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Onyeka Onwenu’s Film To Chronicle Her Music Journey

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Renowned Nigerian musician, Onyeka Onwenu, says she is working on producing a film that will delve into her experiences which span decades within the music industry.
Onwenu disclosed this in an interview with the Newsmen,  on Tuesday with a career that stretches back to the 1970s, the “elegant stallion” expressed her eagerness to share her firsthand account of the evolution of Nigerian music.
”I am currently working on a film that will chronicle my experiences in the music industry from the 70s to the present day. Having been a part of this narrative for decades, I have a wealth of stories to share,” she said.
In addition to the film project, Onwenu discussed her efforts to release her classic songs through collaboration with emerging artistes, promising fans a compilation of rebranded tracks later in the year.
“I am rebranding my old songs and collaborating with new talents. My aim is to offer listeners a fresh perspective on timeless classics,” she explained.
Onwenu’s creative pursuits extend beyond the realm of music, as she recently released a single, titled Abu Otito (Songs of Praise) and dedicated proceeds from its streaming to support widows through the Rose of Sharon Foundation.
“I am passionate about using music to address social issues. From supporting widows to promoting education among rural children, I strive to make a positive impact through my art.”
Reflecting on her philanthropic endeavours, Onwenu shared her commitment to providing educational opportunities for underprivileged children in Abia and disclosed the plan to expand her initiatives to Imo.
“We not only pay school fees directly to schools but also offer civic education to instill a sense of cultural identity. These efforts represent my dedication to empowering future generations,” the musician noted.
Offering advice to fellow artistes amidst economic challenges, Onwenu emphasised the importance of resilience and self-initiative.
“Hang in there and create opportunities for yourselves,” she urged, highlighting the need for proactive approaches in navigating the ever-evolving music industry landscape.
Onwenu’s multifaceted contributions to music and society underscore her enduring legacy as a trailblazing artiste and philanthropist, inspiring generations to come.
“I have been part of the story right from time, and I am still moving forward, so I have a lot of stories to tell,” she remarked.
The Tide Entertainment reports that aside from the cinematic venture, Onwenu unveiled plans to breathe new life into her classic hits by collaborating with contemporary artistes. According to her, she aims to compile a collection of rebranded songs, promising Nigerian audiences an eagerly anticipated release later in the year..
Onwenu has used her music and its timeless messages to promote Nigeria’s culture. Her music duet with King Sunny Ade, titled Wait for Me, has remained evergreen. It is remembered always as a song with deep lyrical message which was put together to help the government of that era fight seriously against the outburst of population explosion while also regulating it with the different family planning programmes put together by the government.
Her song, African Woman, helped greatly in projecting the innate exquisiteness of the African woman giving them a sense of pride and belonging amidst poverty, widowhood, rape, lack of care, hatred, humiliation, abandonment, among others.
Her evergreen classic, Sodom and Gomorrah, is a biblical narrative of the popular story of the city of Sodom and Gomorrah, a city destroyed by God due to their heedlessness and high level of immorality.
Some of her other evergreen songs include Iyogogo, One Love, Dancing in the Sun, and Choices, among others.

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Why Fans No Longer Faint For Musicians – Paul Okoye

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Nigerian singer and half of the defunct P-Square duo, Paul Okoye, aka Rudeboy, has claimed that social media has reduced the prestige and value fans attached to musicians due to the mystique that artistes had before the era of social media.
Speaking in a recent interview with Lun Lifestyle TV, Rudeboy argued that social media, despite all its benefits, has shattered the illusion of artistes being mysterious and godlike.
This he said has reduced the buzz artistes previously enjoyed whenever their fans got the opportunity to see them whether physically or visually.
The ‘Reason With Me’ crooner explained that because artistes are no longer mysterious, fans are no longer eager to watch them in music videos.
He claimed that shooting music videos is now a waste of money.
Rudeboy said, “Music videos somehow now, because of this generation, is a waste of money. I am sorry to say this. But do you remember us [P-Square] before? You don’t see us anywhere. You just watch music videos, you see us and that’s it, or we come to your country, you see us.
“The reason you don’t see people faint for artistes anymore is because they see them on TikTok every day dancing and promoting your music. If Michael Jackson was alive now and doing promotional content on social media, nobody would see him and faint.
“Unfortunately, it’s too late for us to bring back the era of artistes being mystiques. How can you advise an artiste to post every day? How? Post what? You don’t need to.
“Social media brought positive change to the industry but it also led to ‘see-finish.’ Artistes are now too exposed. Fans see how they eat, cry. Before when artistes go to club, they stay in restricted VIP areas, but now when they are clubbing, everyone is filming.”

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Davido’s Aide Offers Cash Reward For Missing Phone At Zlatan’s Wedding

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Afrobeats superstar, Davido’s aide, Damilare Aladegbola, popularly known as Dre, has offered a cash reward to whoever returns his phone, which he claims went missing during rapper Zlatan Ibile’s wedding ceremony.
Dre made the appeal in a post on his Instagram page on Monday, pleading with the person who allegedly took the device to return it in exchange for money.
“If na u carry my phone for Zlatan wedding, abeg return am, I go give you money please,” he wrote.
The aide also expressed frustration over what he suggested was a method being used to take phones at social gatherings.
He said he would no longer tolerate waiters asking whether guests had finished eating so they could clear their plates, alleging that the practice could provide an opportunity for phones left on tables to be taken.
“From now on, if I go any party or dey any party and any stupid waitress tell me say are you done eating so I can pack your plate, na swear I go swear for you cause na pattern wey una dey use pack phone for table be that now,” he added.
However, Dre did not identify anyone suspected of taking his phone or provide further details about how the device went missing.
Zlatan Ibile tied the knot with his longtime partner, Davita Lamai, during a traditional wedding ceremony on Saturday, October 24, 2026.
The ceremony, held in Lagos, attracted several celebrities, fans and well-wishers, with Davido among the prominent guests and leading the groomsmen.

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I Ran Away From Nigeria, Never Wanted To Come Back-Chidinma

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Popular singer, Chidinma Ekile has revealed that before transitioning from secular music to the gospel genre, she “ran away” from Nigeria.
Speaking at a recent Eezee Conceptz event, Chidinma explained that she travelled abroad and wanted to secure permanent residency because she didn’t want to return to Nigeria, but failed.
She revealed that while she was abroad, the CEO of Eezee Conceptz was the only person calling her from Nigeria, so she decided to work with him upon her return.
“I travelled. I ran away from Nigeria. I was processing my papers not to come back to Nigeria, but for some reason, it didn’t work.
“While I was abroad, the CEO of Eezee Conceptz was the only one who was calling me from Nigeria. He kept encouraging me, and I found the strength to come back to Nigeria. When I came back, I asked him to give me a gospel music contract because I want to spend time with God. And he gave me a contract that even my lawyer said seemed like a charity,” Chidinma stated.
The music star added that she did not transition into gospel music because she wanted to make gospel, but because she wanted a serious relationship with God.

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