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Battle Royal As COSON’s Crisis Deepens

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That all is not well with the Copyright Society of Nigeria (COSON) is stating the obvious as things have fallen apart in the entertainment society following accusations of deceit, high handed, manipulations and incompetence against the leadership of the body, led by Chief Tony Okoroji on one side and Efe Omorogbe on the other side.
In 2010, the Copyright Society of Nigeria was born with the aim of negotiating, granting copyright licences and collecting royalties, distributing same to copy- right owners and curbing the bitting case of piracy that has plagued the Nigerian music industry. Prior to its set up, there were multiple music bodies including the Nigeria Copyright Council, Music Collective Society of Nigeria (MCSN) and the Performing Musicians Association of Nigeria (PIMAN) who had promised to represent the interest of creators (musicians).
Their failure to deliver on these promises led to the call for a singular body/Collective Management Organisation (CMO), as a result. The following organisations, WASPAN, MCSN and COSON joined to become the sole body that represents Nigerian musicians, but COSON backed with the support of other national associations, including PMAN won the battle and was fully licensed to collect royaltics and other rights on behalf of Nigerian artistes.
Almost eight years since operations kicked off, one cannot make a boast of COSON’s stability as it has been faced with unending crisis and more recently is the seeming power tussle between different factions within the body. It all came to the knowledge of the public on December 7th 2017 when COSON announced after an emergency board meeting that Okoroji had been rid of his position as COSON chairman.
Following a vote of confidence conducted by 10 active members of COSON management board, including Okoroji the vote which was conducted at the COSON House at Ikeja had stakeholders and representatives of the Nigerian Copyright Commission (NCC) responsible for regulating the activities of COSON in attendance, Okoroji was said to have lost to fellow board member and renowned talent Manager, Efe Omorogbe, who was immediately declared chairman of COSON.
Brief introduction of the prime parties involved in the crisis:
Chief Tony Okoroji: Tony Okoroji is an author and retired musician whose musical works reigned supreme in the ‘70s and ‘80s. At 29, Okoroji was elected National President of PMAN. Thereby making him the youngest president in the association’s history. The award winning entertainment stakeholder is the CEO of Tops limited, a Lagos based entertainment and events consultancy film.
Efe Omorogbe: Also a very respected executive in Nigeria entertainment, he is a co-founder of music publishing company, 5ive music group, founder and CEO music management and record company, now music limited, co-founder and director of 960 music group and longtime manager of Nigeria Pop Icon 2 Face Idibia.
On December 19, nearly a forthnight after Omorogbe took over the leadership of COSON, things took a different turn after Sir Victor Uwaifo, Head of the Organisation’s General Assembly announced the reinstatement of Tony Okoroji condemning the previously conducted change of chairmanship procedure as conspirational, the management board was also reconstituted and six members who were in support of Tony Okoroji’s removal including Efe Omorogbe were taken off COSON management board.
Omorogbe saw the action as ridiculous and unconstitutional explaining that board of directors are elected by members of COSON and as such it is impossible to dissolve/inaugurate a new board without the knowledge and participation of the members. He staged his purported comeback and reinstatement, created a lot of drama and claimed he had been reinstated by the General Assembly members who did not elect him as chairman in the first place.
According to him, you elect directors and directors choose a chairman, but in their desperation, they didn’t put all of these into account. He said the board’s decision to sack Okoroji stems from excessive cases of unethical practices and improper procedures for approval of funds releases.
Omorogbe had earlier in the year released a lengthy 9-point statement that accused Okoroji of gross abuse of power, alleging that Okoroji paid himself the sum of N22, 500,000 (twenty two million, five hundred thousand naira) through his company, Tops Limited.
He alleged that the amount was from MTN’s settlement payment for royalties without the approval and signature of both the Finance Committee Chairman, Mr Joel Ajayi and other board members which contradicts COSON’s rule that all payments above N2,000,000 (two million naira) must be approved by the board. Okoroji was also accused of misappropriating a quoted sum of N26,200,000 (twenty six million two hundred naira) as incurred by his company, Tops Ltd in the execution of the COSON’s week.
A series of events which contractually are allowed to hold on the condition that Production Company can independently generate the funding, as a collective management organisation, matters are discussed internally by members of the board before implementation, but the embattled Chairman, Tony Okoroji according to Omorogbe continues to unapologetically take actions without consulting the directorial board thus leading to cases of misrepresentation.
“He run the society like his personal hustle, it was difficult for Okoroji to separate himself from COSON as he sees COSON and himself as one” Omorogbe said. He further alleged that Okoroji has been orchestrating manipulative and deceitful devices presenting the well deserved benefits of right owners as an act of benevolence in a bid to buy over their loyalty.
He stressed that the movies are collected to be distributed, if you are a member that is what is due, you either based on general distribution or specific distribution and no single person has the power to determine whether you get stuff or you don’t get stuff, he stated.

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Funke Akindele’s  Behind The Scenes Crosses ?1.77bn

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Funke Akindele’s Behind The Scenes becomes Nollywood’s highest-grossing film of 2025, earning ?1.77bn in under four weeks.

Multi-award-winning actress and producer Funke Akindele has done it again, and this time, the numbers speak louder than applause.

Her latest film, Behind The Scenes, has officially emerged as the highest-grossing Nollywood film of 2025, pulling in an astonishing ?1.767 billion in less than four weeks.

The Tide Entertainment reports that Funke Akindele Makes Box Office History as Behind The Scenes Crosses ?1.77bn
Earlier in its release cycle, the film’s distributor, FilmOne Entertainment, revealed that Behind The Scenes smashed five opening-weekend records, including the highest single-day gross ever recorded on Boxing Day, with ?129.5 million in one day. That announcement already hinted that something unusual was unfolding.

Reacting to the milestone, FilmOne described the moment as both surreal and communal, crediting audience loyalty for pushing the film to the top spot once again as the number-one movie of the weekend. And that sentiment feels accurate. This wasn’t just ticket sales; it was momentum.

What makes this achievement even more striking is that Behind The Scenes is Funke Akindele’s third film to cross the ?1 billion mark. Before now, there was A Tribe Called Judah, and then Everybody Loves Jenifa, a film that didn’t just open big, but went on to become the highest-grossing Nollywood film of all time. At this point, it’s no longer a fluke. It’s a pattern.

Part of Behind The Scenes’ success lies in strategy. The film enjoyed advanced screenings on December 10 and 11, quietly building curiosity and conversation before its nationwide release on December 12. By the time it officially hit cinemas, audiences already felt like they needed to see it.

Then there’s the cast. The film brings together a lineup that feels deliberately stacked: Scarlet Gomez, Iyabo Ojo, Destiny Etiko, Tobi Bakre, Uche Montana, and several others. Familiar faces, strong fan bases, and performances that kept word-of-mouth alive long after opening weekend.

Still, beyond timing and casting, there’s something else at work here. Funke Akindele understands Nigerian audiences. Their humour, their pacing, their emotional buttons. She doesn’t guess, she calculates, experiments, listens, and refines. That understanding has slowly turned into box-office dominance.

Behind The Scenes crossing ?1.77 billion isn’t just another headline; it’s confirmation. Funke Akindele has moved from being a successful actress to becoming one of the most reliable commercial forces Nollywood has ever produced. Three-billion-naira films don’t happen by luck. They happen when storytelling, business sense, and audience trust align.

And right now, that alignment seems firmly in her hands.

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Adekunle Gold, Simi Welcome Twin Babies

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Popular Nigerian music stars, Adekunle Kosoko, widely known as Adekunle Gold, and his wife, Simi, have become parents again this time to twins.

The award-winning singer shared the joyful update on his Snapchat story on Wednesday, confirming the expansion of their family.

“Asked God for another child and he blessed me double,” she wrote.

While the couple has not yet disclosed the gender of the newborns, the announcement has sparked an outpouring of warm wishes from admirers, fellow celebrities, and industry colleagues.

Speculation had intensified in December when Simi posted a video on Instagram accompanied by the caption, “From my baby, for my babies.”

The clip showed her with a growing baby bump, fueling anticipation that another child was on the way.

Their latest blessings arrive just weeks after Simi highlighted a scene from Adekunle Gold’s newly released music video, “My Love is the Same,” further stirring excitement among fans.

The Tide Entertainment reports that Adekunle Gold and Simi who tied the knot in 2019 after a long history of friendship and musical synergy remain one of Nigeria’s most admired entertainment power couples. Both artistes were once signed to X3M Music before soaring into mainstream acclaim.

The pair welcomed their first child, Adejare Kosoko, fondly called Deja, in May 2020.

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Jesse Flames Opens 2026 With ‘Praise The Lord’ Featuring Magnito

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After closing out 2025 with the release of “Praise the Lord” featuring Magnito, Jesse Flames enters the new year with renewed clarity and purpose, continuing to build a body of work rooted in intention rather than noise. In a moment where Afrobeats is moving faster and louder than ever, his approach remains measured and deliberate, prioritizing meaning, craft, and longevity over momentary attention. The official music video arrives January 10.

Following the momentum of his breakout single “FLEX,” “Praise the Lord” represents a shift from celebration to grounding. Reflective and soulful, the record centers gratitude, growth, and perspective, capturing a quieter confidence that resonates beyond a single moment.

“This song is about recognizing the full picture,” Jesse shares. “The work people see and the work they don’t. The lessons, the setbacks, the growth.”

The collaboration with Magnito, a respected voice in Nigerian hip hop known for his sharp lyricism and cultural authenticity, adds depth and weight to the record, reinforcing its themes of resilience, faith, and self reflection.

Released in December at the height of Detty December, “Praise the Lord” became a natural soundtrack for both celebration and reflection as the year came to a close. With the video arriving in January, the record takes on new meaning, opening the year as a tone setter rather than a reset.

Born in the United States, raised in Festac, Lagos, and now based in London, Jesse Flames brings a global perspective to his sound, blending Afrobeats, hip hop, and melodic soul into something sleek and intentional. His music reflects lived experience and cultural nuance rather than trend chasing.

The Tide Entertainment reports that with over 11 million streams, performances at O2 Brixton Academy and OVO Arena Wembley, and coverage from The Guardian and Business Post Nigeria, Jesse’s rise has been steady and self made. Looking ahead to 2026 and 2027, he is preparing for collaborations with Ice Prince, M.I Abaga, and Smurlee.

“Praise the Lord” ft. Magnito is available now on all streaming platforms.

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