Entertainment
Excessive Weed, Alchohol Take Over Nigerian Showbiz
There is a shift of trend in the Nigerian showbiz as leading celebrities and family brand ambassadors have been turning to sharing and flaunting their posting their binge smoking and alcohol on social media. Experts have warned that there would be an upsurge in the number of substance abuse by youths if caution is not taken.
Like a competition with each participant seeming to outdo the other, many Nigerian celebrities have continued to showcase their love for the constant intake of marijuana and alcohol with little or no care in the world.
The list is endless but fiercely led by leading Nigerian music stars that include Burna Boy, Davido, Wizkid, Naira Marley, and Olamide.
“I don’t do drugs, I just smoke weed,” confirming his addiction to marijuana at every given opportunity, controversial singer Afeez Fashola aka Naira Marley tells his combined followers of 7.6 million on social media platforms – Twitter and Instagram.
The singer, whose lyrics and songs glorify sex, violence, and drugs, followed up his assertions writing, “It’s a very strange thing when you make nature illegal.”
Known for consistently feeding his millions of followers with his lifestyle, his social media posts are not weird to many of his ardent followers, who refer to themselves as ‘Marlians’.
Except for the Ramadan period, the singer is fond of delighting his teeming fans and followers, who are made up of young teens and adults, with his huff and puff of marijuana videos and raunchy pictures on social media.
With much criticism from Nigerians, the ‘Soapy’ singer rarely gives a hoot nor worry about the consequences and the message he’s sending to younger generations.
Months ago, the singer had shared a picture of himself with his gang wrapping up marijuana and captioned it, “No permission! We do it with no permission.”
Naira Marley might seemingly be the most daring of them all but he’s sure not the only artist caught in this messy puddle of smoke promotion, as many of his colleagues seemed to have joined the trend.
Just like his mentor, Fela Kuti, Grammy award nominee, Damini Ogulu aka Burna Boy doesn’t feel guilty smoking in his music videos and public places. In 2013, to show his love for marijuana, the Africa Giant dropped a special tune titled, ‘Smoke Some Weed’ off his album, L.I.F.E. In the song, he confirmed his affection for smoking saying, “I need to sing this song. ’cause marijuana has never ever done me wrong… Me have some marijuana in a me house that I would like to smoke with you gyal…”
On May 4, 2020, the 29-year-old singer caused a stir on social media as he was seen smoking in the presence of his mother and manager, Bose Ogulu. In the Instagram live video, the Port Harcourt born-artist and his mother were dancing to one of Wizkid’s songs as he was recorded exchanging blunts with a friend. Not his first attempt, the same year, a picture of him smoking in the presence of his father also surfaced on social media.
Not to be left out is Ayodeji Ibrahim Balogun aka Wizkid. The 30-year-old singer is fond of showing off his smoking habits arbitrarily on the internet – most especially on Instagram.
Before the release of his 2020 album, ‘Made in Lagos’, the Starboy usually feeds his fans with studio session clips that see him smoking while working. His Instagram page is filled with pictures and videos of the singer smoking or holding substances suspected to be marijuana.
Social commentators have observed that the father of three is losing weight and this has been alleged to be connected with his excessive intake of weed. “Smoke is drying you out… you need to take a chill,” a follower on Twitter cautioned the singer. Another Twitter user, Daddy GeeHoe, criticized that Wizkd has lost his good looks as a result of his continuous consumption of the substance suspected to be marijuana. “Too much weed has made Wizkid lose his beauty,” he posted.
A scroll on Olamide’s Instagram page proves that he is an avid smoker. While he’s hardly seen smoking other substances aside from cigarettes, he has, on several occasions, been cautioned by industry experts for promoting drug abuse in some of his songs.
Another promoter of the binge smoking and drinking lifestyle is 28-years-old David ‘Davido’ Adeleke. The 30BG honcho seems to have quickly forgotten the circumstances surrounding the death of some of his close friends in the spate of one week in 2017.
Precisely, on October 8, 2017, the FEM crooner’s crew including his official disc jockey, Oluwagbemiga Abiodun aka DJ Olu, and Chime were found dead in the car park of a luxurious building situated on Banana Island Lagos. According to reports, the deaths were a result of substance abuse.
Four days before the incident, another of the singer’s affiliates, Tagbo, had collapsed and died after embarking on a drinking binge to celebrate his birthday with the singer and his crew.
Though the 28-year-old singer once hinted that he was quitting smoking just after a music producer, Don Jazzy celebrated his one year of non-smoking on social media, he has since returned to his old habit stronger.
The list of musicians is endless. The same goes for Nollywood stars with many caught in the web of playing characters that sees them interpreting excessive smoking habits on screens.
So bad is the trend that up and coming music acts find it extremely difficult to exist in the space without having to tow the lines of the most popular and trending music acts. The glorification of sexual acts, binge smoking, and drinking has become a norm that should be followed for any entertainer seeking success.
The adverse effect of drug addiction on the lives, careers, and performances of entertainers is not one synonymous with only the Nigerian entertainment space. Just as it didn’t just start today, it is reputable to have dragged many superstars down the grave. Globally, leading musicians and actors from Charlie Sheen, Steve Howe, Judy Garland to Whitney Houston. The Nigerian entertainment industry has also had its fair share of bright stars who have seen their careers crumble over addiction or substance intake.
Early in January, Nigerians woke up to a viral clip where current rave, Bella Shmurda, was seen misbehaving on stage during a performance in Asaba, Delta state.
In the video, the 23-year-old singer was seen staggering and unable to take charge of his performance until his crew had to support him to stand properly. The ‘Cash App’ singer was alleged to have been highly intoxicated before climbing the stage to perform.
The development, however, ignited mixed reactions as many slams the young singer for public misconduct, while few advised him against the use of drugs.
“Bella Shmurda needs serious management before drugs will ruin him, his show at Asaba was an eyesore, he was too high to even perform. Talent without goods behaviours and good management will be a waste of talent at the end of the day,” a fan, Uncle Ajala ranted on Twitter.
Another fan, Xammy Official advised, “We’ve seen so many great talents lose it out to drugs. Bella Shmurda needs a very good advisor in the industry and a good management team. He might not last in the industry or as a human being if he continues these drugs.”
In December, the fast-rising star was full of praise to his friend and colleague, Zlatan, Pokolee for redeeming his life from excess intake of smoke and drinking.
“I was going astray, smoking and drinking nonsense but you helped and supported me with everything in 2020,” he confessed during an Instagram live video.
Some celebrities indulge in substance consumption for fun, while many believe it enhances their inspiration, lyrics, and performance artistry.
A brief chat with an upcoming rapper who was preparing himself with marijuana and a mixture of alcohol backstage believes the mixture is the best enhancer he needs to wow his crowd.
“Bros, na we dey do am ooo. I copy this lifestyle from my mentor… a superstar,” the young artist with dreadlock said with a smile.
Continuing he said, “I feel more confident, sharp, and fearless after I fill my body with these things. In fact, I can freestyle for one hour non-stop.”
However, veteran music producer, ID Cabasa, does not agree with the notion. According to him, intoxicating substances can bring talented musicians to a tragic end.
Commonly found in the entertainment space are substances that include marijuana, refnol, skunk, cocaine, loud, codeine, tramadol, ecstasy, methamphetamine, etc.
Findings showed that viewing people smoking in movies prospectively predicts a substantial proportion of children smoking initiation. Similarly, exposure to smoking-related media promotions is associated with smoking initiation while alcoholic use in movies and promotions is also linked to actual alcohol use.
In fact, movies and entertainment materials are veritable tools for the transfer of ideas and promotion of alternative lifestyles.
The World Health Organisation (WHO) confirms that currently about 8 million people die annually from tobacco use, and if nothing is done to reverse or halt the epidemic, tobacco-related deaths could rise to 10 million annually by 2030.
Speaking on the development, Executive Director, Corporate Accountability and Public Participation Africa (CAPPA) Akinbode Oluwafemi, said there is a need for stakeholders to play an active role in introducing measures to curb smoking in videos.
According to Oluwafemi who has kicked off a campaign, #Smokefree-Nollywood to stop smoking in movies and music videos in the entertainment industry to protect young Nigerians, recommend strategies to curb the menace.
“CAPPA is spearheading advocacy efforts at building a critical mass to confront the industry’s tactics of wooing the young and uninformed through films and music videos. The tobacco industry also exploits movies and music videos to give misleading positive impressions of tobacco use. Such has been identified as a cause of smoking initiation among young persons,” he said.
Entertainment
‘Lie From The Pit Of Hell,’ Family Debunks Pete Edochie’s death Rumours
The family of veteran Nollywood actor, Pete Edochie, has dismissed viral rumours circulating on social media claiming that the film icon is dead.
Reacting to the reports in a video shared on his Instagram page on Tuesday, the actor’s eldest son, Leo Edochie, described the claim as false and malicious.
“I’ve been receiving text messages and calls over the nonsense post by some people that our father, Chief Pete Edochie, is dead. It is a lie from the pit of hell,” he said.
Leo added that the actor is alive and in good health, condemning those responsible for spreading the rumour.
“Our father is alive, hale and hearty. And if you wish someone dead, two things usually happen. The person will live very long and you will die before him. Shame to all of you,” he said.
The rumour had sparked concern among fans before the family’s clarification.
Entertainment
‘Mother’s Love’ Challenges Nigerian’s Film Portray Of Motherhood
Nollywood veteran actress Omotola Jalade-Ekeinde is making her directorial debut with a different and sharper focus. Speaking recently with Newsmen,, the screen icon highlighted a glaring void in the industry’s catalogue, which is the authentic reality of mother-daughter relationships.
“We don’t have too many films that explore or showcase the relationship between mothers and daughters,” Omotola said during the interview, describing the subject as something deeply personal to her.
Speaking honestly about raising her first daughter, she admitted she had only one mode at the time, which was discipline. “I didn’t do a good job,” she said plainly, explaining that she understood motherhood strictly through control, not softness or emotional openness.
At the centre of Mother’s Love is Adebisi, a sheltered young woman from a wealthy home whose life is shaped by her father’s rigid control. Her first taste of freedom comes through NYSC, where distance from home allows her to begin discovering who she is outside her family’s expectations. She forms a friendship with a young man from a more modest background, and through him, starts to see the world and herself differently.
But the emotional core of the film isn’t Adebisi’s rebellion. It’s her mother. Long after being presented as quiet and compliant, she slowly reveals a resolve when her daughter’s safety and future are threatened. As secrets surface and buried grief comes into view, Mother’s Love becomes less about youthful independence and more about maternal sacrifice, unspoken trauma, and the emotional costs of survival inside a patriarchal home.
The Tide Entertainment reports that the film doesn’t shy away from weighty themes by including PTSD, unresolved grief, and social inequality at the centre of the story. It is far removed from the soft-focus sentimentality that often defines Mother’s Day-style narratives.
It also marks Omotola’s directorial debut, a significant moment considering how long she has shaped Nollywood from the front of the camera. She stars in the film alongside a mix of familiar faces and newer talent, including Ifeanyi Kalu, Olumide Oworu, and Noray Nehita.
Beyond the film itself, Omotola’s interview touched on a tension that has been simmering in Nollywood for a while now: how movies are marketed in the age of TikTok. Addressing the growing expectation for actors and filmmakers to create viral dance content to promote their work, she didn’t mince words. The pressure, she said, is exhausting and unnatural.
For her, the industry wasn’t meant to function this way. Still, she was careful not to judge anyone else’s approach. Everyone invests differently, carries different risks, and should be allowed to promote their films however they see fit.
“Do whatever you can do. It’s exhausting, it’s not natural. For me, the film industry is not supposed to be like that. We are encouraging nonsense if we are doing that. It doesn’t mean that whoever is doing it is wrong.”
Her comments arrive not long after the public back-and-forth between Kunle Afolayan and Funke Akindele over marketing styles, a debate that quickly turned into a proxy war between prestige storytelling and viral strategy. Omotola’s stance sits somewhere calmer. She understands the shift social media has brought, but she’s also clear about her own boundaries.
Omotola’s critique about the lack of mother-daughter stories isn’t unfounded. In Nollywood, mothers often exist as symbols rather than people. They’re either saintly figures who pray endlessly for their children or villains whose cruelty drives the plot forward. What’s missing is intimacy, the negotiations, and the regrets. The love that exists alongside resentment and misunderstanding.
Films rarely sit with the emotional complexity of women raising daughters in systems that also failed them. There’s little room for mothers who made mistakes but are still trying, or daughters who love their mothers while questioning the damage they inherited. Mother’s Love attempts to occupy that space, offering a more grounded portrayal that reflects lived experience rather than archetypes.
That’s where the film’s potential impact lies, in the decision to centre a relationship that Nollywood has largely flattened. If it works, it could open the door for more stories that treat motherhood as a lived, evolving reality rather than a fixed moral position.
Mother’s Love, directed by and starring Omotola Jalade Ekeinde, had its world premiere at the 50th Toronto International Film Festival on September 6, 2025. The film is set for a nationwide cinema release in Nigeria on March 6, 2026.
Entertainment
Funke Akindele’s Behind The Scenes Crosses ?1.77bn
Funke Akindele’s Behind The Scenes becomes Nollywood’s highest-grossing film of 2025, earning ?1.77bn in under four weeks.
Multi-award-winning actress and producer Funke Akindele has done it again, and this time, the numbers speak louder than applause.
Her latest film, Behind The Scenes, has officially emerged as the highest-grossing Nollywood film of 2025, pulling in an astonishing ?1.767 billion in less than four weeks.
The Tide Entertainment reports that Funke Akindele Makes Box Office History as Behind The Scenes Crosses ?1.77bn
Earlier in its release cycle, the film’s distributor, FilmOne Entertainment, revealed that Behind The Scenes smashed five opening-weekend records, including the highest single-day gross ever recorded on Boxing Day, with ?129.5 million in one day. That announcement already hinted that something unusual was unfolding.
Reacting to the milestone, FilmOne described the moment as both surreal and communal, crediting audience loyalty for pushing the film to the top spot once again as the number-one movie of the weekend. And that sentiment feels accurate. This wasn’t just ticket sales; it was momentum.
What makes this achievement even more striking is that Behind The Scenes is Funke Akindele’s third film to cross the ?1 billion mark. Before now, there was A Tribe Called Judah, and then Everybody Loves Jenifa, a film that didn’t just open big, but went on to become the highest-grossing Nollywood film of all time. At this point, it’s no longer a fluke. It’s a pattern.
Part of Behind The Scenes’ success lies in strategy. The film enjoyed advanced screenings on December 10 and 11, quietly building curiosity and conversation before its nationwide release on December 12. By the time it officially hit cinemas, audiences already felt like they needed to see it.
Then there’s the cast. The film brings together a lineup that feels deliberately stacked: Scarlet Gomez, Iyabo Ojo, Destiny Etiko, Tobi Bakre, Uche Montana, and several others. Familiar faces, strong fan bases, and performances that kept word-of-mouth alive long after opening weekend.
Still, beyond timing and casting, there’s something else at work here. Funke Akindele understands Nigerian audiences. Their humour, their pacing, their emotional buttons. She doesn’t guess, she calculates, experiments, listens, and refines. That understanding has slowly turned into box-office dominance.
Behind The Scenes crossing ?1.77 billion isn’t just another headline; it’s confirmation. Funke Akindele has moved from being a successful actress to becoming one of the most reliable commercial forces Nollywood has ever produced. Three-billion-naira films don’t happen by luck. They happen when storytelling, business sense, and audience trust align.
And right now, that alignment seems firmly in her hands.
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