Entertainment
Behold! Veteran Producers Behind Nollywood Global Recognition
The history of cinema in Nigeria dates back to as early as the history of film itself, notably in the late 19th century, with the use of peephole viewing of motion picture devices.
These were soon replaced in the early 20th century with improved motion picture exhibition devices. The first set of films shown in Nigerian theatres were Western films, with the first film screened at Glover Memorial Hall in Lagos from 12 to 22 August, 1903. In that year, Herbert Macaulay had invited to Nigeria, the Balboa and company, Spain to organise an exhibition tour of silent films in Nigeria.
But today, the story has changed with new technological advancement and well improved sophisticated hi-tech cameras with lenses that capture pictures from all ranges. Many don’t know the movies Nigerians watch everyday for their relaxation are made possible by people’s hard work, time and energy. Though some might say ‘are they not also smiling to the bank? Yes they are, but huge funds and energy are also responsible for the award winning movies that come on screen everyday.
The Nigeria movies industry has grown to the extent that strong collaborations have been made between Nollywood and Hollywood. Renowned Nigerian actors have featured in some Hollywood flicks while our movie producers have brought in personalities from Hollywood to feature in Nollywood. The second largest producing film industry in the world is no joke and that is why these men and women who have been working tirelessly day and night must be appreciated.
Some are new to the production scene while others have always been there. Some of the top producers in Nollywood churning out record breaking movies include:
Uzee.
The professional Nollywood/Kannywood actor and producer, Usman A. Adeyemi, popularly known as ‘Uzee’ came to fame staring in movies, some of which he produced. The young CEO of Uzee Concept, who began his movie career in the year 2003, started as a make-up artist where he won an award at the (African Movie Academy Awards) AMAA in 2008, Best Makeup Artist for the movie, London Boy and soon gained experience and contact that launched him into stardom. Usman Uzee, who was born in Kaduna, is a unique figure in the industry at the moment based on his penchant for movies that bring Kannywood and Nollywood together. Some of the movies which he has produced are Mai Farin Jini, Maja, Oga Abuja, Hassand da Hussaina, Har da Migina, Duduwa, Under, Power of Tomorrow, Red, Dark Closet which feature Jibola Dabo, Eucharia Anunobi and others Uzee disclosed that he has just finished another blockbuster from his staple # Thorny. The young Knannywood producer moved to South Africa where he studied special effects. Over the years, the actor cum producer has produced over 20 movies both in Nollywood and kannywood which earned him multiple awards both locally and internationally.
Ali Nuhu
Though the Kannywood actor who is also the first popular face to star in some controversial roles in Nollywood is renowned for his master interpretation of scripts. The actor turned producer has produced more than 15 Kannywood movies which include, Nidake mun dache, Daga ni saike, Dijangala, Gamunan dai and others. The actor cum producer has also won the prestigious leadership entertainer of the year award for his prowess in the industry. He has starred in lots of Nollywood flicks which made him somewhat controversial in the well-known conservative kannywood movie industry where he’s a big player.
Kunle Afolayan
He’s the son of the famous theatre, film director and producer, Ade Love. He wasn’t as passionate with his banking job as he was with acting, which was why he was doing some casual acting while working in the bank, before deciding to move into full-time filmmaking and taking a course at the New York Film Academy. Though, he didn’t champion Nollywood, he opened a new chapter in the industry with his movie.‘The Figure’ He was also responsible for ‘Araromire’ which was in the Yoruba and English Languages and ‘Phone Swap’ which featured Wale Ojo, Joke Silva, Nse Ikpe Etim and the Legendary Chika Okpala.
The Figurine won five major awards in the African Film Academy and experienced tremendous success in the Nigerian movie theatres. Kunle Afolayan appeared at the subversive Film Festival in 2011 where he represented the Nigerian film industry, with his colleague, Zeb Ejiro. In May, 2013, Phone Swap premiered in France at the first edition of Nollywood, Week Paris and won the public choice Award. Afolayar’s father, Adeyemi Josiah Afolayan (Ade-Love) was a renowned Nigerian artist of the second half of the 20th century. He worked in travelling theatre and turned to the film making industry. When it comes to movie production and directing, and when it also comes to the richest movie maker in Nigeria, there is no doubt, saying, Afolayan is the man!
Uche Jombo
This Nigerian actress, script writer and producer, who is a graduate of Mathematics and Statistics from the University of Calabar, and Computer Programming from the Federal University of Technology, Minna, Since venturing into the Nigerian movie industry in 1999, starring in the movie ‘Visa to hell’, she hasn’t looked back, featuring in over 60 movies to her credit. As a script writer, she has written and co-written several movies, which include:
The celebrity, Games Men Play, Girls in the Hood and A Time to Love. Jumbo went on to produce films such as Nollywood Hustlers, Holding Hope and her latest work, Damage which deals with the issue of domestic violence.
She is a woman of substance and someone to emulate in the movie industry. She is worth the word that says’, what a man can do, a woman can do better. She later ventured into the movie production phase with her business named Uche Jumbo Studio in 2012. Uche Jumbo’s studio has since produced close to five movies and they include: Damage, Misplaced and many others.
Amaka Igwe
Though Uzoamaka Andrey ‘Amaka’ Igwe is no more today, she would be remembered for the great impact she has had on Nollywood before she passed away. As a child, she acted as Minister of Youth, Sports and Culture.
Igwe was an accomplished writer, producer, director, entrepreneur and teacher. A visionary and pioneer of modern Nigerian TV drama and film, she hit national limelight as the writer and producer of award-winning TVsoap, ‘Checkmate’ and its offshoot, ‘Fuji House of Commotion. Her Nollywood projects include Rattlesnake and Violated –two critically acclaimed movies that set apart Amaka Igwe studios in the much-criticised Nollywood industry. She is the founder of BOB TV Expo, founder and CEO of the Lagos mainland based Top Radio 90,9FM station, the quality content, production powerhouse, Amaka Igwe studios, and Q Entertainment Networks’ a DSTV channel she was working on before her death.
Tunde Kelani
Kelani holds a Diploma in the Art and Technique of Filmmaking from the London International Film School, London. After many years in the Nigerian Film Industry as a cenimatographer, he now manages Mainframe Film and Television Productions, an outfit formed to document Nigeria’s rich culture.
Tunde Kelani has worked on most feature films produced in the country in his capacity as a cinematographer. Some of his 16mm feature films include: Anikira, Ogun Ajaye, Iya Ni Wira, Taxi Driver, Iwa and Fopomoyo. In the area of video productions, he has to his credit award-winning feature videos: T. Oluwa Nile, Ayo ni Mo fe, Koseegbe and Oleku. An advocate of ‘Alternative Technology’ in motion picture production in Africa, Tunde Kelani has successfully produced and directed two digital features, Saworoide and Thunderbolt. He also completed work on one of his latest digital films ‘Agogo-eewo’ shot on widescreen digitally on Dvam. In addition to the M-net short feature films, Twins of the Rainforest’, ‘A place called Home’ and ‘Barber’s Wisdom (35mm), he also photographed, produced and directed a shortfeature in 16mm ‘The White Handkerchief’ in the same series. He has since added the Campus Queen Abeni and The Narrow Path, the first set of works to probe further the possibilities of advanced digital filmmaking. He recently added a new film, Arugba which has just concluded free, open air community screenings in 57 local governments and development council areas of Lagos State in Nigeria Tunde Kelani uses the Mobile Cinema project, designed to take information and entertainment to the grassroots.
Zeb Ejiro
He is called the Shiekh, though, not of any oil-rich country in the Gulf. He is, rather, Shiekh of the Nigerian movie industry known as Nollywood. His contributions to the moive industry stands him out as a grand master of the make-believe industry. Most of the brightest stars the sector can boast of today were midwifed by him. Just as he produced most of the films that raised the industry to international recognition, Ejiro, in his more than 25 years in the entertainment industry has been instrumental to major productions such as Nneka the Pretty Serpent, Ripples, Sakobi, Fata Inheritance, Candle Light and Several others. The Delta State-born movie producer and director is engrossed in a privately-owned movie academy which he set up in his state – an institution that he said would impart rich knowledge to those who want to take up acting or television business as a career.
Kingsley Ogoro
The veteran entertainment mogul ventured into the movie world many years ago as an actor, producer and director with the establishment of his highly respected outfit, Klink studios in 1992. Kingsley, who produced and directed top grossing movies like Osuofia in London, the Widow and many others, was previously married to popular 90s musician, Esse Agesse. The respected filmmaker also ventured into music production years ago which participated in the grooming of several upcoming singers under his Kingsley Ogoro Records. He announced years ago that he was building a film academy (kingsley Ogoro film Academy) in Surulere. The project, which was in conjunction with the French Embassy was reported to be with a billion naira.
Ikechukwu Onyeka
Ikeckukwu Onyeka, a prolific and consistent Nollywood film maker hails from Umuoji in Idemili North Local Government Area of Anambra State, Nigeria. Undoubtedly, Mr Onyeka, regarded as one of Nollywood’s most proficient movie directors, in a very uncanny manner rarely seen in an industry like Nollywood, rose through the ranks in the course of acquiring on-field training. He started out as a property manager, then a production manager, and then a producer. During this time of quiet understudy, he worked under almost all the big names in directing and before long, he acquired enough experience to work under these big names as an assistant director. To his credit as a revered and respected producer/director are such blockbuster flicks like the unforeseen, Eagle’s Bride, Slave to lust, Warrior’s Heart, The captain, corporate Maid, Intimidation and many more. Mr Onyeka also co-directed reloaded and A private storm.
Mr and mrs, an award winning chart buster flick, was also released on DVD nationwide. Mr Onyeka, a ffew years ago pulled off a landmark achievement when he became the first and only Nollywood director to pursue a degree program at the prestigious Colorado film school, USA. On completion of the program, Mr Onyeka, is in serious discussion with the leadership of the Colorado film school to set up an academy for film studies in Nigeria in the near future. The movie, Brother’s keeper that he shot on his return from the Colorado film school, is having a fantastic run at the cinemas as one of the longest running movies in a Nigerian cinema. He is also the CEO of Lykon pictures Ltd, a Lagos based motion picture production company which produced record-breaking movies like Intimidation and Just in case.
Emem Isong
Emem Isong is a Nigerian home video industry screenplay writer and producer. Beginning her career in 1994, she has excelled in writing and producing movies, With provoking and well thought out plots. She has earned her place in Nollywood as one of the best screenplay writers. Since 1994, Emem has written and produced more than 17 movies, some of which have won awards both nationally and internationally. She has also written about 10 for other producers, and she is renowned for writing and producing highly thrilling suspense movies. Emem combines the rich cultural roots of the Ibibio people and her degree in Theatre arts to churn outsome of the best scripts that have come out of Nollywood. Breaking point, She Devil, A minute to Midnight, Master stroke, play Boy, Rumours, shattered Illusion, promise Me Forevers and emotional crack.. not forgetting private sin,” hit and Run… that made people sit up and notice what she could do. Some of her movies includes promise Me Forever, Girls in the Hood, private sin, Behind closed Doors Do cry, Blind Obsession, silence of the gods, Mfana Ibagha, Ekaete, for real, Endless Lies and finally critical Deusion, which Emem describes as the very best she has ever written Be sure to watch these thrilling movies that highlight love.
Lancelot Oduwa Imasuen
Lancelot Oduwa Imasuen’s success in the movie industry did not come by accident. And he would gladly tell you that he believes strongly in the maxim, experience is the best teacher. And his experience, acquired over several years of sustained practice in the performing arts, has served him very well. He directed his first movie in 1995, titled Twisted Fate. And several others followed: Chaise, Apple, ordained, Bond, Anointed Aziba, Burden and Issakaba, which according to him, was the highest selling of them all. He also directed the Harbinger-nominee Best Best Director, Reel Award 2000. He produced and directed recently.
Also, Lancelot, a founding member of the Directors guld of Nigeria (D.G.N) has directed. Behind closed doors, games women play, games men play, Iraumatised, men do cry, Emotional crack, Master stroke, official romance, Issakaba, Django, Family Battle, the mistress, Ekaete, the pope must hear this, private sin and more.
Tchidi Chikere
The producer has over 50 films to his credit. Tchidi, who hails from Mbaise, Imo State, is also a musician, He has had duets with marvelous Benji, OJB Jezreeland Pat Attah. He started writing film scripts when he was still in school. While in scholl, he belonged to a musical group of three-Chikere, is an actor, director, producer, script writer and singer. He was married to Sophia Tchidi Chikere who is also an actress and the union has produced three boys together.
Desmond Elliot
Popular Nollywood actor cum director, desmond Elliot is a well-known houseshold name in the Nigerian entertainment industry who has also gone into politics, Desmond Eliot has Co0produced about six or more films including, guilty pleasures, Holding Hope, Reloaded and some others.
Omoni Oboli
She was nominated for the Best Actress in a leading role award at the 2011 Africa Movie Academy Awards. In 2014, Omoni won Big screen Actress of the year Award, at the 2014 Eloy Awards, for her movie, Being Mrs Eliot After a long break from the Nigerian movie scene, Omoni made a come back, featuring in Kunle Afolayan’s award winning movie, the Figurine, which starred top cast like Desmond Elliot, Yemi Blaq and Meray Johnson in 2009. Wives on strike with Chioma Akpotha, Uche Joambo, Kalu Ikeagwu
Rita Dominic
Dominic started performing when she was a child, appearing in school plays and children’s televion shows in Imo State. In 1998, she starred in her first movie, A time to kill, she won the city people awards in 2004 as the most outstanding actress. She has starred in over 100 Nollywood productions. She has made herself a priceless diamond among other actresses in Nigeria, in the sense that she always pulls herself out to be noticed in any of the movie she stars in, she has grown over the years, from an actress to an award winning and recognized producer.
The meeting presented Rita in a character as never before. Rita played the character, Clara Ikemba, a powerful secretary to a minister. None of her movies better exemplifies her talents and strengths as an actress better than ‘the meeting’ the movie hasn’t failed to bring in awards and nominations. The meeting won the ‘people choice’ award at the just concluded Nollywood week in Paris, France. It also got Rita the ‘Best lead Actress’ award in the 2013 Nigeria entertainment awards amongst other awards . Source: leadership @ all Africa. Com.
Entertainment
‘Lie From The Pit Of Hell,’ Family Debunks Pete Edochie’s death Rumours
The family of veteran Nollywood actor, Pete Edochie, has dismissed viral rumours circulating on social media claiming that the film icon is dead.
Reacting to the reports in a video shared on his Instagram page on Tuesday, the actor’s eldest son, Leo Edochie, described the claim as false and malicious.
“I’ve been receiving text messages and calls over the nonsense post by some people that our father, Chief Pete Edochie, is dead. It is a lie from the pit of hell,” he said.
Leo added that the actor is alive and in good health, condemning those responsible for spreading the rumour.
“Our father is alive, hale and hearty. And if you wish someone dead, two things usually happen. The person will live very long and you will die before him. Shame to all of you,” he said.
The rumour had sparked concern among fans before the family’s clarification.
Entertainment
‘Mother’s Love’ Challenges Nigerian’s Film Portray Of Motherhood
Nollywood veteran actress Omotola Jalade-Ekeinde is making her directorial debut with a different and sharper focus. Speaking recently with Newsmen,, the screen icon highlighted a glaring void in the industry’s catalogue, which is the authentic reality of mother-daughter relationships.
“We don’t have too many films that explore or showcase the relationship between mothers and daughters,” Omotola said during the interview, describing the subject as something deeply personal to her.
Speaking honestly about raising her first daughter, she admitted she had only one mode at the time, which was discipline. “I didn’t do a good job,” she said plainly, explaining that she understood motherhood strictly through control, not softness or emotional openness.
At the centre of Mother’s Love is Adebisi, a sheltered young woman from a wealthy home whose life is shaped by her father’s rigid control. Her first taste of freedom comes through NYSC, where distance from home allows her to begin discovering who she is outside her family’s expectations. She forms a friendship with a young man from a more modest background, and through him, starts to see the world and herself differently.
But the emotional core of the film isn’t Adebisi’s rebellion. It’s her mother. Long after being presented as quiet and compliant, she slowly reveals a resolve when her daughter’s safety and future are threatened. As secrets surface and buried grief comes into view, Mother’s Love becomes less about youthful independence and more about maternal sacrifice, unspoken trauma, and the emotional costs of survival inside a patriarchal home.
The Tide Entertainment reports that the film doesn’t shy away from weighty themes by including PTSD, unresolved grief, and social inequality at the centre of the story. It is far removed from the soft-focus sentimentality that often defines Mother’s Day-style narratives.
It also marks Omotola’s directorial debut, a significant moment considering how long she has shaped Nollywood from the front of the camera. She stars in the film alongside a mix of familiar faces and newer talent, including Ifeanyi Kalu, Olumide Oworu, and Noray Nehita.
Beyond the film itself, Omotola’s interview touched on a tension that has been simmering in Nollywood for a while now: how movies are marketed in the age of TikTok. Addressing the growing expectation for actors and filmmakers to create viral dance content to promote their work, she didn’t mince words. The pressure, she said, is exhausting and unnatural.
For her, the industry wasn’t meant to function this way. Still, she was careful not to judge anyone else’s approach. Everyone invests differently, carries different risks, and should be allowed to promote their films however they see fit.
“Do whatever you can do. It’s exhausting, it’s not natural. For me, the film industry is not supposed to be like that. We are encouraging nonsense if we are doing that. It doesn’t mean that whoever is doing it is wrong.”
Her comments arrive not long after the public back-and-forth between Kunle Afolayan and Funke Akindele over marketing styles, a debate that quickly turned into a proxy war between prestige storytelling and viral strategy. Omotola’s stance sits somewhere calmer. She understands the shift social media has brought, but she’s also clear about her own boundaries.
Omotola’s critique about the lack of mother-daughter stories isn’t unfounded. In Nollywood, mothers often exist as symbols rather than people. They’re either saintly figures who pray endlessly for their children or villains whose cruelty drives the plot forward. What’s missing is intimacy, the negotiations, and the regrets. The love that exists alongside resentment and misunderstanding.
Films rarely sit with the emotional complexity of women raising daughters in systems that also failed them. There’s little room for mothers who made mistakes but are still trying, or daughters who love their mothers while questioning the damage they inherited. Mother’s Love attempts to occupy that space, offering a more grounded portrayal that reflects lived experience rather than archetypes.
That’s where the film’s potential impact lies, in the decision to centre a relationship that Nollywood has largely flattened. If it works, it could open the door for more stories that treat motherhood as a lived, evolving reality rather than a fixed moral position.
Mother’s Love, directed by and starring Omotola Jalade Ekeinde, had its world premiere at the 50th Toronto International Film Festival on September 6, 2025. The film is set for a nationwide cinema release in Nigeria on March 6, 2026.
Entertainment
Funke Akindele’s Behind The Scenes Crosses ?1.77bn
Funke Akindele’s Behind The Scenes becomes Nollywood’s highest-grossing film of 2025, earning ?1.77bn in under four weeks.
Multi-award-winning actress and producer Funke Akindele has done it again, and this time, the numbers speak louder than applause.
Her latest film, Behind The Scenes, has officially emerged as the highest-grossing Nollywood film of 2025, pulling in an astonishing ?1.767 billion in less than four weeks.
The Tide Entertainment reports that Funke Akindele Makes Box Office History as Behind The Scenes Crosses ?1.77bn
Earlier in its release cycle, the film’s distributor, FilmOne Entertainment, revealed that Behind The Scenes smashed five opening-weekend records, including the highest single-day gross ever recorded on Boxing Day, with ?129.5 million in one day. That announcement already hinted that something unusual was unfolding.
Reacting to the milestone, FilmOne described the moment as both surreal and communal, crediting audience loyalty for pushing the film to the top spot once again as the number-one movie of the weekend. And that sentiment feels accurate. This wasn’t just ticket sales; it was momentum.
What makes this achievement even more striking is that Behind The Scenes is Funke Akindele’s third film to cross the ?1 billion mark. Before now, there was A Tribe Called Judah, and then Everybody Loves Jenifa, a film that didn’t just open big, but went on to become the highest-grossing Nollywood film of all time. At this point, it’s no longer a fluke. It’s a pattern.
Part of Behind The Scenes’ success lies in strategy. The film enjoyed advanced screenings on December 10 and 11, quietly building curiosity and conversation before its nationwide release on December 12. By the time it officially hit cinemas, audiences already felt like they needed to see it.
Then there’s the cast. The film brings together a lineup that feels deliberately stacked: Scarlet Gomez, Iyabo Ojo, Destiny Etiko, Tobi Bakre, Uche Montana, and several others. Familiar faces, strong fan bases, and performances that kept word-of-mouth alive long after opening weekend.
Still, beyond timing and casting, there’s something else at work here. Funke Akindele understands Nigerian audiences. Their humour, their pacing, their emotional buttons. She doesn’t guess, she calculates, experiments, listens, and refines. That understanding has slowly turned into box-office dominance.
Behind The Scenes crossing ?1.77 billion isn’t just another headline; it’s confirmation. Funke Akindele has moved from being a successful actress to becoming one of the most reliable commercial forces Nollywood has ever produced. Three-billion-naira films don’t happen by luck. They happen when storytelling, business sense, and audience trust align.
And right now, that alignment seems firmly in her hands.
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