Entertainment
When Nollywood Tells Our Story
When dealing with whom you know, always apply the laws first. Pardon the fellow when the law entangles him. By so doing you would live in peace with those you know!
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Each time the swashbuckling Minister of Information and Communications (read Re-branding), Mrs Dora Akunyili shares a podium with Nollywood practitioners or adventurers, she takes her time to give Nollywood a good dressing down. She cuts the picture of a stringent headmistress cautioning errant school children.
Daily Triumph Newspaper of November 2009 carried just an ounce of Minister Akunyili’s peppered vitriolics against the forces aligned against her mission to rescue Nigeria’s image. She blamed Nollywood for Nigeria’s poor image and charged her to tell our own stories. She said the same thing few weeks into her appointment as Minister at an interactive workshop with Nollywood practitioners in Lagos. And I suspect, she says it everyday. She’s after all a Minister; all they do is say things.
Had Dora Akunyili not being a Minister, she might have understood the inanity of her assertion but as I fear the cordial distance Nigerian public officials maintain with reality has a way of deodorizing the embarrassing stench of empty reason. But that is hardly surprising as it emanates from a Ministry where trite ideas are routinely granted a new lease and executed with zeal that borders on mania.
How on earth will anyone blame Nollywood for Nigeria’s sorry image? Did Nollywood invent Juju or 419? Is the President of Actors Guild of Nigeria operating from Aso Rock? Pray, are Aki and Paw Paw Senate President and Vice President? Is Genevieve the Minister of Power or is Desmond Elliot the Minister of Works and Housing? Even Pete Edochie, a strong advocate of re-branding was kidnapped by a bunch of renegades the police cannot find even if they were to raise their hands in a gathering.
Minister Akunyili keeps charging Nollywood to tell our own stories, frankly, I would be very disturbed the day Nollywood begins to tell our story. The reason is that our story, quite frankly, without putting too fine a point on it, is a glorified mess.
In President’s Yar Adua’s Independence Day speech the dearth of concrete, measurable achievement led him to urge Nigerians to at least be grateful to still be alive. This is a government that returns to the treasury half of the year’s budgetary expenditure at the end of each fiscal year because it is peopled by charlatans of the first order who are so dumb they don’t even know how to spend money!
Isn’t it an irony that Nigeria is on the list of countries with the highest immigration rate to other countries only rivalled by Afghanistan and Iraq countries at war? Sundays, a maze of crowd so thick you won’t even recognize your mother flood churches and Fridays, normal activities are grounded because Nigerians have gone to find God. Yet God hardly factors in their thoughts and actions. Our politicians swear with the bible or Koran and it is common knowledge that they hold the key to the squandering of our hope. The clowns at the National Assembly have spent more days deciding how to amend the constitution than it took to write the damn document.
And come to think of it, how many times have the budget made provision for the Benin-Ore road and why is it still a death-trap? How come university students sat at home for four months due to a protracted strike and the education Minister’s children school abroad? How come we still have a ministry of health when public officials travel abroad to treat catarrh? How come we are one of the leading oil producing nations in the world and we still import fuel? How come after almost 50 years after independence we can’t even light our streets? Indeed, I’d be very worried the day Nollywood begins to tell our stories.
It is ironical that while Madam Re-branding wants Nollywood to lead the campaign to re-brand Nigeria, she is unfazed with the teething challenges confronting Nollywood. To get funding for movies is difficult even before the current global economic crises, now its impossible. The government’s film fund has not left the paper it was written on. Movie pirates now sell more copies than marketers as Nigerian Copyright Commission only proclaims her tigertude on paper. In spite of this, Nollywood has done more to promote Nigeria’s image than all the gaggle of nincompoops who parade themselves as leaders throughout the country.
Minister Akunyili is still fuming over a Sony advert that implied that Nigerians are scammers (our favourite past-time anyway) and some air-headed people too wanted an apology because District 9, a South African film purportedly claimed that Nigerians were cannibals and scammers. Emeka Mba’s Censors board and Madam Re-branding were outraged because for the first time somebody had enough balls to tell our story.
Minister Akunyili advices Nollywood to focus on the positive things and I wonder how many positive things are we reputed for? Yes, we produce a world class literary genius in Chinua Achebe but we left him in a wheel chair just because someone felt the allocation to fix the road will sit better in his private account. We sent out our soldiers to stop other people’s war (while ours rages unabated) and when they return some higher officials stole their monies and we hound them in jail when they shouted too loud. Yes, we are 150 million strong and yet we awarded the highest office in the land to a man we’ve all been asked to pray that he lives as a matter of national priority.
Studies suggest that behaviour is patterned after media content. At the same time media content reflects the value pattern of the society. And when it comes to the issue of values, ours is reeking like an open sewer. Greed, nepotism, ethnicity, corruption and the politics of the belly have eroded our value system. Successive governments have elevated corruption to a pedestal so high, its beginning to assume the character of state policy.
Minister Akunyili will be outraged at the level of support serious governments give their film industry. In Nollywood we have to rent even the shabby police uniforms we use! Freedom of Information bill remains a mirage stalling investigative journalism and critical research to produce historical films that can help our sorry image. When public officials wish to get their hands dirty, they call up consultants to draw up harebrained designs for the movie industry which they can’t even explain if their lives depended on it.
Minister Akunyili should be grateful Nollywood is not telling our story.
Entertainment
Funke Akindele’s Behind The Scenes Crosses ?1.77bn
Funke Akindele’s Behind The Scenes becomes Nollywood’s highest-grossing film of 2025, earning ?1.77bn in under four weeks.
Multi-award-winning actress and producer Funke Akindele has done it again, and this time, the numbers speak louder than applause.
Her latest film, Behind The Scenes, has officially emerged as the highest-grossing Nollywood film of 2025, pulling in an astonishing ?1.767 billion in less than four weeks.
The Tide Entertainment reports that Funke Akindele Makes Box Office History as Behind The Scenes Crosses ?1.77bn
Earlier in its release cycle, the film’s distributor, FilmOne Entertainment, revealed that Behind The Scenes smashed five opening-weekend records, including the highest single-day gross ever recorded on Boxing Day, with ?129.5 million in one day. That announcement already hinted that something unusual was unfolding.
Reacting to the milestone, FilmOne described the moment as both surreal and communal, crediting audience loyalty for pushing the film to the top spot once again as the number-one movie of the weekend. And that sentiment feels accurate. This wasn’t just ticket sales; it was momentum.
What makes this achievement even more striking is that Behind The Scenes is Funke Akindele’s third film to cross the ?1 billion mark. Before now, there was A Tribe Called Judah, and then Everybody Loves Jenifa, a film that didn’t just open big, but went on to become the highest-grossing Nollywood film of all time. At this point, it’s no longer a fluke. It’s a pattern.
Part of Behind The Scenes’ success lies in strategy. The film enjoyed advanced screenings on December 10 and 11, quietly building curiosity and conversation before its nationwide release on December 12. By the time it officially hit cinemas, audiences already felt like they needed to see it.
Then there’s the cast. The film brings together a lineup that feels deliberately stacked: Scarlet Gomez, Iyabo Ojo, Destiny Etiko, Tobi Bakre, Uche Montana, and several others. Familiar faces, strong fan bases, and performances that kept word-of-mouth alive long after opening weekend.
Still, beyond timing and casting, there’s something else at work here. Funke Akindele understands Nigerian audiences. Their humour, their pacing, their emotional buttons. She doesn’t guess, she calculates, experiments, listens, and refines. That understanding has slowly turned into box-office dominance.
Behind The Scenes crossing ?1.77 billion isn’t just another headline; it’s confirmation. Funke Akindele has moved from being a successful actress to becoming one of the most reliable commercial forces Nollywood has ever produced. Three-billion-naira films don’t happen by luck. They happen when storytelling, business sense, and audience trust align.
And right now, that alignment seems firmly in her hands.
Entertainment
Adekunle Gold, Simi Welcome Twin Babies
Popular Nigerian music stars, Adekunle Kosoko, widely known as Adekunle Gold, and his wife, Simi, have become parents again this time to twins.
The award-winning singer shared the joyful update on his Snapchat story on Wednesday, confirming the expansion of their family.
“Asked God for another child and he blessed me double,” she wrote.
While the couple has not yet disclosed the gender of the newborns, the announcement has sparked an outpouring of warm wishes from admirers, fellow celebrities, and industry colleagues.
Speculation had intensified in December when Simi posted a video on Instagram accompanied by the caption, “From my baby, for my babies.”
The clip showed her with a growing baby bump, fueling anticipation that another child was on the way.
Their latest blessings arrive just weeks after Simi highlighted a scene from Adekunle Gold’s newly released music video, “My Love is the Same,” further stirring excitement among fans.
The Tide Entertainment reports that Adekunle Gold and Simi who tied the knot in 2019 after a long history of friendship and musical synergy remain one of Nigeria’s most admired entertainment power couples. Both artistes were once signed to X3M Music before soaring into mainstream acclaim.
The pair welcomed their first child, Adejare Kosoko, fondly called Deja, in May 2020.
Entertainment
Jesse Flames Opens 2026 With ‘Praise The Lord’ Featuring Magnito
After closing out 2025 with the release of “Praise the Lord” featuring Magnito, Jesse Flames enters the new year with renewed clarity and purpose, continuing to build a body of work rooted in intention rather than noise. In a moment where Afrobeats is moving faster and louder than ever, his approach remains measured and deliberate, prioritizing meaning, craft, and longevity over momentary attention. The official music video arrives January 10.
Following the momentum of his breakout single “FLEX,” “Praise the Lord” represents a shift from celebration to grounding. Reflective and soulful, the record centers gratitude, growth, and perspective, capturing a quieter confidence that resonates beyond a single moment.
“This song is about recognizing the full picture,” Jesse shares. “The work people see and the work they don’t. The lessons, the setbacks, the growth.”
The collaboration with Magnito, a respected voice in Nigerian hip hop known for his sharp lyricism and cultural authenticity, adds depth and weight to the record, reinforcing its themes of resilience, faith, and self reflection.
Released in December at the height of Detty December, “Praise the Lord” became a natural soundtrack for both celebration and reflection as the year came to a close. With the video arriving in January, the record takes on new meaning, opening the year as a tone setter rather than a reset.
Born in the United States, raised in Festac, Lagos, and now based in London, Jesse Flames brings a global perspective to his sound, blending Afrobeats, hip hop, and melodic soul into something sleek and intentional. His music reflects lived experience and cultural nuance rather than trend chasing.
The Tide Entertainment reports that with over 11 million streams, performances at O2 Brixton Academy and OVO Arena Wembley, and coverage from The Guardian and Business Post Nigeria, Jesse’s rise has been steady and self made. Looking ahead to 2026 and 2027, he is preparing for collaborations with Ice Prince, M.I Abaga, and Smurlee.
“Praise the Lord” ft. Magnito is available now on all streaming platforms.
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