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Night Life In Port Harcourt … Places To Catch Fun

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Port Harcourt,widely known as Garden city is a bubbling capital city in the country. It is a place every Nigerian with taste for the good things of life want to visit and spend their vacation.

At a time, it was common gossip that the most fashionable people and beautiful women in Africa were in Port Harcourt. The emergence of Agbani Darego from the riverine speaking area of the state as the first African to clinch the coveted crown of Miss World, Most Beautiful

Girl in the World. reinforced the talk that the most beautiful queens were found in this trendy city. It is common knowledge that life is not cheap in Port Harcourt because the women like every glamour girl are not cheap. You see some of them in their radiance and beauty at red light districts in new GRA area of Port Harcourt where you find most of the night clubs.

Before Chibuikc Amaechi came on board as governor in his first term, night life was almost at a halt because miscreants and brigands who masqueraded as militants had held the state under siege. So most residents and party lovers had no choice but to remain indoors after close of work.

But when Amaechi assumed office, one of the first task he undertook was to dislodge these  hoodlums from the city. He smoked them out from their hideouts with the aid of the Joint Task Force. JTF. The few who were lucky to escape arrest and prosecution by the security body fled the town. Night life resumed again, this time more colourful in almost all parts of the city.

Virtually all major streets you find drinking spots, with Nijajams blaring from speakers from 8pm and sometimes till dawn. It is difficult to tell which is a night club in this city because these drinking spots operate also as night clubs from 8pm, even some restaurants and car wash do too.

You spend about thrice the amount for any call girl in other states, in Port Harcourt. This is simply because thc girls are rated in a class of their own.

Most guys begin their evenings with their lady friends at the Silver bird cinema. From the movie hall. they empty into the bar where there is a live Disc Jockey, DJ, dishing out jams from his corner at the har. Later. they move out to other night clubs in new GRA and other parts of Port Harcourt. The list of night clubs. restaurants/bars and car wash-turned night clubs is endless.

You see all manner of charming babes at these spots mostly at weekends. Live Disc jockey, DJ, dishing outjams from his corner at the bar. There are those they nick named 100 level (those between 18 to 21) and these ones are the most patronised even if they ask for as much as ten, twenty thousand to give a guy good company for a night.

The girls prefer night at hotels with guys. According to Nkechi, “night at hotels with the guys shields her from all kinds of harassment”. She said no woman for instance would walk into the room in a hotel to embarrass her for spending night with the husband.

night life lire in the city has also brought brisk business for operators of popular drinking spots. At some or them a bottle of Heineken sells as high. as five hundred to eight hundred naira, sometimes even at one thousand. two hundred naira. Choice drinks like Hennessey, Black label go for as much as twenty five thousand naira at some ofthe spots.

These drinks are taken with ‘point and kill’ i.e. fish made into pepper soup. The customer is led to a makeshift pond in the bar or club and given the opportunity to point at any fish which will be used to prepare pepper soup for him and his guest (s). The price of the ‘point and kill’ varies frorn the size of the fish and the spot. Some ofthem could sell for four or five thousand naira.

Those into fast food business and suya are also counting their gains with the return of night life to the city. Sometimes, you see guys rush out of the clubs to have quick meals made from indomie prepared with fried eggs. Fast food operators mount their stands close to most of these busy spots.

There is also the angle of business for taxi drivers. You see them hang around these clubs and bars to take passengers home after a night full of fun. A taxi driver, Mr Bola told The Tide Entertaiment that he only operated at night.

According to him, he starts working from 10 pm til 5am daily while he rests in the day time. He said he makes what he calls ‘his cool money’ at night. He said all he does is to hang around these busy night clubs and restaurants turned night clubs for patronage. adding that most of his clients were girls.The taxi driver said some of the girls move to as much as three, four clubs in one night until they meet a guy that is ready to engage them for their ‘service’ for the night among the night clubs to visit are

Barracuda

Address: G.R.A. Phsse 2 Port Harcourt, Rivers State.

Bootleggers

Address: Olu Obosanjo Road, Port Harcourt, Rivers State.

Charlie’s

Address: G.R.A. Jnction Aba Rd, Port Harcourt, Rivers State.

Dan-Esther, Bodaniels Hotel

Address: Rumuplomeni, Port Harcourt, Rivers State.

Grendale’s Nite Club

Address: Presidential Hotel. Port Harcourt, Rivers State.

Illusions Night Club

Address: Orazi, Port Harcourt. Rivers State.

Le Meridien Ogeyi Place

Address: 45 Tombia Street GRA Phsse 11, Port Harcourt, Rivers State.

Morella

Address: Amodi flats  Port Harcourt, Rivers State.

Nightbox

Address: Perekule Close, G.R.A., Port Harcourt, Rivers State.

Sahara

Address: Trans Amadi Rd, Port Harcourt, Rivers State.

T’s Place

Address: Amadi Flat, Port Harcourt, Rivers State.

Barracuda

Address: Perekule Close, G.R.A, Port Harcourt. Rivers State

Blue Elephant

Address: G.R.A. Port Harcourt. Rivers State.

Blue Club

Etc.

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‘Lie From The Pit Of  Hell,’ Family Debunks Pete Edochie’s death Rumours

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The family of veteran Nollywood actor, Pete Edochie, has dismissed viral rumours circulating on social media claiming that the film icon is dead.

Reacting to the reports in a video shared on his Instagram page on Tuesday, the actor’s eldest son, Leo Edochie, described the claim as false and malicious.

“I’ve been receiving text messages and calls over the nonsense post by some people that our father, Chief Pete Edochie, is dead. It is a lie from the pit of hell,” he said.

Leo added that the actor is alive and in good health, condemning those responsible for spreading the rumour.

“Our father is alive, hale and hearty. And if you wish someone dead, two things usually happen. The person will live very long and you will die before him. Shame to all of you,” he said.

The rumour had sparked concern among fans before the family’s clarification.

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‘Mother’s Love’ Challenges Nigerian’s Film Portray Of Motherhood

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Omotola Jalade-Ekeinde critiques Nollywood’s lack of mother-daughter stories ahead of her directorial debut, ‘Mother’s Love.’ See the cast and 2026 release date.

Nollywood veteran actress Omotola Jalade-Ekeinde is making her directorial debut with a different and sharper focus. Speaking recently with Newsmen,, the screen icon highlighted a glaring void in the industry’s catalogue, which is the authentic reality of mother-daughter relationships.

“We don’t have too many films that explore or showcase the relationship between mothers and daughters,” Omotola said during the interview, describing the subject as something deeply personal to her.

Speaking honestly about raising her first daughter, she admitted she had only one mode at the time, which was discipline. “I didn’t do a good job,” she said plainly, explaining that she understood motherhood strictly through control, not softness or emotional openness.

At the centre of Mother’s Love is Adebisi, a sheltered young woman from a wealthy home whose life is shaped by her father’s rigid control. Her first taste of freedom comes through NYSC, where distance from home allows her to begin discovering who she is outside her family’s expectations. She forms a friendship with a young man from a more modest background, and through him, starts to see the world and herself differently.

But the emotional core of the film isn’t Adebisi’s rebellion. It’s her mother. Long after being presented as quiet and compliant, she slowly reveals a resolve when her daughter’s safety and future are threatened. As secrets surface and buried grief comes into view, Mother’s Love becomes less about youthful independence and more about maternal sacrifice, unspoken trauma, and the emotional costs of survival inside a patriarchal home.

The Tide Entertainment reports that the film doesn’t shy away from weighty themes by including PTSD, unresolved grief, and social inequality at the centre of the story. It is far removed from the soft-focus sentimentality that often defines Mother’s Day-style narratives.

It also marks Omotola’s directorial debut, a significant moment considering how long she has shaped Nollywood from the front of the camera. She stars in the film alongside a mix of familiar faces and newer talent, including Ifeanyi Kalu, Olumide Oworu, and Noray Nehita.

Beyond the film itself, Omotola’s  interview touched on a tension that has been simmering in Nollywood for a while now: how movies are marketed in the age of TikTok. Addressing the growing expectation for actors and filmmakers to create viral dance content to promote their work, she didn’t mince words. The pressure, she said, is exhausting and unnatural.

For her, the industry wasn’t meant to function this way. Still, she was careful not to judge anyone else’s approach. Everyone invests differently, carries different risks, and should be allowed to promote their films however they see fit.

“Do whatever you can do. It’s exhausting, it’s not natural. For me, the film industry is not supposed to be like that. We are encouraging nonsense if we are doing that. It doesn’t mean that whoever is doing it is wrong.”

Her comments arrive not long after the public back-and-forth between Kunle Afolayan and Funke Akindele over marketing styles, a debate that quickly turned into a proxy war between prestige storytelling and viral strategy. Omotola’s stance sits somewhere calmer. She understands the shift social media has brought, but she’s also clear about her own boundaries.

Omotola’s critique about the lack of mother-daughter stories isn’t unfounded. In Nollywood, mothers often exist as symbols rather than people. They’re either saintly figures who pray endlessly for their children or villains whose cruelty drives the plot forward. What’s missing is intimacy, the negotiations, and the regrets. The love that exists alongside resentment and misunderstanding.

Films rarely sit with the emotional complexity of women raising daughters in systems that also failed them. There’s little room for mothers who made mistakes but are still trying, or daughters who love their mothers while questioning the damage they inherited. Mother’s Love attempts to occupy that space, offering a more grounded portrayal that reflects lived experience rather than archetypes.

That’s where the film’s potential impact lies, in the decision to centre a relationship that Nollywood has largely flattened. If it works, it could open the door for more stories that treat motherhood as a lived, evolving reality rather than a fixed moral position.

Mother’s Love, directed by and starring Omotola Jalade Ekeinde, had its world premiere at the 50th Toronto International Film Festival on September 6, 2025. The film is set for a nationwide cinema release in Nigeria on March 6, 2026.

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Funke Akindele’s  Behind The Scenes Crosses ?1.77bn

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Funke Akindele’s Behind The Scenes becomes Nollywood’s highest-grossing film of 2025, earning ?1.77bn in under four weeks.

Multi-award-winning actress and producer Funke Akindele has done it again, and this time, the numbers speak louder than applause.

Her latest film, Behind The Scenes, has officially emerged as the highest-grossing Nollywood film of 2025, pulling in an astonishing ?1.767 billion in less than four weeks.

The Tide Entertainment reports that Funke Akindele Makes Box Office History as Behind The Scenes Crosses ?1.77bn
Earlier in its release cycle, the film’s distributor, FilmOne Entertainment, revealed that Behind The Scenes smashed five opening-weekend records, including the highest single-day gross ever recorded on Boxing Day, with ?129.5 million in one day. That announcement already hinted that something unusual was unfolding.

Reacting to the milestone, FilmOne described the moment as both surreal and communal, crediting audience loyalty for pushing the film to the top spot once again as the number-one movie of the weekend. And that sentiment feels accurate. This wasn’t just ticket sales; it was momentum.

What makes this achievement even more striking is that Behind The Scenes is Funke Akindele’s third film to cross the ?1 billion mark. Before now, there was A Tribe Called Judah, and then Everybody Loves Jenifa, a film that didn’t just open big, but went on to become the highest-grossing Nollywood film of all time. At this point, it’s no longer a fluke. It’s a pattern.

Part of Behind The Scenes’ success lies in strategy. The film enjoyed advanced screenings on December 10 and 11, quietly building curiosity and conversation before its nationwide release on December 12. By the time it officially hit cinemas, audiences already felt like they needed to see it.

Then there’s the cast. The film brings together a lineup that feels deliberately stacked: Scarlet Gomez, Iyabo Ojo, Destiny Etiko, Tobi Bakre, Uche Montana, and several others. Familiar faces, strong fan bases, and performances that kept word-of-mouth alive long after opening weekend.

Still, beyond timing and casting, there’s something else at work here. Funke Akindele understands Nigerian audiences. Their humour, their pacing, their emotional buttons. She doesn’t guess, she calculates, experiments, listens, and refines. That understanding has slowly turned into box-office dominance.

Behind The Scenes crossing ?1.77 billion isn’t just another headline; it’s confirmation. Funke Akindele has moved from being a successful actress to becoming one of the most reliable commercial forces Nollywood has ever produced. Three-billion-naira films don’t happen by luck. They happen when storytelling, business sense, and audience trust align.

And right now, that alignment seems firmly in her hands.

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