Opinion
Monuments Of Blot
The old adage that a thing of beauty is a thing of joy forever expresses the truth that the deeds of men represent their value orientation, degree of maturity and inner volition. Whether such deeds were done secretly by unknown soldiers or faceless cabals or in the open by an individual or a government, they are usually monuments for posterity. In similar manner, statements that people make casually usually reflect the mindset of such people.
Things done covertly or overtly also reveal the identities of their performers, and like Shakespeare would say: “he is well paid that is well satisfied” with his labour. What we find quite common is that many people labour for bread and quick returns while a few among humanity labour diligently for the interest of the masses and for posterity. However, those who engage in selfless and ennobling activities are usually happier and healthier in old age.
Monuments of blot are remains or legacies whose sight or memories evoke disgust in the minds of those who look at them after a long time. They are the remnants of the works of men which can tell stories about the time, mindset and circumstances which gave rise to such endeavours. Legacies and monuments which do not evoke and kindle joy and enthusiasm in the minds of those who look at them after many years, are monuments of blot.
There is an old poem entitled “Ozymandias of Egypt” by P.B.Shelley which reads in part: “My name is Ozymandias, king of kings: Look on my works, ye Mighty, and despair!…” Those familiar with that poem would remember that it has to do with “Two vast and trunkless legs of stone” in the desert. It was a monument of blot, of the irony of human pride, vanity and vaulting ambition. The monument was a colossal wreck and waste of funds, “boundless and bare, lone in sandy desert…”
In Nigeria, there have been several such projects conceived and undertaken with great expectation but later abandoned to rot and waste away, causing disgust in the minds of passers-by. From iron and steel industry projects to “party secretariats”, low-cost housing estates, newsprint paper mills, to monorail projects and hotels, such monuments abound all over Nigeria.
Party secretariat projects of the General Ibrahim Babangida administration, standing as monuments of shame, tell pathetic stories about how colossal sums of money could be wasted with impunity and no compunction. In such abandoned buildings at all state headquarters were also numerous vehicles which were left to rot away. The level of vandalisation of remnants in these party secretariats was so shocking that when Babangida’s pair of expensive shoes were stolen in a mosque in Minna after he left Aso Rock, some Nigerians were delightfully amused.
One of the signs of extreme degeneration, decay and debauchery in any individual or society is shamelessness. Such feeling of shamelessness can manifest in gross insensitivity to the opinions and plight of the masses and obtuse self-righteousness. The effect of a “king dancing naked in the palace” is that onlookers become corrupt. Shakespeare would say that “thieves for their robbery have authority when judges steal themselves”. Loss of a feeling of shame goes along with diminution of personal responsibility.
Truly, time unfolds what plighted and clever cunning hides. Under the guise of transition to civil rule, the military did lots of injustices to the Nigerian masses, especially in the reckless manner that money was spent on projects of blot. In spite of their timidity and cowardice, Nigerians know more than what they would say about their leaders in the open. Today, much of the bamboozlements and clever talks and deeds of past leaders have made Nigerians wiser.
What appears to be victory on the part of strong persons often turn out to be short-lived while the onlookers have the opportunity to see the true nature of the man behind the mask. Erstwhile Nigerian president, Dr Goodluck Jonathan, in his book: My Transition Hours tells us that “when ambition is unbridled, when it is not restrained, when limits or boundaries are not placed on it, ambition can take a very great toll on its holder and those it is meant to serve in the case of public office”.
In the case of Rivers State, specifically, there are two disturbing monuments which can be considered as representing misplaced ambition and gross negligence. These are the Mono-rail project and the Airport Hotel at Omagwa. Without passing any judgement on the conception and execution of the mono-rail project, it would not be out of place to say that it represents some blot, one way or another. Let the lesson be that no administration should embark on any large-scale project which cannot be completed within its tenure.
In the case of the Airport Hotel which now stands surrounded by a forest, the conscience of every stakeholder should be touched, to redeem the image of Rivers State by doing something immediately to clear the forest around it. We have been known to contract foreigners to run our hotels after we have run them down but let us not sell or demolish them, like Hotel Olympia. Rivers State is not short of diligent, patriotic and capable experts in various fields. Just find them!
Dr. Amirize is a retired lecturer from the Rivers State University, PH.
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