Column
Nollywood Deserves An Oscar
Genevive Nnaji is a popular Nigerian actress and film producer. Her film, Lionheart, which received rave reviews by renowned critics shortly after its release, may also have acquitted itself in local box office takings.
Again, given the multiplicity of film festivals and movie award institutions, it is very likely that Ms Nnaji’s flick had also picked up some local and regional accolades. But about the most thrilling part of its success story thus far came when Netflix, an elite online movie platform, announced the film’s inclusion in its showlist.
Apparently encouraged by these early positives, the Imo State-born screen diva may have felt that her latest tour de force was already qualified to reach for the ultimate prize in the global movie industry – an Oscar. And so, in 2019, Lionheart was reported as the first Nigerian film to be submitted in the Best International Feature Film (BIFF) category of the Oscar Awards organised annually by the Academy of Motion Picture Arts and Sciences (AMPAS), USA.
Nollywood stakeholders and, indeed, other native film lovers who had looked forward to the Nigerian movie industry’s emergence at the Oscars were, however, devastated to learn that Lionheart had been disqualified for failing to use a predominantly non-English dialogue track as part of the requirements for films entered in that category. In fact, it was reported that the 95-minute film contains only 11 minutes dialogue in Igbo language, the rest being in English.
Some commentators had questioned why the film was submitted at all given that the terms of eligibility were clearly spelt out for that Oscar category. For the avoidance of doubt, any movie entered for the BIFF category must dwell heavily on culture; have predominantly non-English dialogue track; and present a 100 percent original story.
The Nigerian film industry is popularly referred to as Nollywood, apparently a mimic of America’s Hollywood. Going by what this industry has been able to accomplish in its relatively short period of existence, the above rules need not appear daunting. Ordinarily, that is.
Femi Odugbemi is a film maker of international standing. He is also one of the four Nigerians invited into the voting membership of AMPAS for the BIFF category. In an exclusive interview with a popular Nigerian online publication, and even before Lionheart’s ill-fated Oscar outing, he said of Nollywood: “We have made enough films to, at least, earn a nomination and we really do have excellent people and excellent talents. And yes, some of our films can definitely compete.
“The challenge for us is to systematise our excellence to create a factory line that ensures that every single year there is an Oscar nomination.
“Nigeria is powerful enough in global affairs to constantly have a film in the lineup and that is our challenge.”
One is not unaware of the fact that the BIFF category was recently adjusted to accommodate more entries from outside Europe and America. And so, came the expectation that Nollywood ought to have earned, at least, an Oscar nomination by now, being an industry leader in the entire African continent.
Nevertheless, Odugbemi said that it was now left for Nollywood to create works that were culturally defining. He spoke of the need to tap into the people’s history and heritage to script larger-than-life characters that would create stories for a global audience.
According to him, the local film industry also needed to strive for such technical excellence that would enable its products compete with other films of international quality and get nominated, especially now that the excuse of discrimination or the Oscars being an all-White affair no longer existed.
The movie-industry practitioner found solace in the fact that it took a long time for India’s popular and more experienced Bollywood to win an Oscar. South Africa, he said, also took as much time to have a nominated film; while China’s mammoth film-making industry had not translated to its creations getting on the Oscar nomination list every year.
Even so, my worry for Nollywood is that its practitioners appear to be too conceited to the detriment of the industry. They seem to be content with making clean sweeps of prizes at the annual African Movie Academy Awards (AMAA) and such other continental events. But not so for the Ghanaian film industry (Ghollywood) which, on realising that Nollywood was ahead of it and also had a larger market, permitted its actors to work with their Nigerian counterparts for experience and better exposure. And today, flicks from our West African neighbour are seriously narrowing whatever gap that may have existed.
Likewise in music, Nigerian singers had since gone into collaboration with some foreign megastars to boost their careers, a move which paid off at this year’s Grammys with Wizkid’s award. The story is not any different in professional football where local talents had consistently been recruited to play for some big clubs in Europe and elsewhere across the world.
Additionally, British-born Nigerian thespians like Chiwetel Ejiofor, David Oyelowo and Carmen Ejogo are already household names in the UK and US (the last two starred in Selma with Oprah Winfrey). Imagine a Nigerian actor playing the legendary Martin Luther King Jr. in that film! Unfortunately, even as Nigerians, they cannot be seen as representing our film industry.
Of course, there are Nigerian movies which show some of our Nollywood greats performing in the streets of London, New York and other world cities, but hardly are A-list foreign acts involved in such outings. Our actors need to be seen in Western movies alongside some of the world’s best. That way, they may be lucky to win accolades for individual role performances at the Oscars and British BAFTA awards.
By: Ibelema Jumbo
Column
Are the Bears Wrong About the Looming Glut in Oil?

Column
Renewable Energy Faces Looming Workforce Crisis

Column
Is It End For Lithium’s Reign As Battery King?

-
Sports14 hours ago
FIFA rankings: S’Eagles drop Position, remain sixth in Africa
-
Sports14 hours ago
NPFL club name Iorfa new GM
-
Sports14 hours ago
NNL abolishes playoffs for NPFL promotion
-
Sports14 hours ago
CAFCL : Rivers United Arrives DR Congo
-
Sports14 hours ago
Kwara Hopeful To Host Confed Cup in Ilorin
-
Sports14 hours ago
NSF: Early preparations begin for 2026 National Sports Festival
-
Sports14 hours ago
RSG Award Renovation Work At Yakubu Gowon Stadium
-
Sports14 hours ago
RSG Pledges To Develop Baseball