, but went on to become the highest-grossing Nollywood film of all time. At this point, it’s no longer a fluke. It’s a pattern.
Part of Behind The Scenes’ success lies in strategy. The film enjoyed advanced screenings on December 10 and 11, quietly building curiosity and conversation before its nationwide release on December 12. By the time it officially hit cinemas, audiences already felt like they needed to see it.
Then there’s the cast. The film brings together a lineup that feels deliberately stacked: Scarlet Gomez, Iyabo Ojo, Destiny Etiko, Tobi Bakre, Uche Montana, and several others. Familiar faces, strong fan bases, and performances that kept word-of-mouth alive long after opening weekend.
Still, beyond timing and casting, there’s something else at work here. Funke Akindele understands Nigerian audiences. Their humour, their pacing, their emotional buttons. She doesn’t guess, she calculates, experiments, listens, and refines. That understanding has slowly turned into box-office dominance.
Behind The Scenes crossing ?1.77 billion isn’t just another headline; it’s confirmation. Funke Akindele has moved from being a successful actress to becoming one of the most reliable commercial forces Nollywood has ever produced. Three-billion-naira films don’t happen by luck. They happen when storytelling, business sense, and audience trust align.
And right now, that alignment seems firmly in her hands.
Popular Nigerian music stars, Adekunle Kosoko, widely known as Adekunle Gold, and his wife, Simi, have become parents again this time to twins.
The award-winning singer shared the joyful update on his Snapchat story on Wednesday, confirming the expansion of their family.
“Asked God for another child and he blessed me double,” she wrote.
While the couple has not yet disclosed the gender of the newborns, the announcement has sparked an outpouring of warm wishes from admirers, fellow celebrities, and industry colleagues.
Speculation had intensified in December when Simi posted a video on Instagram accompanied by the caption, “From my baby, for my babies.”
The clip showed her with a growing baby bump, fueling anticipation that another child was on the way.
Their latest blessings arrive just weeks after Simi highlighted a scene from Adekunle Gold’s newly released music video, “My Love is the Same,” further stirring excitement among fans.
The Tide Entertainment reports that Adekunle Gold and Simi who tied the knot in 2019 after a long history of friendship and musical synergy remain one of Nigeria’s most admired entertainment power couples. Both artistes were once signed to X3M Music before soaring into mainstream acclaim.
The pair welcomed their first child, Adejare Kosoko, fondly called Deja, in May 2020.
After closing out 2025 with the release of “Praise the Lord” featuring Magnito, Jesse Flames enters the new year with renewed clarity and purpose, continuing to build a body of work rooted in intention rather than noise. In a moment where Afrobeats is moving faster and louder than ever, his approach remains measured and deliberate, prioritizing meaning, craft, and longevity over momentary attention. The official music video arrives January 10.
Following the momentum of his breakout single “FLEX,” “Praise the Lord” represents a shift from celebration to grounding. Reflective and soulful, the record centers gratitude, growth, and perspective, capturing a quieter confidence that resonates beyond a single moment.
“This song is about recognizing the full picture,” Jesse shares. “The work people see and the work they don’t. The lessons, the setbacks, the growth.”
The collaboration with Magnito, a respected voice in Nigerian hip hop known for his sharp lyricism and cultural authenticity, adds depth and weight to the record, reinforcing its themes of resilience, faith, and self reflection.
Released in December at the height of Detty December, “Praise the Lord” became a natural soundtrack for both celebration and reflection as the year came to a close. With the video arriving in January, the record takes on new meaning, opening the year as a tone setter rather than a reset.
Born in the United States, raised in Festac, Lagos, and now based in London, Jesse Flames brings a global perspective to his sound, blending Afrobeats, hip hop, and melodic soul into something sleek and intentional. His music reflects lived experience and cultural nuance rather than trend chasing.
The Tide Entertainment reports that with over 11 million streams, performances at O2 Brixton Academy and OVO Arena Wembley, and coverage from The Guardian and Business Post Nigeria, Jesse’s rise has been steady and self made. Looking ahead to 2026 and 2027, he is preparing for collaborations with Ice Prince, M.I Abaga, and Smurlee.
“Praise the Lord” ft. Magnito is available now on all streaming platforms.
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