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About Lagbaja: The Man Behind the Mask

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Bisade Ologunde also known as “Lagbaja,” meaning anonymous or face less one in Yoruba as he embarked on his musical carrier in the early 90’s. His name was reflected in his choice of stage attire a slitted textile and rubber mask adopted so that the artist represented the “common man” is keeping with the car nival traditional of his Yoruba tribe.
He formed his first small band in 1991 in Lagos after he had taught himself to play the saxophone with a high quotient of percussion instruments, including congas and tacking drums . this drew its principal inspiration from the traditional highlife music of the Igbos as well as western Jazz. Members of the band included Sunny of (Ikebe) Fame and Yinka Davis. Their debut album was titled colour of Rhythm released in 1992.
The album confused Entertainment journalists as they were at a loss to clarify the genre of music played by the Oyo State born masked saxophonist. They later went ahead to clarify it as “Higher Life”. A further cassette followed in 1994, a self titled collection, LAGBAJA.
Included songs such as “Nija most sweet again” which many look to be an attack on Nigeria’s Military rulers.
Lagbaja shook the Nigerian music scene then with songs like side by side” featuring Yinka Davies,” Ikiras a medly of praise songs.
The Cherubini and Saraphim kind in Yoruba, “sweet mouth” ‘campus’, Oyin Memo among others. The lyrics focus on issues relating to democracy and fairness in society.
The masked musicians 1996 recording of “Cestune African Thong topped Nigeria’s chart with hits like “Cool Temper” and “bad leadership” this remix of KWAM is Baby show colour  Re was arguably better than the real thing and his blend of English and Yoruba done in R and B made music lovers take him seriously.
Generally, Lagbaja’s music blends Jazz, Afro beat, highlife, juju, Funk and traditional Yoruba music using horns, quitters and key boards along with traditional Yoruba music, sometimes the music is purely instrumental.
Also in 1996, Lagbaja was part of the international Red Cross sponsored campaign called “Music goes to war” that aimed to draw war attention to the plight of child attention and child soldiers in war torn countries in Africa.
He joined papa Wemba Lucky Dube Youssou N’Dour, Lourdes Yabu Dour, Lourades Van-Dunem, Yabu Dumem and Jabu Khanyile to meet people in major African trouble spots including South Sudan, Angola and Liberia culminating in a concert in Paris and a CDWAS recorded too.
Lagbaja won six national Nigerian music Awards is 2001, including Artiste of the year, producer of the year and album of the year. This first international album.
“We Before Me” was released in 2001, He toured USA for the first time the same year.
He has also embarked on more international shows in Ghana, France, Brazil, Britain etc.
He and his 12-manband performed on the African stage at the BBC Music Live festival over the Golden jubilee celebrations at Londons Hyde park in summer 2002.
To show that he is a musician of world class standard his “We me and Abami” album released years ago, is still ruling the airwaves today. The album contains hits such as Gra Gra, “Konko Below”.
Inspired by a statement made by president Olusegun Obasanjo during his political campaign “Prayers for the youths” (which had late Bola Ige doing the prayer).
Feyin E, “put an well” “Nothing for you” Suuru Lere”, Agidigbo etc.
His 1996 hit single Nigeria Loko Iyawon” written as soon as the under 23 dream Kam won the Olympic gold in Atlanta ??? and released in a couple of days hours is another testimony of his dexterity Lagbaja is definitely one of Africa’s most exciting contemporary artistes whose elaborate masks and stage costumers link him to the ancient tradition of Egungun ancestral masqueraded spirits who heep guide the people towards truths and peace.
His exploits in the Nigerian and Global music industry continues without bund it is therefore time for the world to situp and take notice of Lagbada the masked musicians and his captivating music.

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Davido Narrates How His Song Became President’s Ringtone

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Nigerian megastar, Davido shares how his father recognised that his music was getting big.
Davido says his hit single ‘Dami Duro’ was the president’s ringtone
During an interview with newsmen, Davido spoke on the early days of his career and how he eventually got his father’s approval to make music.
The Grammy nominee shared the familiar story of how he left school in Atlanta and returned to Nigeria to pursue music without his father’s blessing which later led to his business mogul dad getting him arrested.
“I don’t think he did not want me to do music, he just wanted me to be successful as whatever I did because he got a blueprint for me already,” Davido said on his father’s early reaction to his decision to make music.
“He is so supportive and he checks on everything…My dad picks my album. When I am done, I send him all the tracks and my dad goes through all the records and gives me a paragraph each,” Davido narrates the personal interest and support his Dad gives him.
“My dad gave me the name Davido…The first show I did, he arrested me, the fans, the promoters,” Davido said laughing as he narrated the story of how his father got him arrested after he returned to Nigeria without his consent and had his first show as a 17-year-old. “He just wanted me to finish school,” Davido added about his father’s insistence that he get a university degree.
The three time Grammy nominee was asked when his father recognised that his music was getting big and he revealed it was when his hit song ‘Dami Duro’ was the president’s ringtone.
“When my song was the president’s ringtone,” Davido said.
While he did not mention the president or the country, Davido is likely referring to the exploit of former Nigerian president Goodluck Jonathan who was the head of state between 2010 – 2015.
During the interview, Davido also mentioned his plans as a businessman beyond music. He revealed he had a production house called Coco House which he describes as a media house for creatives. He also added that he intends to get into crypto.

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Funke Akindele’s New Film Premiers, Dec

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Nollywood actress and filmmaker, Funke Akindele has announced that her upcoming film, Everybody Loves Jenifa, a spinoff from the Jenifa franchise will premiere in December.
“Been long you saw Jenifa!!!!”  Akindele said.
While a December premiere is confirmed, details on the film remain unknown. However, the new title, Everybody Loves Jenifa, suggests a potential return to the core elements that have made the franchise popular. With Akindele leading the creative team, viewers can anticipate the return of familiar characters and humorous storylines.
The sitcom, Jenifa’s Diary has been a major Nigerian television show since its debut in 2015. The series centres around the main character played by Akindele, and has featured Folarin “Falz” Falana, Lolo, Juliana Olayode, Lota Chukwu, Paschaline Alex Okoli, and late Aderounmu Adejumoke.
The Tide Entertainment reports that it has also had spin-offs and sequels like Aiyetoro Town (2019), which is set in Jenifa’s village, and Jenifa on Lockdown (2021).
Akindele played Jenifa in the first film in the franchise, Jenifa (2008), a village girl who travelled to the city in pursuit of fortune. Muhydeen S. Ayinde directed the movie.
The movie was nominated for four Africa Movie Academy Awards in 2009 including, Best Original Soundtrack, Best Actress in a Supporting Role, and Best Nigerian Film. For her performance in this movie, Akindele took home the Africa Movie Academy Award for Best Actress in a Leading Role.

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Halliday  Attributes Collaboration Hindrance To Sentiments, Others

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The convener, South South Media Week, Tammmy  Halliday has attributed the lack of unity and collaboration in the PortHarcourt  entertainment industry to sentiments, baggages and trust issues.
He made this known yesterday, during an interview with newsmen in Port Harcourt.
According to him, some things that spur baggages are family background, personal experience with colleagues or other people, saying that when someone has been reaped or used by  any of his colleagues or someone else, he might not want to work with some other persons because of trust issue.
This goes along with baggages, where he now sees his other colleagues as one and same with the one who used him and so this continues to hinder collaborations in the industry.
He advised that as an entertainer you should get better, visible and  exposed as the industry required.
He said  that the key factor that can help collaboration is growth, explaining that growth would make entertainers live beyond baggages, adding that if you are good at what you do, and know what you want and where you are going with it , then you are good to go.
“You can seek an advice from a legal practitioner, professional or a senior colleagues to ensure that you (entertainer) get it right.
It is not a bad idea to serve or work with someone, because you serve to rise in the industry. You have to be well  rooted, but, you should be able to know want you want and where you are going with what you do, this will help you move on, when it is no longer working for you, otherwise, you will remain there and keep complaining and then it gets to that point where you begin to see that person as a reaper,” he said.
Mr Halliday who also do corporate social responsibility award via his platform,  South South Media Week stated that critical communication is important in any situation, with a critical approach,  no doubt you will  always be on the right track.
Speaking on criteria for awarding awards, he maintained that it is on numbers, affiliations, fanbase, followership, association and sales of the person or organisation in question, saying that these also works  for collaboration with an artiste, because they are factors that facilitate growth in the industry.
Categories of award that are  awarded through the platform includes, entrepreneur award of the year, innovation award of the year and others.

Nancy Briggs

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