Entertainment
Minister Explains Comercialisation Of Nigerian Film Corporation
The Federal Government says it is reforming and commercialising the Nigerian Film Corporation (NFC) to address the agency’s teething challenges and reposition it for improved performance.
The Minister of Information and Culture, Alhaji Lai Mohammed, made this known recently, in Abuja while inaugurating a Steering Committee for the Reform and Commercialisation of the Corporation.
He said the federal government has engaged the services of a Business Development Consultant to conduct due diligence on the corporation and sector and recommend a strategy that is suitable for its reform and commercialization.
Mohammed said the NFC, which was established with a mandate to plan, promote, organize and coordinate the development of the Nigerian motion picture industry, has not been able to meet up with its statutory functions.
He noted that since its establishment, the Corporation has faced several challenges including the inability to engage in commercial film production.
The minister said the law establishing NFC limits its operational functions such that it cannot leverage on the private sector-led growth of the industry.
He added that the National Film Institute (NFI), a unit in NFC, is not empowered to leverage its technical and professional capabilities for commercial purposes and revenue generation.
Mohammed said the NFC’s civil service structure comes with bureaucratic limitations, budgetary constraints and operational inefficiency.
“A critical look at the existing organizational structure shows that NFC is over-bloated and needs to be restructured to reflect its purpose.
“NFC has obsolete equipment, with some dating back to colonial times,” he said.
The minister noted that the reform of the corporation will help in the efforts of the government to reposition the nation’s film industry, Nollywood, and make Nigeria the capital of entertainment in Africa.
Relying on International Monetary Fund data, Mohammed said Nollywood is the second largest employer of Labour and contributed N893 billion to the nation’s Gross Domestic Product (GDP) in 2015.
The minister noted that Nollywood could perform better if the NFC is restructured and needed infrastructure enabling the environment are provided.
He noted that apart from wealth and employment creation, promoting film industry would help to build inclusion and reduce social tension.
Earlier, Mr Alex Okoh, the Director-General of the Bureau of Public Enterprises (BPE), said with the tremendous potentials of the film industry to reposition the nation’s economy, the government needed to play a prominent role.
Okoh said that the government is reforming the NFC to take the leading role in harnessing the potentials in the sector.
He, however, clarified that the reform process ‘is not a privatisation of the corporation but the commercialisation of this important enterprise and agency of government’.
“The clarification is that in this reform process, there is no transfer of ownership, no sale of shares and no privatisation of the entity.
“It is basically to ensure the resident value of the enterprise and its commercial viability,” he said.
He said the steering committee being chaired by the minister would consider and approve the recommendations submitted by the project delivery team for the commercialisation of the corporation.
Other members of the steering committee inaugurated by the minister are, Okoh, the Permanent Secretary of the ministry, Mrs Grace Gekpe, and the Managing Director of NFC, Chidia Maduekwe.
The Director Information and Communication of BPE, Dikko Mohammed, will serve as the Secretary to the committee.
NFC, established by Decree No. 61 of 1979 and is 100 per cent owned by the Federal Government and has its registered office in Jos, Plateau State.
It is established to distribute documentary films on different aspects of Nigeria’s socio-cultural and political life and provide film services for the Federal Government.
The corporation is to train young talented Nigerians in the art of film making, conducting research into Nigerian films and provide technical and financial support to film Industry and practitioners.
NFC is also established to regulate and organise professional practice in the film industry.
Entertainment
Uche Ogbodo Shares Reason Bambam’s Marriage Ended
Critics claimed that her body makeover was one of the reasons she allegedly left the marriage and noted that she was still out in public with the video of her club outing.
Reacting to the allegations, Ogbodo came to Bambam’s defence. She stated that no woman would leave her marriage simply because she went under the knife. According to her, it is the man who drives a woman to leave.
The mother of three further explained that no woman willingly leaves a marriage she has invested in over many years. If a woman does leave, it is the man’s fault, possibly due to abuse that she chooses not to disclose publicly.
She added that a man must have shown the woman disrespect or failed to nurture the marriage.
Ogbodo emphasised that if a man refuses to love, protect, and give peace to his wife, the responsibility for the breakdown rests entirely with him.
It would be recalled that Uche Ogbodo also recently underwent cosmetic surgery and shared videos with her fans online,
The actress had remained on the lips of many Nigerians following her role in the trending movie Love in Every Word.
Entertainment
Kate Henshaw Speaks Against ‘Gate Crashing’
Nollywood actress Kate Henshaw has expressed her distaste for individuals who attend events without being invited. The actress in an Instagram video, spoke about the importance of self respect and being considerate.
Nollywood actress Kate Henshaw has expressed her distaste for individuals who attend events without being invited. The actress in an Instagram video, spoke about the importance of self respect and being considerate.
The Tide Entertainment reports that she questioned the popular act of ‘gate crashing’, regarding it as a rude and disrespectful behaviour. Henshaw also urged Nigerians to refrain from attending gatherings where they are not invited.Nigerian Politics Analysis
”I want to talk about something rampant, has been rampant, and is still rampant. I just want to ask those of you who show up uninvited at events and parties, what’s your purpose? What do you aim to achieve? Then, those of you who receive a card that admits only one person and invite all your village people, don’t check with the host; you pack your people and come. What are you doing there? Why don’t you respect yourself and stay away? It’s rude, you’re a gate crasher. Respect yourself enough to stay away from places you aren’t invited to,” she said.
Entertainment
Oscars Set 2027 And 2028 Dates Ahead Of 100th Edition In 2028
The Academy of Motion Picture Arts and Sciences has unveiled dates for both the 99th Academy Awards and its landmark 100th ceremony. The back-to-back events, set for 2027 and 2028, will mark the final years of the Oscars airing on longtime broadcast partner ABC before a major shift to YouTube.
The 99th Oscars will take place on Sunday, March 14, 2027, followed by the historic 100th edition on Sunday, March 5, 2028. Both ceremonies will broadcast live at 7 p.m. ET from the iconic Dolby Theatre in Hollywood and reach audiences in over 200 territories worldwide. Looking ahead, the Academy has also confirmed a venue change, with the ceremony set to move to the Peacock Theater beginning in 2029, where it will remain through 2039.
The Tide Entertainment reports that the announcement comes amid a shifting broadcast landscape. ABC is gearing up for a packed 2027 schedule, including its debut as the home of the Grammy Awards and its first Super Bowl broadcast in over two decades. Meanwhile, this year’s Oscars telecast saw a dip in viewership, drawing 17.86 million viewers across ABC and Hulu, a 9% decline from the previous year’s five-year high.
Still, excitement around the awards remains strong. The most recent ceremony crowned Paul Thomas Anderson’s “One Battle After Another” as Best Picture, while early buzz for the upcoming season is already building. Anticipated contenders include the Ryan Gosling-led “Project Hail Mary,” Denis Villeneuve’s “Dune: Part Three” starring Timothée Chalamet and Zendaya, and Alejandro G. Iñárritu’s “Digger” featuring Tom Cruise.
No hosts have been announced yet for either ceremony, adding another layer of anticipation to the milestone events.
In addition to confirming the ceremony dates, the Academy also released its full calendar for the 2026–2027 awards season, outlining key milestones from the eligibility period beginning January 1, 2026, to nominations voting in January 2027, and final voting in early March.
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