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Nigerian Music Industry In Limbo … As COSON, MCSN Battle On

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The long battle between Copyright Society Of Nigeria (COSON) and Music Copyright Society Of Nigeria (MCSN) as to who is legally responsible to act as a collective management organisation/collective society (CMO) or simply put collect royalties on behalf of artistes rages on.
Recently, MCSN issued a release which was made available to the media that they have been empowered by the Nigerian Copyright Commission (NCC) to be the sole CMO for the Nigerian Music Industry (NMI).
In a bid in putting a tie to the subtle campaign in certain quarters and affirming the progressive direction and development of the collective administration of copyright in Nigeria, the NCC has granted to the Musical Copyright Society Of Nigeria Led/GLC (MCSN) the renewal of its approval license.
Its approval or license to continue to operate as a Collective Management Organisation (CMO) in accordance with the provisions of the copyright Act, Cap c.28 Laws of the federation of Nigeria 2004 and the copyright (Collective Management Organisation) Regulations, 2007.
“The renewal of MCSN’s approval to continue to operate as CMO or collecting society for musical works and sound recordings was conveyed by a letter dated 22nd December, 2020 from the NCC”, the release reads in part.
The release also declares that COSON’s approval to operate as CMO has been suspended since 2018 and thus has no legal standing to operate in the capacity of a CMO. But in a counter move, COSON also released a statement of their own, warning the general public not to seek any license for the use of any musical works or sound recordings in the repertoire of COSON from MCSN.
The statement issued by COSON’s General Counsel, Ms Simi Wash-Pam reads in part:” the recently announced so called renewal of approval of MCSN by the NCC led by Mr John Asein is of little significance. This is so because the maneuvering still cannot permit MCSN to legally license musical works or sound recordings not owned by it or which have not been placed in its repertoire by lawful proprietary assignments or by means of any reciprocal representative agreements lawfully entered.
Ms Wash-Pam also emphasised that under no circumstances is MCSN or any of its agents legally authorised to represent COSON or any of the thousands of members COSON or lawfully license the use of any of the millions of musical works and sound recordings in the repertoire of COSON as non of the works whether here or international are intellectual property belonging to individual has been assigned to MCSN.
Wash-pam was equally emphatic that not even the Nigerian copyright commission has the power under any law known in Nigeria to authorise MCSNvor anyone else to license the musical works and sound recordings lawfully assigned to COSON or placed in the COSON repertoire by means of any reciprocal representation agreement.
From the foregoing, it does appear the Nigerian music industry maybe in a limbo as both COSON and NCSN have artistes registered with them separately. Representation by the CMO requires that artiste is registered with a CMO, thus granting the CMO powers to act on its behalf they operate using a fee schedule, for instance blanket licenses which allows user to make use of the entire contents represented by the CMO for a prescribed period.
However, the NCC has been empowered by Nigerian copyright Act (NCA) 2004 to grant licenses to CMO to operate and act on behalf of copyright owners. By the current development, only MCSN has the blessing of NCC to act as Nigerian sole CMO but the bottom line in the development and the contention of COSON is that MCSN cannot represent artistes registered with them.

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Why Fans No Longer Faint For Musicians – Paul Okoye

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Nigerian singer and half of the defunct P-Square duo, Paul Okoye, aka Rudeboy, has claimed that social media has reduced the prestige and value fans attached to musicians due to the mystique that artistes had before the era of social media.
Speaking in a recent interview with Lun Lifestyle TV, Rudeboy argued that social media, despite all its benefits, has shattered the illusion of artistes being mysterious and godlike.
This he said has reduced the buzz artistes previously enjoyed whenever their fans got the opportunity to see them whether physically or visually.
The ‘Reason With Me’ crooner explained that because artistes are no longer mysterious, fans are no longer eager to watch them in music videos.
He claimed that shooting music videos is now a waste of money.
Rudeboy said, “Music videos somehow now, because of this generation, is a waste of money. I am sorry to say this. But do you remember us [P-Square] before? You don’t see us anywhere. You just watch music videos, you see us and that’s it, or we come to your country, you see us.
“The reason you don’t see people faint for artistes anymore is because they see them on TikTok every day dancing and promoting your music. If Michael Jackson was alive now and doing promotional content on social media, nobody would see him and faint.
“Unfortunately, it’s too late for us to bring back the era of artistes being mystiques. How can you advise an artiste to post every day? How? Post what? You don’t need to.
“Social media brought positive change to the industry but it also led to ‘see-finish.’ Artistes are now too exposed. Fans see how they eat, cry. Before when artistes go to club, they stay in restricted VIP areas, but now when they are clubbing, everyone is filming.”

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Davido’s Aide Offers Cash Reward For Missing Phone At Zlatan’s Wedding

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Afrobeats superstar, Davido’s aide, Damilare Aladegbola, popularly known as Dre, has offered a cash reward to whoever returns his phone, which he claims went missing during rapper Zlatan Ibile’s wedding ceremony.
Dre made the appeal in a post on his Instagram page on Monday, pleading with the person who allegedly took the device to return it in exchange for money.
“If na u carry my phone for Zlatan wedding, abeg return am, I go give you money please,” he wrote.
The aide also expressed frustration over what he suggested was a method being used to take phones at social gatherings.
He said he would no longer tolerate waiters asking whether guests had finished eating so they could clear their plates, alleging that the practice could provide an opportunity for phones left on tables to be taken.
“From now on, if I go any party or dey any party and any stupid waitress tell me say are you done eating so I can pack your plate, na swear I go swear for you cause na pattern wey una dey use pack phone for table be that now,” he added.
However, Dre did not identify anyone suspected of taking his phone or provide further details about how the device went missing.
Zlatan Ibile tied the knot with his longtime partner, Davita Lamai, during a traditional wedding ceremony on Saturday, October 24, 2026.
The ceremony, held in Lagos, attracted several celebrities, fans and well-wishers, with Davido among the prominent guests and leading the groomsmen.

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I Ran Away From Nigeria, Never Wanted To Come Back-Chidinma

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Popular singer, Chidinma Ekile has revealed that before transitioning from secular music to the gospel genre, she “ran away” from Nigeria.
Speaking at a recent Eezee Conceptz event, Chidinma explained that she travelled abroad and wanted to secure permanent residency because she didn’t want to return to Nigeria, but failed.
She revealed that while she was abroad, the CEO of Eezee Conceptz was the only person calling her from Nigeria, so she decided to work with him upon her return.
“I travelled. I ran away from Nigeria. I was processing my papers not to come back to Nigeria, but for some reason, it didn’t work.
“While I was abroad, the CEO of Eezee Conceptz was the only one who was calling me from Nigeria. He kept encouraging me, and I found the strength to come back to Nigeria. When I came back, I asked him to give me a gospel music contract because I want to spend time with God. And he gave me a contract that even my lawyer said seemed like a charity,” Chidinma stated.
The music star added that she did not transition into gospel music because she wanted to make gospel, but because she wanted a serious relationship with God.

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