Entertainment
Behold! Highest Grossing Nollywood Films Of 2016
Going by publicized box
office records alone, 2016 is turning out to be a far better year for Nigerian films than 2015. 2016 is barely three months away from ending and so far, after what started out slowly, it is safe to say that this has been a good year for Nollywood. That year’s highest grossing film, Mo Abudu’s Fifty grossed N50m. so far in 2016, three films have comfortably crossed that mark with one of them set to make double of that.
Fifty, Road to Yesterday, Taxi Driver: Oko Ashewo, The First Lady, Tempting Fate and The Visit were the highest grossing films of 2015, making about N150.63m between them. That is about N11m short of the record-shattering N161m grossed by AY’s 30 Days in Atlanta which has since held on to the record as the highest grossing film in Nollywood.
AY also leads the pack in 2016 with his new film, A Trip to Jamaica having grossed N82m so far after just 10 days in the cinemas. According to figures released recently by Film One Distribution, the film has been playing in all 28 cinema locations across Nigeria. According to Moses Babatope, the Group ED/COO Film One Distribution. ‘Generally, there has been better performance in the box office by Nigerian films’.
This reflected in the figures obtained by TNS (1. A Trip to Jamaica – N82m (figure in 10 days only) (2. Wives on Strike – N67m (3). The CEO – N60m (includes figures from Ghana) (4). Fifty – N44m (January to March 2016 only) (5) Ghana Must Go – N32m.
Bovi’s It’s Her Day is believed to be another box office success story even though official figures were not available as at the time of this report. The N44m made by fifty this year adds to the N50 million it made during the closing part of 2015. N94 million is not a bad figure.
The projection with A Trip to Jamaica is that it is on course to take over the number one spot from 30 Days in Atlanta within the next two weeks of its stay in the cinemas across Nigeria, as it looks set to continue to screen to sold-out audience. By October 25, it is projected that the film would have made at least N130m which is about N31m shy of the record it is looking to break. Stakeholders in the industry have described this development as a welcome one, saying that this will give way to more opportunities for the industry.
AMVCA-winning actor, Tope Tedela said, it is good to have these kinds of positive developments where people can recoup their investments because no one just wants to act and make a film, at least we also want finances that can make a solid foundation. So, yeah, I’m happy.’ ‘AY has over the years created a brand with which he now promotes his content.
He has that like ability and he has the platform; film maker, Olu Yomi Ososanya highlighted before continuing, ‘Now, the cinemas can see that Nigerian films can do big numbers and they will now see that giving him a favourable slot also helped, A Trip to Jamaica screens an average of four times across cinemas producer, director and writer, Tope Oshin, whose documentary, Amaka’s kin is making its debut at the BFI film festival in London said, ‘This is definitely exciting news! It’s just my hope that we can grow our cinema audience to the point where this kind of box office successes will soon be possible for films of other genres as well’.
Part of a report by Jude Martins, a film critic and public relations expert, as well as Moses Babatope and published by TNS reads, ‘with the second half pregnant with intriguing films such as Kunle Afolayan’s The CEO, the much anticipated ’76, The Arbitration, 93 days, When Love Happens Again. The Wedding party and of course, Ayo Makun’s steaming ‘A Trip to Jamaica’, we can confidently anticipate a new dawn in Nollywood’s annual gross box office returns. Infact, those in the know are optimistic about a possible 800 million naira in annual box office takings which even with the devaluation of the naira will be close to $3 million.
While the N800m box office takings projection might not seem feasible any longer this year, other highly anticipated releases scheduled for later this year make 2016 a better year than 2015 by more than a mile.
Entertainment
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Entertainment
They Booed, Threw Bottles At Me – Tems Recounts
R&B star, Temilade Openiyi, popularly known as Tems, has recounted the early-career challenges she faced, revealing that she was once booed out of the stage while performing at a school event.
Speaking in an interview with Newsmen, the Crazy Tings crooner shared that she wasn’t only booed but was also harassed with plastic bottles.
“I remember one time I was going to perform at my school as an up-and-coming singer and I thought I was going to receiving a standing ovation.
“But I got booed. They even threw plastic bottles at me,” she recalled.
Tems explained that despite the embarrassing incident and other such rejections, she remained determined to pursue a career in music.
The Tide Entertainment reports that Tems admitted that some of the initial rejections she faced could be due to her conviction to stick to her originality instead of doing covers or familiar sounds like most of her peers.
The Grammy-winning singer said looking back now, she is glad that she didn’t compromise her style despite the initial pressures.
Entertainment
Primeboy Pleads For Mohbad’s Burial
A close associate of late singer Mohbad, Primeboy, has appealed for the artiste’s burial nearly three years after his death.
According to him, Mohbad’s body remains in the mortuary since September 12, 2023, pending burial arrangements.
The Tide Entertainment reports that in a statement Primeboy urged the family, public, and government to permit the burial, stating, “It’s been almost three years since Mohbad left us. His body is still in the mortuary. I’m begging the family, I’m begging the public, I’m begging the government, please let’s bury our brother. He deserves a befitting burial.”
It would be recalled that Mohbad’s death sparked public outrage, protests, and investigations. Ongoing autopsy examinations, police inquiries, and legal proceedings have delayed burial arrangements amid family disagreements and public scrutiny.
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