Entertainment
‘Rivers Artistes Deserve Better Deal’
Kikis Briggs
The music industry in
Rivers State has without doubt grown beyond our expectations since Nigeria got independence in 1960, the indigenous artistes have also achieved both fame and wealth. Despite these achievements, it is not yet ‘Uhuru’ as it has been observed that the industry today is bedeviled with mirage of problems that need urgent attention.
In a recent interview with The Tide Entertainment, Asalga Rivers State born music superstar, investor and philanthropist, Kikis Tubokikibo Briggs noted that there are a lot of challenges in the entertainment industry in RiversState, particularly the music sector. He observed that the artistes do not love themselves rather they believe in everyone for him or herself.
Mr Briggs also noted that the indigenous artistes are very lazy because once they do a song and it is aired in Radio, television stations or played in night clubs they feel they have arrived as superstars and they no longer work hard to improve on their career. The Hip-hop maestro urged the Port Harcourt based artistes to go back to their drawing boards and reconsider their iyrics which he said is lacking in most of their songs, according to him most of the songs sound gibberish. He said a good music should have three qualities, it must be entertaining, educative and informative, if these qualities are lacking in a song it is not complete and cannot stand the test of time.
The Port Harcourt homeboy and Niger Delta Hip-Hop music star said that the government and the private sector are not helping matters due to lack of investment and encouragement of the indigenous artistes. He stressed that whenever there is a mega government entertainment event, the organizers bring foreign artistes to perform, even here in Nigeria they prefer the Lagos-based Artistes and pay them millions of naira. He stressed that while the Lagos artistes are paid not less than N2 million per show their Rivers State counterparts get N20,000 or less for the same event.
The multi-talented music star maintained that the Rivers State indigenous artistes deserve a better deal in the hands of both the state government and the private sector. The disparity in artistes fees and favouritism in the choice of artistes must stop for the entertainment industry in Rivers State to survive, because what is happening in the music industry is replicated in the other sectors of the entertainment clan in the state such as movie, comedy etc. He said this is why most of the practitioners have relocated to other cities to seek for greener pastures.
He said in Lagos for instance, government and the private sector invest heavily in show business that is why the practitioners are on top of their game. The University of Port Harcourt (UNIPORT) graduate of Mechanical Engineering who later embraced music after his graduation in 2006 stated that music had been his passion right from childhood. He explained that there is a difference between potential and credential, according to him while potentials are gifts from God, credentials are qualifications attained at school.
“Early in my life I discovered that I have potential for music and I followed it with passion, though my mother never liked my idea of going into music, because she believed it would make me wayward and lead me astray, but my father Opubo S.D. Briggs thought otherwise and advised me to go ahead with my chosen career, he even wrote my first song titled “Trust Nobody” in 2006″, he said.
He explained that the song launched him into the music industry and today he has released other singles namely ‘Iriaweh’ 2007 featuring Phyno which was later remixed and featured Timaya. Other songs include “Fine Fine Girl” released in Thailand and the video was also shot in Thailand while the most recent single was released in February this year titled “You Can Make it Naija” and the music video is currently making waves in Niger Delta and beyond.
“Today my mother is short of words concerning my achievements in the industry. I have gained popularity, wealth and fame in the industry within and outside Nigeria, I have invested in the music industry in the areas of sound, stage performance, writing and production. I also run an entertainment outfit called Tup Kicks multipurpose, operating in Asia, South Africa, Thailand and Nigeria and the company is engaged in music, fashion and show businesses”, he disclosed.
Funke Akindele’s Behind The Scenes becomes Nollywood’s highest-grossing film of 2025, earning ?1.77bn in under four weeks.
Multi-award-winning actress and producer Funke Akindele has done it again, and this time, the numbers speak louder than applause.
Her latest film, Behind The Scenes, has officially emerged as the highest-grossing Nollywood film of 2025, pulling in an astonishing ?1.767 billion in less than four weeks.
The Tide Entertainment reports that Funke Akindele Makes Box Office History as Behind The Scenes Crosses ?1.77bn
Earlier in its release cycle, the film’s distributor, FilmOne Entertainment, revealed that Behind The Scenes smashed five opening-weekend records, including the highest single-day gross ever recorded on Boxing Day, with ?129.5 million in one day. That announcement already hinted that something unusual was unfolding.
Reacting to the milestone, FilmOne described the moment as both surreal and communal, crediting audience loyalty for pushing the film to the top spot once again as the number-one movie of the weekend. And that sentiment feels accurate. This wasn’t just ticket sales; it was momentum.
What makes this achievement even more striking is that Behind The Scenes is Funke Akindele’s third film to cross the ?1 billion mark. Before now, there was A Tribe Called Judah, and then Everybody Loves Jenifa, a film that didn’t just open big, but went on to become the highest-grossing Nollywood film of all time. At this point, it’s no longer a fluke. It’s a pattern.
Part of Behind The Scenes’ success lies in strategy. The film enjoyed advanced screenings on December 10 and 11, quietly building curiosity and conversation before its nationwide release on December 12. By the time it officially hit cinemas, audiences already felt like they needed to see it.
Then there’s the cast. The film brings together a lineup that feels deliberately stacked: Scarlet Gomez, Iyabo Ojo, Destiny Etiko, Tobi Bakre, Uche Montana, and several others. Familiar faces, strong fan bases, and performances that kept word-of-mouth alive long after opening weekend.
Still, beyond timing and casting, there’s something else at work here. Funke Akindele understands Nigerian audiences. Their humour, their pacing, their emotional buttons. She doesn’t guess, she calculates, experiments, listens, and refines. That understanding has slowly turned into box-office dominance.
Behind The Scenes crossing ?1.77 billion isn’t just another headline; it’s confirmation. Funke Akindele has moved from being a successful actress to becoming one of the most reliable commercial forces Nollywood has ever produced. Three-billion-naira films don’t happen by luck. They happen when storytelling, business sense, and audience trust align.
And right now, that alignment seems firmly in her hands.
Popular Nigerian music stars, Adekunle Kosoko, widely known as Adekunle Gold, and his wife, Simi, have become parents again this time to twins.
The award-winning singer shared the joyful update on his Snapchat story on Wednesday, confirming the expansion of their family.
“Asked God for another child and he blessed me double,” she wrote.
While the couple has not yet disclosed the gender of the newborns, the announcement has sparked an outpouring of warm wishes from admirers, fellow celebrities, and industry colleagues.
Speculation had intensified in December when Simi posted a video on Instagram accompanied by the caption, “From my baby, for my babies.”
The clip showed her with a growing baby bump, fueling anticipation that another child was on the way.
Their latest blessings arrive just weeks after Simi highlighted a scene from Adekunle Gold’s newly released music video, “My Love is the Same,” further stirring excitement among fans.
The Tide Entertainment reports that Adekunle Gold and Simi who tied the knot in 2019 after a long history of friendship and musical synergy remain one of Nigeria’s most admired entertainment power couples. Both artistes were once signed to X3M Music before soaring into mainstream acclaim.
The pair welcomed their first child, Adejare Kosoko, fondly called Deja, in May 2020.
After closing out 2025 with the release of “Praise the Lord” featuring Magnito, Jesse Flames enters the new year with renewed clarity and purpose, continuing to build a body of work rooted in intention rather than noise. In a moment where Afrobeats is moving faster and louder than ever, his approach remains measured and deliberate, prioritizing meaning, craft, and longevity over momentary attention. The official music video arrives January 10.
Following the momentum of his breakout single “FLEX,” “Praise the Lord” represents a shift from celebration to grounding. Reflective and soulful, the record centers gratitude, growth, and perspective, capturing a quieter confidence that resonates beyond a single moment.
“This song is about recognizing the full picture,” Jesse shares. “The work people see and the work they don’t. The lessons, the setbacks, the growth.”
The collaboration with Magnito, a respected voice in Nigerian hip hop known for his sharp lyricism and cultural authenticity, adds depth and weight to the record, reinforcing its themes of resilience, faith, and self reflection.
Released in December at the height of Detty December, “Praise the Lord” became a natural soundtrack for both celebration and reflection as the year came to a close. With the video arriving in January, the record takes on new meaning, opening the year as a tone setter rather than a reset.
Born in the United States, raised in Festac, Lagos, and now based in London, Jesse Flames brings a global perspective to his sound, blending Afrobeats, hip hop, and melodic soul into something sleek and intentional. His music reflects lived experience and cultural nuance rather than trend chasing.
The Tide Entertainment reports that with over 11 million streams, performances at O2 Brixton Academy and OVO Arena Wembley, and coverage from The Guardian and Business Post Nigeria, Jesse’s rise has been steady and self made. Looking ahead to 2026 and 2027, he is preparing for collaborations with Ice Prince, M.I Abaga, and Smurlee.
“Praise the Lord” ft. Magnito is available now on all streaming platforms.