Entertainment
Focus On Miss Nigeria And MBGN Pageants’ Dichtomy
Beauty they say is in the eyes of the beholder, The Oxford Advanced Learners Dictionary defines beauty as “the quality of being pleasing to the senses or mind”. It went further to define beauty contest as “a competition to choose the most beautiful from a group of women, while beauty is a competition for young women in which their beauty,personal qualities and skills are judged”.
In Nigeria the two major beauty pageants are the Miss Nigeria and the Most Beautiful Girl in Nigeria (MBGN).Both contests claim to represent” the true Nigerian Womanhood”.Yet craft separate models of idealised feminity present different nationalist agenda. These differences stem from two distinct representations of gendered national identities.
The first pageant, Miss Nigeria brands itself as a Nigerian based pageant centred on a cultural nationalist ideal which is focused in vitalising and appreciating Nigerian culture to unify the nation.It is an annual event which showcases positive attributes of Nigerian women and awards university scholarships to winners who portray examplary qualities and serves as role models for young women in the country with its motto:Empowering Women beyond beauty”.The pageant discourages the wearing of swim suites and Bikini which exposes the body of contestants in order to uphold the dignity of the African woman.
In contrast, the second national pageant,the Most Beautiful Girls in Nigeria (MBGN) utilizes ‘International Standard’ to elect and send contestants to miss world and miss universe, the top pageants in the world and promotes a cosmopolitan nationalist ideal which remains concentrated in propelling and integrating Nigeria into the International arena.
The pageant organizers encourages contestants to wear swim suites and Bikinis. The bikini remains a fraught embodied symbol and aesthetic practice. Pageant affiliates, critics and fans alike strongly debate the question of whether to include bikinis in these events,but ethnographic observations of the two Nigerian national beauty contests show how various stakeholders used personal,domestic and international frames about women’s bodies and the bikini in particular to bolster respectability, women’s figurative and literal bodies were used to strategically situated propriety,social acceptance and reputability for the self and the nation.
Historically,the Miss Nigeria Pageant started in 1957 as a photo contest.Contestants posted photograph of themselves to Daily Times headquarters in Lagos where finalists were shortlisted. Those successful were invited to compete in the live final which at the time did not include a swimsuit competition and was held at the Lagos Island club.
United Africa Company (UAC)employee, Grace Oyelude won the maiden edition of Miss Nigeria and the £200(Twohundred pounds)prize money.Contrary to popular believe, Julie Coker was not the first Miss Nigeria, She was actually Miss Western Nigeria,but used the Miss Nigeria title during official engagements abroad.
It is on record that once upon a time Miss Nigeria was the official beauty pageant responsible for sending the Nigerian representatives to the Miss World Beauty Pageant. The sixties saw Miss Nigeria competing at international level, Yemi dowu who had won the contest in 1962 was a semi finalist at Miss United Nations 1963.
Her successor, Miss Edna Park was the first Nigerian at Miss Universe in 1964 and is best remembered for distrupting the show when she collapsed on stage after failing to reach the top fifteen. Park was carried away by policemen and contest officials and spent a night in a Miami hospital under sedation where she was consoled by the wife of Nigerian Ambassador, Nneka Onyegbula who reportedly stated, “All the judges are white and they aren’t really competent to judge a dark girls, beauty”. Since Park,no other Miss Nigeria has contested Miss Universe. Rosaline Balogun became the first official Miss Nigeria at Miss World in 1967. After that the contest was constantly plagued with corruption, low standard and not so smart ladies emerging as winners.critics had described the original Pageant as “ a parade of beauty without brains”.
With the gradual demise of Daily Times and rivalry with Silverbird’s MBGN, Miss Nigeria ceased to be the country’s most prominent pageant and began to lose its way,subsequently they lost their rights to send ladies to Miss World Beauty Pageant and Silverbird which started as Miss Universe Nigeria Pageant took over and rebranded to Most Beautiful Girl in Nigeria (MBGN).
Even though Daily Times lost out from sending pageants abroad, they still had the official name Miss Nigeria which was internationally recognised, MBGN was not recognised abroad, but they were more organised,more glamorous and more public. Ben Murray Bruce leveraging his international exposure and connections was able to deliver a Stellar Pageant contest at about the same time Daily Times was zinking.
In 2001 after Agbani Darego won the Miss World Beauty Pageant in Sun City South Africa,the reigning Miss Nigeria Amina Ekpo attempted to drag her to court,she alleged that Miss Darego “wrongly, falsely and fraudulently presented herself as Miss Nigeria” at the Miss World Pageant. A letter from Ekpo’s lawyers to Darego said, “at no time did she consent to nor authorize the use of that title by you or anyone else in this or any other manner. The case was latter settled out of court.
The current title holder of MBGN is Rivers State born public Health student, Nyekachi Douglas and is currently Africa’s Continental queen of beauty having reached the top five at Miss World .2019 marked the first time since 2001 an MBGN representative places at both Miss World and Miss Universe top 20.
Presently MBGN winner represents Nigeria in Miss World Pageant and MBGN runners up are not left out as the first runner up represents Nigeria at Miss Universe Beauty Pageant, second runner up represent the country in Miss Tourism Beauty contest,while the third runner up represent Nigeria at the Miss ECOWAS Beauty Pageant.
The difference between Miss Nigeria and Most Beautiful Girl in Nigeria (MBGN) have been compared with Miss USA and Miss America. While MBGN delegates compete at international level,Miss Nigeria winners no longer have this privilege.
In 2010 Miss Nigeria was relaunched as a scholarship programme and its winners in recent years receive modelling contract as part of their prize. MBGN focuses mainly on physical beauty unlike Miss Nigeria which is expected to to promote inner beauty with a wholesome girl-next-door image as a result its swim suit competition was famously scrapped in 2010,but this feature remains popular at MBGN.
Due to the country’s conservative standards, Very few contestant competed in the early days of MBGN and competitors from Northern Nigeria are still rare as its predominantly Muslim population frown on beauty Pageants.
Today, the two national beauty pageants, Miss Nigeria and MBGN exist side by side with uneasy calm,but it is clear which has an upper hand. Miss Nigeria is at its best, an option for those who are testing the waters or were unsuccessful with their MBGN run. For instance Miss Nigeria 2018, Chidinma Aaron was formerly a contestant at MBGN 2017.
By: Jacob Obinna
Entertainment
Funke Akindele’s Behind The Scenes Crosses ?1.77bn
Funke Akindele’s Behind The Scenes becomes Nollywood’s highest-grossing film of 2025, earning ?1.77bn in under four weeks.
Multi-award-winning actress and producer Funke Akindele has done it again, and this time, the numbers speak louder than applause.
Her latest film, Behind The Scenes, has officially emerged as the highest-grossing Nollywood film of 2025, pulling in an astonishing ?1.767 billion in less than four weeks.
The Tide Entertainment reports that Funke Akindele Makes Box Office History as Behind The Scenes Crosses ?1.77bn
Earlier in its release cycle, the film’s distributor, FilmOne Entertainment, revealed that Behind The Scenes smashed five opening-weekend records, including the highest single-day gross ever recorded on Boxing Day, with ?129.5 million in one day. That announcement already hinted that something unusual was unfolding.
Reacting to the milestone, FilmOne described the moment as both surreal and communal, crediting audience loyalty for pushing the film to the top spot once again as the number-one movie of the weekend. And that sentiment feels accurate. This wasn’t just ticket sales; it was momentum.
What makes this achievement even more striking is that Behind The Scenes is Funke Akindele’s third film to cross the ?1 billion mark. Before now, there was A Tribe Called Judah, and then Everybody Loves Jenifa, a film that didn’t just open big, but went on to become the highest-grossing Nollywood film of all time. At this point, it’s no longer a fluke. It’s a pattern.
Part of Behind The Scenes’ success lies in strategy. The film enjoyed advanced screenings on December 10 and 11, quietly building curiosity and conversation before its nationwide release on December 12. By the time it officially hit cinemas, audiences already felt like they needed to see it.
Then there’s the cast. The film brings together a lineup that feels deliberately stacked: Scarlet Gomez, Iyabo Ojo, Destiny Etiko, Tobi Bakre, Uche Montana, and several others. Familiar faces, strong fan bases, and performances that kept word-of-mouth alive long after opening weekend.
Still, beyond timing and casting, there’s something else at work here. Funke Akindele understands Nigerian audiences. Their humour, their pacing, their emotional buttons. She doesn’t guess, she calculates, experiments, listens, and refines. That understanding has slowly turned into box-office dominance.
Behind The Scenes crossing ?1.77 billion isn’t just another headline; it’s confirmation. Funke Akindele has moved from being a successful actress to becoming one of the most reliable commercial forces Nollywood has ever produced. Three-billion-naira films don’t happen by luck. They happen when storytelling, business sense, and audience trust align.
And right now, that alignment seems firmly in her hands.
Entertainment
Adekunle Gold, Simi Welcome Twin Babies
Popular Nigerian music stars, Adekunle Kosoko, widely known as Adekunle Gold, and his wife, Simi, have become parents again this time to twins.
The award-winning singer shared the joyful update on his Snapchat story on Wednesday, confirming the expansion of their family.
“Asked God for another child and he blessed me double,” she wrote.
While the couple has not yet disclosed the gender of the newborns, the announcement has sparked an outpouring of warm wishes from admirers, fellow celebrities, and industry colleagues.
Speculation had intensified in December when Simi posted a video on Instagram accompanied by the caption, “From my baby, for my babies.”
The clip showed her with a growing baby bump, fueling anticipation that another child was on the way.
Their latest blessings arrive just weeks after Simi highlighted a scene from Adekunle Gold’s newly released music video, “My Love is the Same,” further stirring excitement among fans.
The Tide Entertainment reports that Adekunle Gold and Simi who tied the knot in 2019 after a long history of friendship and musical synergy remain one of Nigeria’s most admired entertainment power couples. Both artistes were once signed to X3M Music before soaring into mainstream acclaim.
The pair welcomed their first child, Adejare Kosoko, fondly called Deja, in May 2020.
Entertainment
Jesse Flames Opens 2026 With ‘Praise The Lord’ Featuring Magnito
After closing out 2025 with the release of “Praise the Lord” featuring Magnito, Jesse Flames enters the new year with renewed clarity and purpose, continuing to build a body of work rooted in intention rather than noise. In a moment where Afrobeats is moving faster and louder than ever, his approach remains measured and deliberate, prioritizing meaning, craft, and longevity over momentary attention. The official music video arrives January 10.
Following the momentum of his breakout single “FLEX,” “Praise the Lord” represents a shift from celebration to grounding. Reflective and soulful, the record centers gratitude, growth, and perspective, capturing a quieter confidence that resonates beyond a single moment.
“This song is about recognizing the full picture,” Jesse shares. “The work people see and the work they don’t. The lessons, the setbacks, the growth.”
The collaboration with Magnito, a respected voice in Nigerian hip hop known for his sharp lyricism and cultural authenticity, adds depth and weight to the record, reinforcing its themes of resilience, faith, and self reflection.
Released in December at the height of Detty December, “Praise the Lord” became a natural soundtrack for both celebration and reflection as the year came to a close. With the video arriving in January, the record takes on new meaning, opening the year as a tone setter rather than a reset.
Born in the United States, raised in Festac, Lagos, and now based in London, Jesse Flames brings a global perspective to his sound, blending Afrobeats, hip hop, and melodic soul into something sleek and intentional. His music reflects lived experience and cultural nuance rather than trend chasing.
The Tide Entertainment reports that with over 11 million streams, performances at O2 Brixton Academy and OVO Arena Wembley, and coverage from The Guardian and Business Post Nigeria, Jesse’s rise has been steady and self made. Looking ahead to 2026 and 2027, he is preparing for collaborations with Ice Prince, M.I Abaga, and Smurlee.
“Praise the Lord” ft. Magnito is available now on all streaming platforms.
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