Entertainment
Life And Times Of Goddy Oku
“In his book, ‘The Wings’, drummer-turned-guitarist, Manford Best, wrote extensively and glowingly of the pivotal role Goddy played in his music career, in the face of his (Manford’s) natural challenge”
On Friday, January 19, 2024, Chief Tony Okoroji, the Chairman of Copyright Society of Nigeria (COSON), Chief Uche Emeka Paul, Sir Angus Power Nwangwu and other members of COSON were in Ukpo, Dunukofia Local Government Area, Anambra State to pay the last respects of COSON to Engr Goddy Ogomegbunam Oku. Describing Oku as an “iconic musician…long-term motivator of the music industry…leader of the Hygrades, proprietor of Godiac Studios…a great man and a true genius”, Chief Okoroji draped the casket with the flag of COSON. To perform this rite of passage, Okoroji flew in from Lagos, Paul flew in from Abuja, Nwangwu drove in from Enugu and other members arrived from various states reflecting the esteemed regards Goddy Oku commanded in the COSON family. My experience with Goddy Oku and those of others as contained in the following dirge epitomise the essence of Okoroji’s graveside oration. Goddy was really a “long-term motivator of the music industry”.
During the Nigerian civil war, my family took refuge in Umuchima, down the valley at the outskirts of Orlu, Imo State. One evening, my father returned from Orlu with a message from my friend, Emeka Ifejika, that Biafra Army Officers Training School (BAOTS) was setting up a pop band and they were searching for a bass guitarist. Goodness gracious!!! I was the bassist of The Hardnuts, my defunct teenage band in Port Harcourt; so, I saw it as the opportunity to avoid conscription, which had intensified at the time. Very early the next morning, I sneaked through the back into the sprawling scenic compound of Bishop Shanaham College, Orlu, which housed BAOTS and, as God would have it, I met Goddy Oku. For three hours, he drilled me on bass guitar playing, basic chord progressions and eventually accepted me as bassist/vocalist of the proposed band. An identity card and a “Pass” were quickly prepared to enable me return to Umuchima the next day, pick up my personal effects and report for duty.
With Dona Dyke (Donatus Nwadike) on drums and Goddy on lead guitar/vocals, we became The Silhouettes, a power trio that played side-by-side Sunny Nwamama of “Umunwanyi ji ukwu achodi” fame. That was at a time Jimi Hendrix Experience, James Gang, Emerson, Lake & Palmer, Cream, Grand Funk Railroad and other Power Trios were hip in Europe and America but hadn’t emerged in the West African music scene; so, our ensemble was peculiar or odd, if you prefer.
One day, Warrant Officer Murphy introduced a young man by name Justus Nnakwe (JU-Xperience) to Goddy and appealed that he (Justus) should be taught an instrument. Within two weeks, Goddy drilled Justus and transformed him from a complete neophyte to a rhythm guitarist. Eventually, JU had his first outing and The Silhouettes morphed into a four-some at an event for the Commandant of BAOTS, Colonel Tim Onwuatuegwu. Thereafter, Goddy groomed a singer whose entry gave the band a greater body and earthy sound. At the end of the civil war, I returned home to Port Harcourt, Rivers State, cofounded The Blackstones Band in January 1970 and chased the stars until 1972 when societal and family pressure leashed me back to school in the United States where I consistently earned pocket change thru playing guitar; the trade in which Goddy Oku groomed and gowned me.
Goddy mentored numerous artists in his days; the list is virtually endless. Sonny Okosuns, John Kerry, Nelly Uchendu, Panam Percy Paul, Chris Okotie, Felix Liberty, Felarday, Clement Amaechi and a host of others. Kenny Koburn (KK) once reminisced on how he broke bounds in high school to watch The Blackstones perform at Golf Course Hotel, Owerri in the early 1970s. Enamored by the performance of the bassist of the band, KK said he dropped out of school and headed to Enugu where he was tutored to play bass guitar by Goddy Oku. Subsequently, KK co-founded Founders Fifteen of Port Harcourt. In his book, ‘The Wings’, drummer-turned-guitarist, Manford Best, wrote extensively and glowingly of the pivotal role Goddy played in his music career, in the face of his (Manford’s) natural challenge. Before his demise, Prof Frank Onyezili (Frank Zilly of The Fractions) narrated to me the crucial role Goddy played in his music career before he returned to school. Goddy it was who played the classical guitar interlude in “Igede” by Celestine Ukwu. Arguably, “Igede” stands out as the first instrumental music in the Highlife genre and one of the most memorable songs of Celestine Ukwu.
Over the years, Goddy and I maintained contact and I visited him periodically. We even planned that he’d do one week with me in Port Harcourt and we’d embark on a musical pilgrimage to Abak, Akwa Ibom State to visit Emmanuel Ntia of Solo Hit fame, but that didn’t come to fruition. However, when JU came home in April 2021, I hopped into Enugu on the 13th and the three of us spent one night of reminiscences. We put two mattresses on the floor in Goddy’s parlor and played guitar and talked all night. We relived our collective experiences and walked through the engagements we played during the civil war. It was a memorable night.
JU Xperience, Goddy and
The next morning, April 14, 2021, we took a group photograph without realising that that would be the last time we’d see each other. First, JU sailed to the great beyond in far away China and now Goddy is gone; a rather grim reminder of my sitting at the “Departure Lounge of Life”.
May the creative soul of Godfrey Ogomegbunam Oku rest in the Bosom of God, Amen.
Jason Osai
Entertainment
“The Legal Day” 2025: Alliance Française Port Harcourt, Moves to Promote French Via Law
In a bid to promote the French language through law and build bridges between communities the Alliance Française Port Harcourt, in collaboration with the Embassy of France in Nigeria has organized the 2025 edition of “La Journée du Droit” (“The Legal Day”)
The event which took place at Alliance Française auditorium was a civic and linguistic celebration designed to help learners of French Language and young citizens discover the importance of law in everyday life.
The Tide Entertainment reports that the event featured interactive quiz sessions, exploring legal rules and civic principles in Nigeria, France, Africa and beyond, pointing out both the similarities and differences between legal systems around the world.
Throughout the day, the event featured interactive quiz sessions exploring legal rules and civic principles in Nigeria, France, Africa, and beyond, highlighting both the similarities and differences between legal systems around the world.
The initiative was aimed at encouraging reflection on the rights and responsibilities shared by all citizens and to promote the values of justice, equality, and mutual respect through the French language.
The programme which had two sessions, (Morning and Afternoon session) witnessed the participation of about 150 students from various levels of education. Ranging from the Primary, Secondary, and tertiary institution for an engaging experience of civic and legal concepts.
Schools in attendance included Surebloom International School, Pleroma High School, Casterly Rock Secondary School, and TotalEnergies Port Harcourt School.
The morning sessions saw the Participation of Alliance Française students in an interactive quiz, enhancing their French comprehension while exploring civic notions.
While the Afternoon session had students from the University of Port Harcourt – UNIPORT (French Language and Law Departments), students from the French Department from both Ignatius Ajuru University of Education and Rivers State University joined in the final rounds of the competition.
According to the director of Alliance Française Port Harcourt, Mrs Marina Lacal, all quiz questions were presented in French, then translated into English to ensure full understanding by participants, saying that winners received special prizes, as all attendees took home souvenirs from the educational and convivial event.
Mrs Lacal said that the diplomatic and educational initiative event “La Journée du Droit” (The Legal Day) sought to promote the French language through law, highlight the capacity of law to build bridges between communities and emphasize law as one of the pillars of French diplomacy.
“Through this initiative, the Alliance Française Port Harcourt continues its mission to foster intercultural dialogue, civic awareness, and the learning of French as a language of knowledge, culture, and citizenship,”?she?added.
The Garden City of Rivers State Port Harcourt at the weekend joined other parts of the world to celebrate the World Music Day, 2025, as Alliance Française showcases talents.
The event which is internationally known as Fête de la musique was held at cultural hall of the Alliance Française was a remarkable concert with memorable experience.
The event brought together music lovers, students, Artistes and members of the community For an exciting evening live performances and cultural exchange.
The Tide Entertainment reports that the world Music Day, which was created 1982 in France by the then Minister of culture, Jack Lang, ‘ Fête de la Musique’ is now celebrated in more than 100 countries every 21st June, marking the first day of summer with free concerts and musical showcases in public spaces.
In Port Harcourt, the Alliance Française honoured the tradition by spotlighting four(4) emerging artistes offering a platform to young talents shaping the city’s contemporary scene.
The audience enjoyed an unforgettable moments as they were entertained by the powerful performances from Preach A, who is known for blending fitness culture with spoken words and rhythm.
Also, artiste Emmayany delivering a vibrant fusion of afrobeat and afro pop. A singer, song writer and a performing artiste with a distinct sound.
Others were Amarachy Uko, a sensational singer with passion for soul , R&B, pop music and afrobeat.
While DJ Prospel closed the night with an energetic DJ set that got the entire hall dancing.
Earlier, the Director, Alliance Française, Port Harcourt Mrs Marina Lacal high lighted the mission of the Alliance Française saying that the event was more than a concert.
According to her, the event was put together by the Alliance Française to promote cultural diversity and foster artistic expression by connecting a long standing French tradition with creativity of the local music scene, adding that the event offerers an avenue for dialogue between culture and generations.
She stated that the event is used to promote professional and bring amateur artistes to limelight via the platform of the Alliance Française which is aimed at promoting the French Language through cultural heritage.
She explained that the celebration is also a broader series of Fête de la musique activities organized by the 10 Alliance Française across Nigeria in sync with concerts held in France and around the world simultaneously.
She further noted that the occasion reaffirms the role of Alliance Française as a cultural bridge, one where French heritage meets the pulses of Nigerian youth.
It would be recalled that no fewer than 19 artistes applied to perform at the event in Port Harcourt, but only four got approval for appearance.
The Governor of the Performing Musicians Employer’s Association of Nigeria (PMAN), Rivers State chapter, Comrade Moses Mabadeje popularly known as Mozy B said that the body has announced plans to implement performance Levy on artistes in the state with effect from 21st June.
This was carried in a statement released to The Tide Entertainment, yesterday by the Deputy Governor of the association, Comrade Abiye Howells.
According to the Governor, the announcement was made by PMAN, the only governing body that regulates the music profession in Nigeria, as authorized by the Government of Nigeria, in line with the Trade Union Act.
He stated that those affected by the Levy include (Non members)bands, groups, Hotels, Bars, lounges, Event Centres, show organizers, promoters and other stakeholders hosting events which feature live music performances within the State.
However, the Levy does not apply to members of the Performing Musicians Employer’s Association of Nigeria. (PMAN).
Comrade Moses Mabadeje, explained that this drive is aimed at financing the association and supporting the welfare and interest of musicians as outlined in Article 8 of the PMAN constitution as amended (2023). Consequently, a PMAN task force has been set up to enforce and swing into action to effect this move.
He further said that event organizers, promoters and owners of event centers are expected to comply with this regulation as the Governor has urged stakeholders to collaborate with the association to ensure the successful implementation of the levy and the peaceful co-existence between PMAN and Stockholders.
Nancy Briggs
