Opinion
Securing Our Artefacts
Culture consists of the beliefs, way of life, art and customs that are shared and accepted by people in a particular society; the attitudes and beliefs about things that are shared by a particular group of people.
In another definition, Longman Dictionary of Contemporary English, the living dictionary, defines culture as activities that are related to art, music, literature and a society that existed at a particular time in history. Culture is as old as history. History cannot be complete without the culture of a people.
The African continent was known to be the home of culture. So many ancient art works in Africa had illicitly been taken away to other continents of the world. Illicit trafficking of cultural materials from Africa is because of non-documentation of art works produced by Africans. So many artifacts were illegally taken away by the colonial masters who colonised the African continent. Some artifacts of cultural value were forcefully transported out of Africa without the consent of the sculptors, artists or even the native communities.
Museum setting and management is a major problem in preserving the ancient art works produced some centuries ago. According to Binkat Manji Jennifer, a well-documented collection can never be achieved without important activities such as numberings. Since the aim of any museum documentation system is to attain a standardised format that would assist in safe-guarding and tracing collections then the aspect of numbering is inevitable.
The National Commission for Museums and Monuments should step up to its functions in protecting and preserving cultural materials or artifacts by Nigerian artists. There were so many art works in the Niger Delta and other parts of the country without documentation and this has caused extinction of cultural materials in some well-known cultures in the country.
Cultural materials, in some cases, are not preserved by the people who use them. Today, the orientation and preservation of cultural materials are given prompt attention. And that is why many Nigerian artists are not celebrated in the country.
It is important for museums to know where the objects are at every given point in time as well as who has them. Cultural materials are trafficked to every part of the world without control. It is sad. There is no proper control or preservation of cultural materials in Nigeria.
The illicit trafficking of artifacts from Africa to the Western world has been on the increase, especially in this 21st Century. One of the reasons for trafficking of cultural materials to other parts of the world without traces is because the materials have no historical ownership.
For instance, the Last Supper Painting of Jesus Christ and his disciples is credited to a world class painter, Leonard Da Vinci, because of documentation carried out at that time. It is obvious that most of the sculptural pieces and paintings in Africa were not assigned or credited to certain artists.
The works of the Nok Culture, Ife Art, Benin Art and Igbo Ukwu did not have specific artists attached to them. Rather, they are seen as general art works of particular groups. But in Europe, most of the artifacts can be traced to the artists who did them. This is the problem of historical non-documentation in African society.
Examples of bad conditions on objects indeed, missing art objects appear incomplete due to areas that have been broken off, probably in the course of excavation of pottery items or broken while in transit. Some parts of objects that have broken off must not be thrown away in the course of exhibition; these parts can equally be displayed. Every part of an art work is important to the artist.
In 2019, the Last Supper Painting of Da Vinci was auctioned in Europe for millions of dollars.
The federal, state and the local governments in Nigeria should protect and promote artworks made in the country. A situation where cultural materials are illegally taken away at the mercy of the artists should be discouraged.
Most countries in the world preserve their ancient relics in their national museums. Museums in France can boast of artifacts that have existed for more than one thousand years. Nigerian artists should be empowered by government to give them a sense of belonging.
Indeed, there is no ethnic group without cultural materials. But today, some ethic groups cannot identify or see their cultural materials in real life. Some had been taken to foreign lands where their origin cannot be traced. Say no to illicit trafficking of cultural artifacts.
Ogwuonuonu wrote from Port Harcourt.
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