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Showbiz Personality Reminisces Night Life In Old PH Township

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A Port Harcourt based
showbiz personality  and movie practitioner, Mr victor D. Inko-Tariah remembers with nostalgia the peaceful and fun filled night life of yester years in the Old Port Harcourt townships when the Garden City  bubbled with life and entertainment.
Speaking in an interview with The Tide entertainment, Mr  Inko-Taria who is also the manager of Crisano Film Productions, noted that in the yester years, the Old Port Harcourt township bubbled with fun and entertainment, criminal activities such as rape, cultism, kidnapping and militancy were unknown in the society and it was difficult to differentiate between night and day, people from all works of life used to come to the town to enjoy themselves.
He recalled that in those days the cinema culture was in Vogue, there were three popular cinema houses in town namely, Central Cinemas, Rivoli Cinemas, (station Bus stop) and Plaza cinemas behind the town market), there were also night clubs and other entertainment hangouts.
He explained that in those good old days, night life started in the evening when fun lovers came out in their numbers to watch their favourite movies and actors. The popular films according to him were the Indian films, Chinese films and Western Cowbody Films among others. At the end of the cinemas, they moved over to the night clubs such as Copa Cabana, Aggrey road (now MTN office), Nido Night Club at Hospital road, Ragent Night Club Borokini, Club 67 and Orupolo Night Clubs at Harold Wilson drive Borokiri.
The showbiz personality disclosed that on Saturdays and Sundays they used to have life bands. At the Nido night club. There was a resident band called the ‘Nidocans’ and other guest bands. Among the guest bands and Artistes that played in the club then were Tonye Grey, Gyraldo Pino, Sir Victor Uwaifor, etc while the youths preferred Copa Cabana at Aggrey road, then it was Sunday jump in the afternoon by 2.00pm and mostly life bands played, such as wings from Aba, Founders Fifteen from Port Harcourt, the Apostles, the Octopus, B.L.O from Lagos, Action from Ikot Ekpene, Sweet Brceze, One World, among others.
He reiterated that Orupolo night club at Harold Wilson drive Borokiri was very popular for Traditional music groups who played at the club regularly popular among whom were Oliver D’cogue, King Robert Ebisimo, I.K Belemu Etc. The music genre in Vogue were soul, highlife and later reggae.
According to him, the basic drinks were beer such as Star, Gulder, Harp, Guiness, Stout etc while the popular spirits were Gordon gin (Gim and lime) Batola, Jonny Walker etc.
According to the film maker, the music of those days had meaningful lyrics and people understood the message and enjoyed the songs and still play them till date. It was era of life bands unlike today when music has been computerized and digitalized, the artistes of today sound gibberish in their lyrics and promote immorality and alien culture in the society.
He also revealed that the dress code for men were Afro hair, three or four layers shoes and Sopido shoes with Bongo trousers and tight fitting shirts, while for the ladies they wore maxi, labou, ‘Akpola’ shoes and Afro hair do.
It was indeed a beautiful and quiet city where people came to enjoy themselves on daily basis.

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 How Featuring Burna Boy Impacted Our Career-Yaba Buluku Boyz

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Mozambican group, Yaba Buluku Boyz has highlighted the effect featuring Burna Boy had on their career.
After their 2021 hit single, ‘Yaba Buluku’ gained some traction across Africa, the Mozambican trio recruited Burna Boy for the remix version that rocketed them to success.
In an interview, Yaba Buluku Boyz that is  made up of DJ Tarico, Nelson Tivane, and Preck shared that although their breakout single, ‘Yaba Buluku’ was already getting attention in some African countries, featuring Nigerian megastar Burna Boy rocketed the song to global success.
“The song was already big but when we did the remix with Burna, it took us to another level and took the song to the world,” Nelson Tivane said. “When we did the remix with Burna, the song blew up around the world so the influence of this particular Nigerian artiste is very big,” he adds.
Burna Boy’s effect on ‘Yaba Buluku’ remix is evident in the Spotify streaming numbers where the song has garnered over 10 million streams which is nearly 10 times more streams than the original.
The Tide Entertainment reports that the song which brought Yaba Buluku Boys mainstream success across the continent has also been viewed more than 22 million times on YouTube.
When asked about which Nigerian Artistes they would love to work with, Nelson Tivane named hitmaker Tekno while highlighting how he admires his lyricism and style of music. He also mentioned Davido whose high energy he believes matches Yaba Buluku Boyz type of music. DJ Tarico mentioned Asake whom he credits for bringing a new vibe to the music industry and whose Amapiano music fits their style.

 

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‘Safety Is Responsibility Of AGN, Actors’

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The Actors Guild of Nigeria (AGN)  Chairman, Rivers State chapter, Chigozie Osunwa Kenneth has reaffirmed that the safety of an actor is the responsibility of both parties.
He said this  yesterday, during an interview session with newsmen in Port Harcourt.
According to him, the AGN makes policies that are beneficial to its members,  saying that it now  behooves on the actors to abide by the laid down policies.
He said that Nigerian actors do not live beyond 50’s and 60’s because of their lifestyles, adding that Orenthal James Simpson, the American actor who just passed on, died at age 76, saying that Nollywood actors hardly get to that age.
“0ur actors here hardly gotten to that age or beyond due to the kind of life they live. If you take an actor to a location for a film shoot, he will leave what he went there for and go clubing, by the time he is called to come and do the needful, he will start giving excuses for not being able to get on set,” he said.
He however, emphasise the need for discipline in the association, adding that as an individual, if you are disciplined you do not need any one to keep reminding you on what needed to be done, especially, when it comes to a laid down  principle or policy for wherever you belong.
He urged members of the association to be more focused on their chosen career, exhibit discipline wherever they find themselves and always follow policies made for members of the body

Nancy Briggs

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 ‘Why I Called My Song With Tiwa Savage Men Are Crazy’

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Singer Simi has explained why she chose to call her song with Tiwa Savage, ‘Men Are Crazy’
Two of Nigeria’s biggest female artistes, Simi and Tiwa Savage eventually gave fans the long-awaited collaboration with their single, ‘Men Are Crazy’.
In an interview  With newsmen, Simi addressed the controversy generated by the title of her collaboration with Tiwa Savage.
Simi stated that she had no intentions of explaining her reason behind the title ‘Men Are Crazy’ after the announcement generated negative reactions from some male observers online. According to the award-winning singer, she was going to wait till the song dropped as it would better explain the title.
“I honestly wasn’t going to go on an explaining spree at the time. I was like when the song comes out, they will see what I’m trying to say,” Simi said.
The Tide Entertainment reports that Simi also acknowledged that the online reaction the title caused also contributed to the track’s rollout as it increased anticipation.
Simi further shared that Tiwa Savage softened up the message in the song through her lyrics, “Men are crazy, but I still want one in my bed” as she was planning to simply leave it at “Men are Crazy”.
The single is the first time Tiwa Savage and Simi will be collaborating and it marks a notable moment for female collaborations in Afrobeats.
‘Men Are Crazy’ follows the release of ‘All I Want’ released in February 2024 and both songs are a precursor to her new album expected to be released later in the year.
During the interview, Simi also addressed the recent situation of Adekunle Gold defending her on social media during a back-and-forth with producer, Samklef.

 

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