Entertainment
Lexy M Blames Elders For Rivers PMAN Crisis
The music industry in Rivers State has come a long way starting from the times of Cardinal Rex Jim Lawson, Prince David Bull, King Sunny Brown who took highlife music to international level to the present era of Daniel Wilson, Arthur Willie Pepple, Peter Stone Cold among others. However, the history of the industry would not be complete without mentioning the likes of multiple instrumentalist, composer and vocalist, Lexy Mueka popularly known as Lexy M.
Lexy M, the immediate past chairman of the Performing Musicians Association of Nigeria (PMAN), Rivers State chapter hit stardom in 1991. His maiden album titled Change was launched in 1997 and turned out to be a huge commercial success, today he has four albums to his credit. However, the Ogoni-born music maestro is irked by the endemic crisis rocking PMAN in the state which had impacted negatively on the growth of the industry in recent times.
In this interview with our entertainment crew, Mr Jacob Obinna and Bemene Taneh, Lexy M spoke extensively on the crisis, the past CARNIRIV and the entertainment industry in the state as well as his pet project.
Commenting on the crisis rocking the Rivers State chapter of the Performing Musicians Association of Nigeria (PMAN), Lexy M said elders of the body were responsible because as elders they know what to do for peace to reign, but refused to do it because they are making money out of the crisis which is why the association moves a step forward and four steps backwards.
The former PMAN boss noted that it took just one patriotic Rivers man, distinguished Senator Magnus Abe to settle the problem between him and Arthur Pepple Jnr when the association had leadership tussle and wondered why the elders found it difficult to bring about lasting peace in the association so that the association would move forward like their counterparts in other states.
He, however, stressed that the only solution to the crisis was for members to follow the constitution. According to him, PMAN has a constitution but people are ignoring it and doing things the way they like. He reiterated that it is only when members start recognizing the constitution and working in accordance to its provisions that things would work. He contended that because he followed the constitution, there was peace and progress during his tenure as chairman.
On the recently aborted delegate conference of the Association in the state, he stressed that the conference was illegally, organisers wanted to use it as a forum to extort money from innocent citizens of the state and course unrest in the state. He disclosed that presently the police was looking for them including the so called administrator of the Association in the state. He urged members to desist from being part of such kangaroo gatherings in future to save the image of the Association.
The seasoned musician and producer also spoke on last year’s Rivers State cultural festival (CARNIRIV) and regretted that home based musicians were not carried along rather the Lagos based musicians and their foreign counterparts were celebrated. He also noted that while the few home base musicians who performed at the event were paid peanuts, the Lagos based musicians were paid millions.
He observed that the person who was in charge of the whole event belonged to the entertainment industry, yet he could not carry his people along. According to him, pepple like Arthur Willie people Jnr, Daniel Wilson, Jerry Demon who are stake holders ought to have been celebrated now that they are alife not when they are dead.
The showbiz personality also faulted the planning. He said the venue was not spread out, he contended that a CARNIRIV band would have been kept in each of the strategic locations like Aggrey Road, Mile I, Ogbunabali, Rumuola Justice Es etc with indigenous home based artistes to control them which would have given him a sense of belonging that they were celebrating their own thing.
Instead of the huge amount of money that was wasted in one particular venue.
Lexy M also lamented the slow pace of development of the entertainment industry in the state. He suggested that the only way forward was to have a stakeholder’s meeting between the state governor and the entertainers. He noted that the state governor had met with all the stakeholders in the state except the musicians and other classes of entertainser, he stressed that it was only in such meet Lexy -M that the governor would understand the plight of the industry in the state.
The award winning multi instrumentalist called for the establishment of an entertainment centre in the state where shows and other concorts would be held just as it is in Museum Centre and Festac in Lagos. He disclosed that based on the slow pace of development in the sector, a group of concerned persons had come together to look for a way forward for the industry.
The former PMAN boss also noted that the oil companies and other multinational organisations in the state were not helping matters. He reiterated that in all the bill boards from Rumurokuro to Aggrey road their was no face of a Port Harcourt artiste them but they used most of their says no ring tunes in their hand.
Entertainment
Funke Akindele’s Behind The Scenes Crosses ?1.77bn
Funke Akindele’s Behind The Scenes becomes Nollywood’s highest-grossing film of 2025, earning ?1.77bn in under four weeks.
Multi-award-winning actress and producer Funke Akindele has done it again, and this time, the numbers speak louder than applause.
Her latest film, Behind The Scenes, has officially emerged as the highest-grossing Nollywood film of 2025, pulling in an astonishing ?1.767 billion in less than four weeks.
The Tide Entertainment reports that Funke Akindele Makes Box Office History as Behind The Scenes Crosses ?1.77bn
Earlier in its release cycle, the film’s distributor, FilmOne Entertainment, revealed that Behind The Scenes smashed five opening-weekend records, including the highest single-day gross ever recorded on Boxing Day, with ?129.5 million in one day. That announcement already hinted that something unusual was unfolding.
Reacting to the milestone, FilmOne described the moment as both surreal and communal, crediting audience loyalty for pushing the film to the top spot once again as the number-one movie of the weekend. And that sentiment feels accurate. This wasn’t just ticket sales; it was momentum.
What makes this achievement even more striking is that Behind The Scenes is Funke Akindele’s third film to cross the ?1 billion mark. Before now, there was A Tribe Called Judah, and then Everybody Loves Jenifa, a film that didn’t just open big, but went on to become the highest-grossing Nollywood film of all time. At this point, it’s no longer a fluke. It’s a pattern.
Part of Behind The Scenes’ success lies in strategy. The film enjoyed advanced screenings on December 10 and 11, quietly building curiosity and conversation before its nationwide release on December 12. By the time it officially hit cinemas, audiences already felt like they needed to see it.
Then there’s the cast. The film brings together a lineup that feels deliberately stacked: Scarlet Gomez, Iyabo Ojo, Destiny Etiko, Tobi Bakre, Uche Montana, and several others. Familiar faces, strong fan bases, and performances that kept word-of-mouth alive long after opening weekend.
Still, beyond timing and casting, there’s something else at work here. Funke Akindele understands Nigerian audiences. Their humour, their pacing, their emotional buttons. She doesn’t guess, she calculates, experiments, listens, and refines. That understanding has slowly turned into box-office dominance.
Behind The Scenes crossing ?1.77 billion isn’t just another headline; it’s confirmation. Funke Akindele has moved from being a successful actress to becoming one of the most reliable commercial forces Nollywood has ever produced. Three-billion-naira films don’t happen by luck. They happen when storytelling, business sense, and audience trust align.
And right now, that alignment seems firmly in her hands.
Entertainment
Adekunle Gold, Simi Welcome Twin Babies
Popular Nigerian music stars, Adekunle Kosoko, widely known as Adekunle Gold, and his wife, Simi, have become parents again this time to twins.
The award-winning singer shared the joyful update on his Snapchat story on Wednesday, confirming the expansion of their family.
“Asked God for another child and he blessed me double,” she wrote.
While the couple has not yet disclosed the gender of the newborns, the announcement has sparked an outpouring of warm wishes from admirers, fellow celebrities, and industry colleagues.
Speculation had intensified in December when Simi posted a video on Instagram accompanied by the caption, “From my baby, for my babies.”
The clip showed her with a growing baby bump, fueling anticipation that another child was on the way.
Their latest blessings arrive just weeks after Simi highlighted a scene from Adekunle Gold’s newly released music video, “My Love is the Same,” further stirring excitement among fans.
The Tide Entertainment reports that Adekunle Gold and Simi who tied the knot in 2019 after a long history of friendship and musical synergy remain one of Nigeria’s most admired entertainment power couples. Both artistes were once signed to X3M Music before soaring into mainstream acclaim.
The pair welcomed their first child, Adejare Kosoko, fondly called Deja, in May 2020.
Entertainment
Jesse Flames Opens 2026 With ‘Praise The Lord’ Featuring Magnito
After closing out 2025 with the release of “Praise the Lord” featuring Magnito, Jesse Flames enters the new year with renewed clarity and purpose, continuing to build a body of work rooted in intention rather than noise. In a moment where Afrobeats is moving faster and louder than ever, his approach remains measured and deliberate, prioritizing meaning, craft, and longevity over momentary attention. The official music video arrives January 10.
Following the momentum of his breakout single “FLEX,” “Praise the Lord” represents a shift from celebration to grounding. Reflective and soulful, the record centers gratitude, growth, and perspective, capturing a quieter confidence that resonates beyond a single moment.
“This song is about recognizing the full picture,” Jesse shares. “The work people see and the work they don’t. The lessons, the setbacks, the growth.”
The collaboration with Magnito, a respected voice in Nigerian hip hop known for his sharp lyricism and cultural authenticity, adds depth and weight to the record, reinforcing its themes of resilience, faith, and self reflection.
Released in December at the height of Detty December, “Praise the Lord” became a natural soundtrack for both celebration and reflection as the year came to a close. With the video arriving in January, the record takes on new meaning, opening the year as a tone setter rather than a reset.
Born in the United States, raised in Festac, Lagos, and now based in London, Jesse Flames brings a global perspective to his sound, blending Afrobeats, hip hop, and melodic soul into something sleek and intentional. His music reflects lived experience and cultural nuance rather than trend chasing.
The Tide Entertainment reports that with over 11 million streams, performances at O2 Brixton Academy and OVO Arena Wembley, and coverage from The Guardian and Business Post Nigeria, Jesse’s rise has been steady and self made. Looking ahead to 2026 and 2027, he is preparing for collaborations with Ice Prince, M.I Abaga, and Smurlee.
“Praise the Lord” ft. Magnito is available now on all streaming platforms.
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