Opinion
Consciousness And Praise Poetry In Africa
The praise poetry of Africans is rooted in our cosmology
which extols humans and non-humans. Professional praise-singers praise chiefs,
kings or noble men. Individuals compose their praise songs. They promote
self-feats, greatness and special attributes linked to paternal and maternal
victors and other credentials. The aim of the poetry is not to promote the
negative traits of self; ego, nor its doctrinal derivatives; hatred, vengeance,
selfhood and personalism. It is a form that encourages individualism that is
rooted in communality. The values promoted through the poetic medium must be
rooted in communal mind. It implies that every good oral poetic composition
that praises an individual should be linked to other individuals, who share the
values and have profited from the song. It is dangerous for singers in the
society to compose songs about the negative traits of individuals with the
intension of praising them.
Non human objects influence the lives of people. Their uses
are so relevant that praise-singers compose praise songs about them. One
instance from Ogoni is palm wine. It is praised as good drink which nourishes
people ad offers them better life. A lion could be praised as king of the
forest and may be juxtaposed with a man. An elephant that stands across a road
may be praised as the mighty one with several encomiums associated with its
strength and might. Praise songs of non-human objects derive from environmental
consciousness, valuation and, economic, social and geographical relevance
associated with them; they are not praised as objects in a vacuum, the people
are attached to them in relation to their environment.
One major principle of praise poetry is to extol. It depends
on the praise-singer who decides who and what to praise. It is rational to
praise the beauties and values of a society. It is aberrant to praise bad
qualities of a non-human object or a human. Praise songs rarely mixes abuse and
praise elements. Is it the rational praising an armed robber for his bravery?
It is an unwanted bad behavioural trait which threatens the existence of
society. It does not matter whether the person is the most gifted armed robber
that is never caught even when soldiers and police are sent to defeat his team.
He is a fit subject of abuse for threatening the society; making ridicule of
him is better with the ultimate aim of correcting the misdemeanor.
What are the values in a system or community? They are in
the reservoir of communal mind and are accessible to every communal user. The
praise poetry composer draws from the reservoir using the ones relevant to him
to compose songs. The Hausa community believes in the rich fending for the
poor. The praise singer does not fall to praise a charitable king whose
community gains from his benevolence. The Igbo believe in good governance which
is fair to the rich and the poor. A praise-singer praises a king who is upright
and fair to his people. It is applicable to the Yoruba who are of the opinion
that a good king fights for the protection and welfare of his people. Other
Nigerian communities adore their kings in similar and other forms.
The self praises in Yoruba are a subject of academic
inquiry. Are they unrelated to the society? Do they carry communal ethos and
values? If they are not, how can we say they are relevant to traditional praise
poetry? Some of the praise names derive from the positions of individuals in
the family. Taiwo and Kehinde, while others are linked to the community, Ade
and Oye. They show the roles individuals play in the family and the community,
or roles their parents played. In the case of the latter, the individuals carry
the consciousness of governance along with them which makes them share the
belief with their parents or grand parents that they are from royal lineages.
The consciousness is carried like a doctrine that offers expectations that may
be realised from available opportunities. Possibilities of governing in
institutions, associations and groups are not related to the praise background
but belief is a motivational factor which creates dreams for people, and could
make such persons expectant where they work. Good spirit catalyses desire into
valuable possibilities, this is why society promotes good values.
Names of the earlier refer to the positions in the family.
The first means first child while the second means second child; they have
their responsibilities within the family. The society gives priority to time
and rank within the family. The first child who comes first in the family is
given preference over the second in sharing small things like food and clothes
as well as other valuable property. This attitude creates order in the family,
the micro-unit, and the implication extends to and accommodates the macro-unit,
the nation. This is incidentally what obtains in most Nigerians states and
African countries. The remarkable difference lies in naming: the Yoruba names
specify the positions which honour seniority.
Epithets evoke qualities of individuals as well as non-human
objects. An individual is praised as the benevolent one, the defender of the
weak, the thrust-worthy friend and the victorious one, not merely to obtain
money from him, nor to get any other favour but to show him as a reliable person
who is selfless and serves many in his community.
Another person is praised as the commander, the
unconquerable lion, the python that swallows his enemies, the must-return in
sun and rain and the one who is swift like an eagle. These epithets make it crystal
clear that the role of the individual is to defend his environment. He is a
military commander who is very competent, he must have demonstrated valour,
military might and courage in previous wars.
Hyperbole heightens the qualities of humans and non-humans.
This is the nature of the figure of speech which may give the impression of
in-balance between reality and fiction. If the praises are deconstructed
through research into lives of the humans who are praised in a realistic
situation, uncoloured with poverty and quest for self realisation of the
composers and signers, the discovery is likely to be that epithets are true
evaluations of behavior, ranks, roles and social relations of individuals.
Hyperbole draw attention to them like hammer sounds on anvil in the ears of
those who are in the immediate environment of the goldsmith.
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