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Nigerian Music Industry In Limbo … As COSON, MCSN Battle On

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The long battle between Copyright Society Of Nigeria (COSON) and Music Copyright Society Of Nigeria (MCSN) as to who is legally responsible to act as a collective management organisation/collective society (CMO) or simply put collect royalties on behalf of artistes rages on.
Recently, MCSN issued a release which was made available to the media that they have been empowered by the Nigerian Copyright Commission (NCC) to be the sole CMO for the Nigerian Music Industry (NMI).
In a bid in putting a tie to the subtle campaign in certain quarters and affirming the progressive direction and development of the collective administration of copyright in Nigeria, the NCC has granted to the Musical Copyright Society Of Nigeria Led/GLC (MCSN) the renewal of its approval license.
Its approval or license to continue to operate as a Collective Management Organisation (CMO) in accordance with the provisions of the copyright Act, Cap c.28 Laws of the federation of Nigeria 2004 and the copyright (Collective Management Organisation) Regulations, 2007.
“The renewal of MCSN’s approval to continue to operate as CMO or collecting society for musical works and sound recordings was conveyed by a letter dated 22nd December, 2020 from the NCC”, the release reads in part.
The release also declares that COSON’s approval to operate as CMO has been suspended since 2018 and thus has no legal standing to operate in the capacity of a CMO. But in a counter move, COSON also released a statement of their own, warning the general public not to seek any license for the use of any musical works or sound recordings in the repertoire of COSON from MCSN.
The statement issued by COSON’s General Counsel, Ms Simi Wash-Pam reads in part:” the recently announced so called renewal of approval of MCSN by the NCC led by Mr John Asein is of little significance. This is so because the maneuvering still cannot permit MCSN to legally license musical works or sound recordings not owned by it or which have not been placed in its repertoire by lawful proprietary assignments or by means of any reciprocal representative agreements lawfully entered.
Ms Wash-Pam also emphasised that under no circumstances is MCSN or any of its agents legally authorised to represent COSON or any of the thousands of members COSON or lawfully license the use of any of the millions of musical works and sound recordings in the repertoire of COSON as non of the works whether here or international are intellectual property belonging to individual has been assigned to MCSN.
Wash-pam was equally emphatic that not even the Nigerian copyright commission has the power under any law known in Nigeria to authorise MCSNvor anyone else to license the musical works and sound recordings lawfully assigned to COSON or placed in the COSON repertoire by means of any reciprocal representation agreement.
From the foregoing, it does appear the Nigerian music industry maybe in a limbo as both COSON and NCSN have artistes registered with them separately. Representation by the CMO requires that artiste is registered with a CMO, thus granting the CMO powers to act on its behalf they operate using a fee schedule, for instance blanket licenses which allows user to make use of the entire contents represented by the CMO for a prescribed period.
However, the NCC has been empowered by Nigerian copyright Act (NCA) 2004 to grant licenses to CMO to operate and act on behalf of copyright owners. By the current development, only MCSN has the blessing of NCC to act as Nigerian sole CMO but the bottom line in the development and the contention of COSON is that MCSN cannot represent artistes registered with them.

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Davido Narrates How His Song Became President’s Ringtone

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Nigerian megastar, Davido shares how his father recognised that his music was getting big.
Davido says his hit single ‘Dami Duro’ was the president’s ringtone
During an interview with newsmen, Davido spoke on the early days of his career and how he eventually got his father’s approval to make music.
The Grammy nominee shared the familiar story of how he left school in Atlanta and returned to Nigeria to pursue music without his father’s blessing which later led to his business mogul dad getting him arrested.
“I don’t think he did not want me to do music, he just wanted me to be successful as whatever I did because he got a blueprint for me already,” Davido said on his father’s early reaction to his decision to make music.
“He is so supportive and he checks on everything…My dad picks my album. When I am done, I send him all the tracks and my dad goes through all the records and gives me a paragraph each,” Davido narrates the personal interest and support his Dad gives him.
“My dad gave me the name Davido…The first show I did, he arrested me, the fans, the promoters,” Davido said laughing as he narrated the story of how his father got him arrested after he returned to Nigeria without his consent and had his first show as a 17-year-old. “He just wanted me to finish school,” Davido added about his father’s insistence that he get a university degree.
The three time Grammy nominee was asked when his father recognised that his music was getting big and he revealed it was when his hit song ‘Dami Duro’ was the president’s ringtone.
“When my song was the president’s ringtone,” Davido said.
While he did not mention the president or the country, Davido is likely referring to the exploit of former Nigerian president Goodluck Jonathan who was the head of state between 2010 – 2015.
During the interview, Davido also mentioned his plans as a businessman beyond music. He revealed he had a production house called Coco House which he describes as a media house for creatives. He also added that he intends to get into crypto.

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Funke Akindele’s New Film Premiers, Dec

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Nollywood actress and filmmaker, Funke Akindele has announced that her upcoming film, Everybody Loves Jenifa, a spinoff from the Jenifa franchise will premiere in December.
“Been long you saw Jenifa!!!!”  Akindele said.
While a December premiere is confirmed, details on the film remain unknown. However, the new title, Everybody Loves Jenifa, suggests a potential return to the core elements that have made the franchise popular. With Akindele leading the creative team, viewers can anticipate the return of familiar characters and humorous storylines.
The sitcom, Jenifa’s Diary has been a major Nigerian television show since its debut in 2015. The series centres around the main character played by Akindele, and has featured Folarin “Falz” Falana, Lolo, Juliana Olayode, Lota Chukwu, Paschaline Alex Okoli, and late Aderounmu Adejumoke.
The Tide Entertainment reports that it has also had spin-offs and sequels like Aiyetoro Town (2019), which is set in Jenifa’s village, and Jenifa on Lockdown (2021).
Akindele played Jenifa in the first film in the franchise, Jenifa (2008), a village girl who travelled to the city in pursuit of fortune. Muhydeen S. Ayinde directed the movie.
The movie was nominated for four Africa Movie Academy Awards in 2009 including, Best Original Soundtrack, Best Actress in a Supporting Role, and Best Nigerian Film. For her performance in this movie, Akindele took home the Africa Movie Academy Award for Best Actress in a Leading Role.

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Halliday  Attributes Collaboration Hindrance To Sentiments, Others

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The convener, South South Media Week, Tammmy  Halliday has attributed the lack of unity and collaboration in the PortHarcourt  entertainment industry to sentiments, baggages and trust issues.
He made this known yesterday, during an interview with newsmen in Port Harcourt.
According to him, some things that spur baggages are family background, personal experience with colleagues or other people, saying that when someone has been reaped or used by  any of his colleagues or someone else, he might not want to work with some other persons because of trust issue.
This goes along with baggages, where he now sees his other colleagues as one and same with the one who used him and so this continues to hinder collaborations in the industry.
He advised that as an entertainer you should get better, visible and  exposed as the industry required.
He said  that the key factor that can help collaboration is growth, explaining that growth would make entertainers live beyond baggages, adding that if you are good at what you do, and know what you want and where you are going with it , then you are good to go.
“You can seek an advice from a legal practitioner, professional or a senior colleagues to ensure that you (entertainer) get it right.
It is not a bad idea to serve or work with someone, because you serve to rise in the industry. You have to be well  rooted, but, you should be able to know want you want and where you are going with what you do, this will help you move on, when it is no longer working for you, otherwise, you will remain there and keep complaining and then it gets to that point where you begin to see that person as a reaper,” he said.
Mr Halliday who also do corporate social responsibility award via his platform,  South South Media Week stated that critical communication is important in any situation, with a critical approach,  no doubt you will  always be on the right track.
Speaking on criteria for awarding awards, he maintained that it is on numbers, affiliations, fanbase, followership, association and sales of the person or organisation in question, saying that these also works  for collaboration with an artiste, because they are factors that facilitate growth in the industry.
Categories of award that are  awarded through the platform includes, entrepreneur award of the year, innovation award of the year and others.

Nancy Briggs

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