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Thumbs-Up For PH City Celebration At Yuletide …As Residents Enjoyed Unrestricted Fun

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The city of Port Harcourt
and its environs bubbled with unrestricted entertainment and fun fair throughout last yuletide as the various entertainment outfits and show businesses were at their best elements in ensuring that there was no dull moments during the Christmas and New Year celebrations.
Although most of the residents travelled outside the city to their various towns, villages and other destinations, those who remained behind had the best entertainment and fun their money could afford under a quiet and peaceful environment. Apart from the Christmas and New Year celebrations, the city was also agog on Friday, 26th January, 2015, as the Muslim faithful celebrated  Idel Maland with various social activities and prayers.
During the yuletide celebrations, various popular night clubs, eateries, cinema houses, hotels and other entertainment hangouts witnessed large patronage from families, couples and other classes of fun lovers who stormed the places to relax and enjoy themselves in a peaceful environment.
Among the clubs that provided  fun during the period were Oba Omega’s Boomer and night club at Rumuogba, Old Aba road, Ouka Beak night club near Mopol 19 barracks, Fabulous night club at the Emenike buss stop axis of Mile I Diobu Royal Afrique  exclusive  night club at Rumuokwusi and a host of others. These  clubs  provided full time entertainment music and dance. Apart from these clubs, there are  other popular hangouts such as Mr. D. Plaza at D/Line  as well as pepper  soup joints that contributed in ensuring a fantastic yuletide.
There were also large crowed of viewers at the cinema houses such as Genesis Deluxe cinemas at  Tombia street and the  Silver Bird Cinemas, former Obi Wali cultural centre along Abonnema wharf  road Port Harcourt. One of the movies that attracted large crowd of viewers at Silver Bird was a hilarious movie   titled: ‘Head  gone’ featuring top Nigerian entertainers namely Ali Baba, Basket Mouth, Akpororo etc.
The story is about psychiatric hospital bus driver who loses some of its patients on referral to a Federal hospital in a road mishap. To cover up their mistake, the driver and nurse assistant picks up unsuspecting  commuters to substitute  the patients. The plot thickens in conflict as the sane commuters try to prove their sanity in a psychiatric instruction and the escapee  patients try to adjust to a were environment.
Another business that provided entertainment during the yuletide are eateries  such as Kilimanjaro, Genesis fast food, Mr. Bigs,  Peperoni, the Promise, Sammies etc. They enjoyed the patronage  of large number of customers who stormed the places to have a delicious  taste of their favourite  meals, mouth  watering ice creams,  snacks and their delicacies.
The comedy clan was not left out as they provided laughter and relaxation on 25th December 2014, Rivers State born  humour merchant, Julius Agwu stormed the city with “Crack Your Ribs” at the Arstee Arcum, stadium road Port Harcourt with other  comedians namely: Rugged Pastor, Romeo without Juliet, Okey Bakasi, D’Don, Funky 4, K.O. Baba, Dr. Virus, Talk Wise and a host of other artistes including Bona Boy, Sckeles etc. This was followed by another comedy show tiled, “Night of Thousand Laughs”. The comic  events attracted  a large audience who   were thrilled  by their funny jokes and popular  songs.
The Nwatam cultural dance also entertained residents of the oil rich city of Port Harcourt on the  24th and 25th  December at Port Harcourt cemetery, old Port Harcourt township while the finals was on the 25th December 2014 at the Rebisi Field Mile I Diobu Port Harcourt, also known as “Ojukwu Field”. All these events contributed in ensuring that there was no dull moment throughout  the  yuletide.
The neighbouring communities also had full scale fun through their beach carnivals  and parties. This included the famous Buguma beach carnival, Isiola Emohua beach party, Ogbakiri beach party  and Elele Alimini street parties among several others.
It would be recalled that prior to Christmas and New Year celebrations, the city of Port Harcourt was in a festive mood as the state celebrated its cultural  festival titled CARNIRIV.
The 2014 edition was adjudged one of the best. Although each of the editions had its unique features, that of last year was spectacular because of the unique  events that made it one of the best. This  included the introduction of the first ever miss CARNIRIV beauty pageant, a word-class stage  for artistes and 100 per cent  local  content.
The one-week event was officially opened on Monday, 14th December and ended on Saturday 20th December 2014 amidst glitz, glamour, pomp and pageantry, among the events that made it spectacular were kids carnival, carnival praise jam, cultural art exhibition, Ekere Rhythm of the tribes, BAMFEST, Hosh Jam, Egelegel Champions of the Sand (Arena), Reggae 360 and  old Port Harcourt town  groove. Among  the artistes  that performed were Davido, Phyron, Patroranking, Timaya and Terry  G.
Among the events that enhanced the explosion of cultural  revival in the state and thumbs-up for the organizers for a job well done were the international Acquatic Fiesta. This is one of Nigeria’s most cherished, most colourful and entertaining water parade by the local government areas and a core part of cultural  life and history of the state.
The city of Port Harcourt literally stood still on Friday, December 19th  and Saturday December 20th 2014, respectively, as the international heritage parade and garden city free style parade took place amidst glamour glitz and funfair  along Aba and Ikwerre  roads axis of the state capital. 23 local government  areas of the state led by their respective  caretaker committee chairmen and wives showcased their floats that depicted their cultural heritage, it was indeed a day that proved the cultural superiority of the Rivers people.
Saturday 20th December witnessed the Garden  City free style  parade made up of 10 costume bands. One  of the bands, Treasure Base band was led by the  Governor of the State,  His Excellency, Rotimi Amaechi accompanied by the governorship candidate  of All Progressives Congress (APC),  Dr. Dakuku Adol Peterside and other government officials. The 2014 edition of CARNIRIV  was indeed a one week of fun and cultural  rejuvenation which set the right mood for last year’s Christmas and New Year celebrations that turned out to be hitch-free, peaceful and fun.
Another historic  event that took place last year was the traditional marriage of former beauty queen and first female president of the Actors Guild of Nigeria (AGN), Ibinabo Fiberesima to her long time heart  throb, Uche Egbuka a US based soldier  and clinical director from Imo State.
The ancient town of Okrika in oil Rivers State was agog with cultural  festivities on Thursday December  18th, 2014, as the community played host to the who-is-who in Nollywood and showbiz in Nigeria who witnessed the glamourous  event. The marriage  ceremony which turned out into a carnival of sorts witnessed  a large crowd of guests who were conveyed to the palatial gold mansion of Niger Delta billionaire, Ateke Tom, who played the role of a god father at the reception party.
Among the Nollywood heavy weights in attendance were Francis Duru, who was the master of ceremony, Dieweiet Ikpechukwu, Nkem Owoh (Osuofia), Mr. Ibu and Patience  Ozokwor (mama Gee) who were literally mobbed by their fans, guests and villagers. Others included  Mr. Emmanuel Oguguah, Segun Arinze, Florence Onuma, Fabian Adibe, Salome Okeke, Vitalis Ndubuisi, Zeb and Chico Ejiro, Jibor Dubor, Bruno Iwuoha, Kingsley Ejiro, Charles Awurum, Lillian Bach and Emeka Rollas among others.
There were also top artistes in attendance  such as Zapp Squad and the preferred star of the day, African China,  who played several of his hit tracks and kept the people on  the dance  floor. Other stars who performed were AB Cowboy, who charged the arena with gyration music, Waconzy and a host of others.

Gov Amaechi and Adol  Peterside

Gov Amaechi and Adol Peterside

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‘Lie From The Pit Of  Hell,’ Family Debunks Pete Edochie’s death Rumours

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The family of veteran Nollywood actor, Pete Edochie, has dismissed viral rumours circulating on social media claiming that the film icon is dead.

Reacting to the reports in a video shared on his Instagram page on Tuesday, the actor’s eldest son, Leo Edochie, described the claim as false and malicious.

“I’ve been receiving text messages and calls over the nonsense post by some people that our father, Chief Pete Edochie, is dead. It is a lie from the pit of hell,” he said.

Leo added that the actor is alive and in good health, condemning those responsible for spreading the rumour.

“Our father is alive, hale and hearty. And if you wish someone dead, two things usually happen. The person will live very long and you will die before him. Shame to all of you,” he said.

The rumour had sparked concern among fans before the family’s clarification.

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‘Mother’s Love’ Challenges Nigerian’s Film Portray Of Motherhood

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Omotola Jalade-Ekeinde critiques Nollywood’s lack of mother-daughter stories ahead of her directorial debut, ‘Mother’s Love.’ See the cast and 2026 release date.

Nollywood veteran actress Omotola Jalade-Ekeinde is making her directorial debut with a different and sharper focus. Speaking recently with Newsmen,, the screen icon highlighted a glaring void in the industry’s catalogue, which is the authentic reality of mother-daughter relationships.

“We don’t have too many films that explore or showcase the relationship between mothers and daughters,” Omotola said during the interview, describing the subject as something deeply personal to her.

Speaking honestly about raising her first daughter, she admitted she had only one mode at the time, which was discipline. “I didn’t do a good job,” she said plainly, explaining that she understood motherhood strictly through control, not softness or emotional openness.

At the centre of Mother’s Love is Adebisi, a sheltered young woman from a wealthy home whose life is shaped by her father’s rigid control. Her first taste of freedom comes through NYSC, where distance from home allows her to begin discovering who she is outside her family’s expectations. She forms a friendship with a young man from a more modest background, and through him, starts to see the world and herself differently.

But the emotional core of the film isn’t Adebisi’s rebellion. It’s her mother. Long after being presented as quiet and compliant, she slowly reveals a resolve when her daughter’s safety and future are threatened. As secrets surface and buried grief comes into view, Mother’s Love becomes less about youthful independence and more about maternal sacrifice, unspoken trauma, and the emotional costs of survival inside a patriarchal home.

The Tide Entertainment reports that the film doesn’t shy away from weighty themes by including PTSD, unresolved grief, and social inequality at the centre of the story. It is far removed from the soft-focus sentimentality that often defines Mother’s Day-style narratives.

It also marks Omotola’s directorial debut, a significant moment considering how long she has shaped Nollywood from the front of the camera. She stars in the film alongside a mix of familiar faces and newer talent, including Ifeanyi Kalu, Olumide Oworu, and Noray Nehita.

Beyond the film itself, Omotola’s  interview touched on a tension that has been simmering in Nollywood for a while now: how movies are marketed in the age of TikTok. Addressing the growing expectation for actors and filmmakers to create viral dance content to promote their work, she didn’t mince words. The pressure, she said, is exhausting and unnatural.

For her, the industry wasn’t meant to function this way. Still, she was careful not to judge anyone else’s approach. Everyone invests differently, carries different risks, and should be allowed to promote their films however they see fit.

“Do whatever you can do. It’s exhausting, it’s not natural. For me, the film industry is not supposed to be like that. We are encouraging nonsense if we are doing that. It doesn’t mean that whoever is doing it is wrong.”

Her comments arrive not long after the public back-and-forth between Kunle Afolayan and Funke Akindele over marketing styles, a debate that quickly turned into a proxy war between prestige storytelling and viral strategy. Omotola’s stance sits somewhere calmer. She understands the shift social media has brought, but she’s also clear about her own boundaries.

Omotola’s critique about the lack of mother-daughter stories isn’t unfounded. In Nollywood, mothers often exist as symbols rather than people. They’re either saintly figures who pray endlessly for their children or villains whose cruelty drives the plot forward. What’s missing is intimacy, the negotiations, and the regrets. The love that exists alongside resentment and misunderstanding.

Films rarely sit with the emotional complexity of women raising daughters in systems that also failed them. There’s little room for mothers who made mistakes but are still trying, or daughters who love their mothers while questioning the damage they inherited. Mother’s Love attempts to occupy that space, offering a more grounded portrayal that reflects lived experience rather than archetypes.

That’s where the film’s potential impact lies, in the decision to centre a relationship that Nollywood has largely flattened. If it works, it could open the door for more stories that treat motherhood as a lived, evolving reality rather than a fixed moral position.

Mother’s Love, directed by and starring Omotola Jalade Ekeinde, had its world premiere at the 50th Toronto International Film Festival on September 6, 2025. The film is set for a nationwide cinema release in Nigeria on March 6, 2026.

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Funke Akindele’s  Behind The Scenes Crosses ?1.77bn

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Funke Akindele’s Behind The Scenes becomes Nollywood’s highest-grossing film of 2025, earning ?1.77bn in under four weeks.

Multi-award-winning actress and producer Funke Akindele has done it again, and this time, the numbers speak louder than applause.

Her latest film, Behind The Scenes, has officially emerged as the highest-grossing Nollywood film of 2025, pulling in an astonishing ?1.767 billion in less than four weeks.

The Tide Entertainment reports that Funke Akindele Makes Box Office History as Behind The Scenes Crosses ?1.77bn
Earlier in its release cycle, the film’s distributor, FilmOne Entertainment, revealed that Behind The Scenes smashed five opening-weekend records, including the highest single-day gross ever recorded on Boxing Day, with ?129.5 million in one day. That announcement already hinted that something unusual was unfolding.

Reacting to the milestone, FilmOne described the moment as both surreal and communal, crediting audience loyalty for pushing the film to the top spot once again as the number-one movie of the weekend. And that sentiment feels accurate. This wasn’t just ticket sales; it was momentum.

What makes this achievement even more striking is that Behind The Scenes is Funke Akindele’s third film to cross the ?1 billion mark. Before now, there was A Tribe Called Judah, and then Everybody Loves Jenifa, a film that didn’t just open big, but went on to become the highest-grossing Nollywood film of all time. At this point, it’s no longer a fluke. It’s a pattern.

Part of Behind The Scenes’ success lies in strategy. The film enjoyed advanced screenings on December 10 and 11, quietly building curiosity and conversation before its nationwide release on December 12. By the time it officially hit cinemas, audiences already felt like they needed to see it.

Then there’s the cast. The film brings together a lineup that feels deliberately stacked: Scarlet Gomez, Iyabo Ojo, Destiny Etiko, Tobi Bakre, Uche Montana, and several others. Familiar faces, strong fan bases, and performances that kept word-of-mouth alive long after opening weekend.

Still, beyond timing and casting, there’s something else at work here. Funke Akindele understands Nigerian audiences. Their humour, their pacing, their emotional buttons. She doesn’t guess, she calculates, experiments, listens, and refines. That understanding has slowly turned into box-office dominance.

Behind The Scenes crossing ?1.77 billion isn’t just another headline; it’s confirmation. Funke Akindele has moved from being a successful actress to becoming one of the most reliable commercial forces Nollywood has ever produced. Three-billion-naira films don’t happen by luck. They happen when storytelling, business sense, and audience trust align.

And right now, that alignment seems firmly in her hands.

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