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How Africans Vandalise Africa: A Review

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Title: How African Vandalise Africa
Pages: 407
Author: Adaobi Whyte
Reviewer: Shedie Okpara
How Africans Vandalise
Africa (Focusing Nigeria) is a book authored by Chief (Mrs) Adaobi Whyte and launched on Thursday, November 10, 2016 in Port Harcourt, the Rivers State capital. Though it is said, “Do not judge a book by its cover,” this book is an exception to the norm as its cover with an imprint of the map of Africa actually focuses on the African continent inhabited by the black race.
Both the cover and the title of the book speak for itself; it is not only an interesting piece which arouses curiosity, but also explosive, controversial and enigmatic, it is about Africa vis-à-vis the blackman. Even without the title one can easily deduce that the book is about Africa. The book exposes and laments the destiny, slave mentality and wickedness of the black man from the indigenous slavery to the cross Atlantic Slave trade, importation of Christianity and the Islamic religion into Africa.
The book also highlights the religious exploitation, commercialisation, fanatism and hypocrisy in Africa as well as colonisation, vandalisation and destruction of the continent. It exposes how Africans have imposed upon themselves, slave masters, dictators and sit-tight leaders, creating obstacles to the development of the rich continent, these religious and political leaders represent a creature who has eyes and ears that neither sees or hears.
According to the author, the three tragedies that have befallen Africa are indigenous slavery, cross-Atlantic slave trade, apartheid, importation of artificial Christianity and Islam into Africa as well as the recent Chinese colonization among others.
A glance at chapter one of the book tells us about how the Niger Delta region of Nigeria remains a shining example of how African leaders have failed at home and abroad for if the foreigner is not oppressing him, he must be oppressing his brother. Describing the Niger Delta as the treasure base of Nigeria and the goose that lays the golden egg, the writer expresses fear for the negative attitude of the African leaders towards God, even as most of them have turned themselves to demigods. The author blamed the deplorable state of the Niger Delta on the leaders of the region.
Chapter four of the book focuses on the failed efforts of the British colonial masters to stabilize Nigeria after Independence in 1960.
Discussing on the topic, “Federalism: The Nigeria Experience, the author states that the leaders failed to foresee that the tensions of combining federalism, the parliamentary system and regional interests would cause crisis capable of plunging the country into a civil war characterised by bitterness and vengeance.
The author also noted that the inability of Nigerian leaders to negotiate successfully some special problems and complex political forces made nonsense of our parliamentary system of government which landed the country into executive presidential system and will be judged on how far it had succeeded first in solving our special problems of diverse tongues and conflicting interests and cultures … so essential in the founding of a nation.
Nigeria: A case study of blackman’s evil upon fellow blacks is another issue treated in Chapter Six of the book. The author cited the case of the wickedness of the whites on blacks in South-Africa linking it to that of the black Africans on fellow blacks from the Nigerian experience. In that chapter, the writer asserted that Europeans inherited civilisation from Egypt and Asia, developed the system and imported it back into Africa, while the black man inherited the developed system from the whites and engaged in onward destruction.
The author noted that despite man’s faulty nature, the Whiteman has used his acquired resources to build his country, while the blackman destroys his God-given resources. The whites used their knowledge to develop the alphabets that we use today, but the blackman goes to higher institutions to learn mere paperwork. An African president or Head of State sits in his office like the Pharisees receives the nation’s revenue and embezzles the money and shares some to his cronies, while the country begs for development and economic empowerment.
The author in chapter twenty three stated that over five decades, after independence, the black man was better of under the whites. Despite the shortcomings of the whites, they exported beautiful things to Africans including good food, shelter, medical care, better environment and education, but today, the black leaders have vandalised all that the whites imported into Africa.
Other interesting and tantalizing topics that stimulate a good reading of the four-part and 407-page book include “Oppression: The Ndoni Kingdom Experience,” “The Unbroken Curses,” “The Nigerian Presidency in Retrospect,” “The Nigerian National Assembly and Abortive Probes,” Fulani Herdsmen and the Nigerian Farmers,” “the Potentials of the Blackman,” among others.
The author of the book, Chief (Mrs) Adaobi Whyte is a renowned fashion designer, horticulturist, critic/social crusader, mother, politician and writer. Privileged with only the basic primary education, Standard six, as it was called then, the Ndoni-born author has over the years, developed her knowledge by reading and seeking experience in many other areas of life.
She has also proved, through her contribution to life and everything about her that determination is the key to success. Adaobi has four other books: “Abuse of the Nigerian Child,” “Plight of the Nigerian Woman,” “Dr. Peter Otunuya Odili: Threading the path of Destiny” and Ndoni Kingdom and Peaceful Co-existence” to her credit, which are currently in the market.
Indeed, the book is people’s book of lamentations, well written and it will cause many university students and graduates feel challenged to record such outstanding achievements in their lifetime. It is a good source for research students and scholars. The book is recommended for all seekers of historical, socio-political and cultural greatness.

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Davido Narrates How His Song Became President’s Ringtone

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Nigerian megastar, Davido shares how his father recognised that his music was getting big.
Davido says his hit single ‘Dami Duro’ was the president’s ringtone
During an interview with newsmen, Davido spoke on the early days of his career and how he eventually got his father’s approval to make music.
The Grammy nominee shared the familiar story of how he left school in Atlanta and returned to Nigeria to pursue music without his father’s blessing which later led to his business mogul dad getting him arrested.
“I don’t think he did not want me to do music, he just wanted me to be successful as whatever I did because he got a blueprint for me already,” Davido said on his father’s early reaction to his decision to make music.
“He is so supportive and he checks on everything…My dad picks my album. When I am done, I send him all the tracks and my dad goes through all the records and gives me a paragraph each,” Davido narrates the personal interest and support his Dad gives him.
“My dad gave me the name Davido…The first show I did, he arrested me, the fans, the promoters,” Davido said laughing as he narrated the story of how his father got him arrested after he returned to Nigeria without his consent and had his first show as a 17-year-old. “He just wanted me to finish school,” Davido added about his father’s insistence that he get a university degree.
The three time Grammy nominee was asked when his father recognised that his music was getting big and he revealed it was when his hit song ‘Dami Duro’ was the president’s ringtone.
“When my song was the president’s ringtone,” Davido said.
While he did not mention the president or the country, Davido is likely referring to the exploit of former Nigerian president Goodluck Jonathan who was the head of state between 2010 – 2015.
During the interview, Davido also mentioned his plans as a businessman beyond music. He revealed he had a production house called Coco House which he describes as a media house for creatives. He also added that he intends to get into crypto.

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Funke Akindele’s New Film Premiers, Dec

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Nollywood actress and filmmaker, Funke Akindele has announced that her upcoming film, Everybody Loves Jenifa, a spinoff from the Jenifa franchise will premiere in December.
“Been long you saw Jenifa!!!!”  Akindele said.
While a December premiere is confirmed, details on the film remain unknown. However, the new title, Everybody Loves Jenifa, suggests a potential return to the core elements that have made the franchise popular. With Akindele leading the creative team, viewers can anticipate the return of familiar characters and humorous storylines.
The sitcom, Jenifa’s Diary has been a major Nigerian television show since its debut in 2015. The series centres around the main character played by Akindele, and has featured Folarin “Falz” Falana, Lolo, Juliana Olayode, Lota Chukwu, Paschaline Alex Okoli, and late Aderounmu Adejumoke.
The Tide Entertainment reports that it has also had spin-offs and sequels like Aiyetoro Town (2019), which is set in Jenifa’s village, and Jenifa on Lockdown (2021).
Akindele played Jenifa in the first film in the franchise, Jenifa (2008), a village girl who travelled to the city in pursuit of fortune. Muhydeen S. Ayinde directed the movie.
The movie was nominated for four Africa Movie Academy Awards in 2009 including, Best Original Soundtrack, Best Actress in a Supporting Role, and Best Nigerian Film. For her performance in this movie, Akindele took home the Africa Movie Academy Award for Best Actress in a Leading Role.

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Halliday  Attributes Collaboration Hindrance To Sentiments, Others

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The convener, South South Media Week, Tammmy  Halliday has attributed the lack of unity and collaboration in the PortHarcourt  entertainment industry to sentiments, baggages and trust issues.
He made this known yesterday, during an interview with newsmen in Port Harcourt.
According to him, some things that spur baggages are family background, personal experience with colleagues or other people, saying that when someone has been reaped or used by  any of his colleagues or someone else, he might not want to work with some other persons because of trust issue.
This goes along with baggages, where he now sees his other colleagues as one and same with the one who used him and so this continues to hinder collaborations in the industry.
He advised that as an entertainer you should get better, visible and  exposed as the industry required.
He said  that the key factor that can help collaboration is growth, explaining that growth would make entertainers live beyond baggages, adding that if you are good at what you do, and know what you want and where you are going with it , then you are good to go.
“You can seek an advice from a legal practitioner, professional or a senior colleagues to ensure that you (entertainer) get it right.
It is not a bad idea to serve or work with someone, because you serve to rise in the industry. You have to be well  rooted, but, you should be able to know want you want and where you are going with what you do, this will help you move on, when it is no longer working for you, otherwise, you will remain there and keep complaining and then it gets to that point where you begin to see that person as a reaper,” he said.
Mr Halliday who also do corporate social responsibility award via his platform,  South South Media Week stated that critical communication is important in any situation, with a critical approach,  no doubt you will  always be on the right track.
Speaking on criteria for awarding awards, he maintained that it is on numbers, affiliations, fanbase, followership, association and sales of the person or organisation in question, saying that these also works  for collaboration with an artiste, because they are factors that facilitate growth in the industry.
Categories of award that are  awarded through the platform includes, entrepreneur award of the year, innovation award of the year and others.

Nancy Briggs

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