Entertainment
Album Review: Flavour Of Africa
On December 4, 2020, Nigerian superstar, Flavour released his seventh studio album, ‘Flavour of Africa.’ Since the turn of Flavour’s illustrious career, his brand has transcended beyond Nigeria. His albums also follow a familiar template that reflects the markets and demographics, to which he appeals.
Sounds on ’Flavour of Africa’ are well-rounded to reflect Gospel, Soukous, Highlife, Afro-pop, Sentimental Ballad, R&B, Afro-pop and Alternative sounds. Topics addressed are largely based around women, sex and love. Sometimes, they are based on empirical happenings and a lot of times, they are based on an appreciation of God.
In fact, whether Flavour was appreciating Africa or celebrating a ‘Good Woman,’ he always found a way to reference God. This is because Flavour realizes that he is a, “Product of Grace’ and a light in darkness…” He also realizes that God is the author and finisher of his journey, and he’s not afraid to create a Gospel song to reflect his faith.
While ‘Product of Grace’ is more Alternative, ‘Ebube’ is Ogene music which appreciates God in pure Igbo language. He delivers, “There is only one power and that power is Jesus Christ…” in English though. Delivered on a Ballad-esque beat, ‘Omehioma’ is an amazing interlude that extols God. ‘Product of Grace’ is tailor-made for a live performance though.
By far, the best song on the album is the Gospel-tinged opening title-track, ‘Flavour of Africa.’ While you would normally hear the track from global stars of Gospel music, Flavour used it to appreciate Africa in great detail and a double entendre. It can also be inferred that Flavour appreciates God for creating the beauty that is Africa.
While Flavour gets vulgar with the classic Igbo saying, ‘Look nyash, kill goat’ on‘Looking Nyash,’ he appreciates the pluses of a ‘Good Woman’ in Igbo, Pidgin and English. Once again he references God, “A good woman cometh from the Lord…” In fact, Flavour’s definition of a ‘Good Woman’ is one who transcends a diva and trusts in God.
But at five minutes and 10 seconds, the song is far too long. Once again, ‘Berna’ sees Flavour appreciate a woman of the same name, with the help of Tekno and Congolese star, FallyIpupa aboard a Soukous beat, straight from Francophone Africa. That line, ”Na only monkey go say you nor fine, Berna…” unlocks a new level of ‘wash.’
Flavour should have recruited Mr. P or J. Martins for the song though. ‘OmoTemi’ is Yoruba for ‘My woman’ and Flavour appreciates the beauty of a woman in the song. ‘EgwuNdi Oma’ and its Selebobo-produced Folk sound samples the classic Udodo Nnobi song, ‘ObodoEdeligo’ before breaking into an amazing love song.
‘EgwuNdi Oma’ is one of the best songs on this album. ‘Odoyewu’ is Ghanian colloquialism for a beautiful woman. ‘Bestie’ also focuses on love and a woman.
It’s not all love and God on ‘Flavour of Africa’ though, the album also addresses empirical factors like money, destiny, success and providence on an gene record. ‘Umuigbo’ means sons of Igbo or Igbo men. Like a lot of South-Eastern artists have done across 2020, Flavour also issues a public plea for unity to his Igbo kin, regardless of state of origin.
The Tide Entertainment reports that International stars Busta Rhymes and Gunna topped the bill, while the festival showcased a powerhouse roster of African talent including Wizkid, Tiwa Savage, Shenseea, Phyno, Fave, Juma Jux, Qing Madi, and Diamond Platnumz, among others.
The festival launched December 7 with an eye-catching opening ceremony featuring aerial ballet performers, establishing an elevated artistic vision for the weeks ahead. That first night brought Nigerian heavyweights Wande Coal, Young Jonn, Ice Prince, Darey, Fola, Shoday, and Jerry Shaffer to the stage.
The Federal Ministry of Art and Culture partnered with the festival, with Minister Hannatu Musa Musawa acknowledging Detty December Fest as a vital force in Nigeria’s cultural landscape. She emphasized its impact on amplifying the country’s creative presence internationally and driving holiday tourism.
The 2025 edition raised the bar for live entertainment in Lagos, building on Detty December’s established reputation as a catalyst for tourism, entertainment, and economic growth during the year-end season.
The milestone was confirmed on Monday by FilmOne, the movie’s distributor, who announced that the film is now the fastest title in West Africa to cross ?1 billion. The achievement further cements Akindele’s dominance in the Nigerian film industry.
Since its release, Behind the Scenes has shattered multiple records. It posted the highest single-day box office gross ever on Boxing Day, earning an impressive ?129.5 million. It is also the highest-grossing film of 2025 so far, and remarkably, it marks Akindele’s third movie to cross the ?1 billion mark, a feat no other director has achieved.
The Tide Entertainment reports that with this latest success, Akindele has strengthened her position as Nollywood’s highest-grossing producer of all time, becoming the first filmmaker to deliver three billion-naira blockbusters within a single calendar year.
Reacting to the achievement, the actress and filmmaker expressed heartfelt gratitude to her supporters, collaborators, and distributors, while also revealing the film’s growing international reach.
“Over the years, I’ve always valued my fans, because without God and you, I am nobody,” she wrote.“Thank you all for coming out to watch this movie and for supporting my brand through the years.Thank you to the distributors, my colleagues—especially those not in the movie who still came out to meet and greet my fans.Big love to the cast and crew. This is only the beginning; let’s take Behind the Scenes even further.”
She also disclosed that the film is currently screening in cinemas across two European countries and the United States, signaling its expanding global appeal.
Akindele’s box office dominance has been nothing short of historic. In 2023, Battle on Buka Street became Nollywood’s highest-grossing film with ?640 million. She raised the bar again in January 2024 when A Tribe Called Judah became the first Nigerian movie to hit ?1 billion. Later that year, Everybody Loves Jenifa broke another record, grossing ?1.6 billion to become the highest-earning film in West African history.
Nigerian singer Innocent Idibia, popularly known as 2Face, has revealed his former bandmate Faze’s position in the long-running rift between him and their other ex-bandmate, Blackface.
The Tide Entertainment recalls that Blackface and 2Face have been involved in an on-and-off feud over the years, with the former repeatedly accusing the latter of intellectual property theft, allegations 2Face has consistently denied.
Addressing fans midway through his performance at the Made in Benue Festival in Makurdi recently, 2Face said Faze has maintained a neutral stance in the dispute between him and Blackface.
He stressed that the rift does not involve Faze in any way.
“You all know that Plantashun Boiz consisted of Blackface, 2Face and Faze. But due to some unforeseen circumstances, Blackface is not with us right now.
“However, no matter the beef wey me and Blackface get, nothing concern Faze inside. So, Faze is right here with me and we will represent Plantashun Boiz,” he said.
The rift between Blackface and 2Face began after Plantashun Boiz disbanded in the 2000s.
Following their split, Blackface blamed 2Face for the breakup and accused him of song theft.
The relationship between the duo has remained strained over the years despite several attempts at reconciliation, with peace efforts often short-lived.