Entertainment
Battle Royal As COSON’s Crisis Deepens
That all is not well with the Copyright Society of Nigeria (COSON) is stating the obvious as things have fallen apart in the entertainment society following accusations of deceit, high handed, manipulations and incompetence against the leadership of the body, led by Chief Tony Okoroji on one side and Efe Omorogbe on the other side.
In 2010, the Copyright Society of Nigeria was born with the aim of negotiating, granting copyright licences and collecting royalties, distributing same to copy- right owners and curbing the bitting case of piracy that has plagued the Nigerian music industry. Prior to its set up, there were multiple music bodies including the Nigeria Copyright Council, Music Collective Society of Nigeria (MCSN) and the Performing Musicians Association of Nigeria (PIMAN) who had promised to represent the interest of creators (musicians).
Their failure to deliver on these promises led to the call for a singular body/Collective Management Organisation (CMO), as a result. The following organisations, WASPAN, MCSN and COSON joined to become the sole body that represents Nigerian musicians, but COSON backed with the support of other national associations, including PMAN won the battle and was fully licensed to collect royaltics and other rights on behalf of Nigerian artistes.
Almost eight years since operations kicked off, one cannot make a boast of COSON’s stability as it has been faced with unending crisis and more recently is the seeming power tussle between different factions within the body. It all came to the knowledge of the public on December 7th 2017 when COSON announced after an emergency board meeting that Okoroji had been rid of his position as COSON chairman.
Following a vote of confidence conducted by 10 active members of COSON management board, including Okoroji the vote which was conducted at the COSON House at Ikeja had stakeholders and representatives of the Nigerian Copyright Commission (NCC) responsible for regulating the activities of COSON in attendance, Okoroji was said to have lost to fellow board member and renowned talent Manager, Efe Omorogbe, who was immediately declared chairman of COSON.
Brief introduction of the prime parties involved in the crisis:
Chief Tony Okoroji: Tony Okoroji is an author and retired musician whose musical works reigned supreme in the ‘70s and ‘80s. At 29, Okoroji was elected National President of PMAN. Thereby making him the youngest president in the association’s history. The award winning entertainment stakeholder is the CEO of Tops limited, a Lagos based entertainment and events consultancy film.
Efe Omorogbe: Also a very respected executive in Nigeria entertainment, he is a co-founder of music publishing company, 5ive music group, founder and CEO music management and record company, now music limited, co-founder and director of 960 music group and longtime manager of Nigeria Pop Icon 2 Face Idibia.
On December 19, nearly a forthnight after Omorogbe took over the leadership of COSON, things took a different turn after Sir Victor Uwaifo, Head of the Organisation’s General Assembly announced the reinstatement of Tony Okoroji condemning the previously conducted change of chairmanship procedure as conspirational, the management board was also reconstituted and six members who were in support of Tony Okoroji’s removal including Efe Omorogbe were taken off COSON management board.
Omorogbe saw the action as ridiculous and unconstitutional explaining that board of directors are elected by members of COSON and as such it is impossible to dissolve/inaugurate a new board without the knowledge and participation of the members. He staged his purported comeback and reinstatement, created a lot of drama and claimed he had been reinstated by the General Assembly members who did not elect him as chairman in the first place.
According to him, you elect directors and directors choose a chairman, but in their desperation, they didn’t put all of these into account. He said the board’s decision to sack Okoroji stems from excessive cases of unethical practices and improper procedures for approval of funds releases.
Omorogbe had earlier in the year released a lengthy 9-point statement that accused Okoroji of gross abuse of power, alleging that Okoroji paid himself the sum of N22, 500,000 (twenty two million, five hundred thousand naira) through his company, Tops Limited.
He alleged that the amount was from MTN’s settlement payment for royalties without the approval and signature of both the Finance Committee Chairman, Mr Joel Ajayi and other board members which contradicts COSON’s rule that all payments above N2,000,000 (two million naira) must be approved by the board. Okoroji was also accused of misappropriating a quoted sum of N26,200,000 (twenty six million two hundred naira) as incurred by his company, Tops Ltd in the execution of the COSON’s week.
A series of events which contractually are allowed to hold on the condition that Production Company can independently generate the funding, as a collective management organisation, matters are discussed internally by members of the board before implementation, but the embattled Chairman, Tony Okoroji according to Omorogbe continues to unapologetically take actions without consulting the directorial board thus leading to cases of misrepresentation.
“He run the society like his personal hustle, it was difficult for Okoroji to separate himself from COSON as he sees COSON and himself as one” Omorogbe said. He further alleged that Okoroji has been orchestrating manipulative and deceitful devices presenting the well deserved benefits of right owners as an act of benevolence in a bid to buy over their loyalty.
He stressed that the movies are collected to be distributed, if you are a member that is what is due, you either based on general distribution or specific distribution and no single person has the power to determine whether you get stuff or you don’t get stuff, he stated.
Entertainment
Why Fans No Longer Faint For Musicians – Paul Okoye
Nigerian singer and half of the defunct P-Square duo, Paul Okoye, aka Rudeboy, has claimed that social media has reduced the prestige and value fans attached to musicians due to the mystique that artistes had before the era of social media.
Speaking in a recent interview with Lun Lifestyle TV, Rudeboy argued that social media, despite all its benefits, has shattered the illusion of artistes being mysterious and godlike.
This he said has reduced the buzz artistes previously enjoyed whenever their fans got the opportunity to see them whether physically or visually.
The ‘Reason With Me’ crooner explained that because artistes are no longer mysterious, fans are no longer eager to watch them in music videos.
He claimed that shooting music videos is now a waste of money.
Rudeboy said, “Music videos somehow now, because of this generation, is a waste of money. I am sorry to say this. But do you remember us [P-Square] before? You don’t see us anywhere. You just watch music videos, you see us and that’s it, or we come to your country, you see us.
“The reason you don’t see people faint for artistes anymore is because they see them on TikTok every day dancing and promoting your music. If Michael Jackson was alive now and doing promotional content on social media, nobody would see him and faint.
“Unfortunately, it’s too late for us to bring back the era of artistes being mystiques. How can you advise an artiste to post every day? How? Post what? You don’t need to.
“Social media brought positive change to the industry but it also led to ‘see-finish.’ Artistes are now too exposed. Fans see how they eat, cry. Before when artistes go to club, they stay in restricted VIP areas, but now when they are clubbing, everyone is filming.”
Entertainment
Davido’s Aide Offers Cash Reward For Missing Phone At Zlatan’s Wedding
Afrobeats superstar, Davido’s aide, Damilare Aladegbola, popularly known as Dre, has offered a cash reward to whoever returns his phone, which he claims went missing during rapper Zlatan Ibile’s wedding ceremony.
Dre made the appeal in a post on his Instagram page on Monday, pleading with the person who allegedly took the device to return it in exchange for money.
“If na u carry my phone for Zlatan wedding, abeg return am, I go give you money please,” he wrote.
The aide also expressed frustration over what he suggested was a method being used to take phones at social gatherings.
He said he would no longer tolerate waiters asking whether guests had finished eating so they could clear their plates, alleging that the practice could provide an opportunity for phones left on tables to be taken.
“From now on, if I go any party or dey any party and any stupid waitress tell me say are you done eating so I can pack your plate, na swear I go swear for you cause na pattern wey una dey use pack phone for table be that now,” he added.
However, Dre did not identify anyone suspected of taking his phone or provide further details about how the device went missing.
Zlatan Ibile tied the knot with his longtime partner, Davita Lamai, during a traditional wedding ceremony on Saturday, October 24, 2026.
The ceremony, held in Lagos, attracted several celebrities, fans and well-wishers, with Davido among the prominent guests and leading the groomsmen.
Entertainment
I Ran Away From Nigeria, Never Wanted To Come Back-Chidinma
Popular singer, Chidinma Ekile has revealed that before transitioning from secular music to the gospel genre, she “ran away” from Nigeria.
Speaking at a recent Eezee Conceptz event, Chidinma explained that she travelled abroad and wanted to secure permanent residency because she didn’t want to return to Nigeria, but failed.
She revealed that while she was abroad, the CEO of Eezee Conceptz was the only person calling her from Nigeria, so she decided to work with him upon her return.
“I travelled. I ran away from Nigeria. I was processing my papers not to come back to Nigeria, but for some reason, it didn’t work.
“While I was abroad, the CEO of Eezee Conceptz was the only one who was calling me from Nigeria. He kept encouraging me, and I found the strength to come back to Nigeria. When I came back, I asked him to give me a gospel music contract because I want to spend time with God. And he gave me a contract that even my lawyer said seemed like a charity,” Chidinma stated.
The music star added that she did not transition into gospel music because she wanted to make gospel, but because she wanted a serious relationship with God.
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