Entertainment
Battle Royal As COSON’s Crisis Deepens
That all is not well with the Copyright Society of Nigeria (COSON) is stating the obvious as things have fallen apart in the entertainment society following accusations of deceit, high handed, manipulations and incompetence against the leadership of the body, led by Chief Tony Okoroji on one side and Efe Omorogbe on the other side.
In 2010, the Copyright Society of Nigeria was born with the aim of negotiating, granting copyright licences and collecting royalties, distributing same to copy- right owners and curbing the bitting case of piracy that has plagued the Nigerian music industry. Prior to its set up, there were multiple music bodies including the Nigeria Copyright Council, Music Collective Society of Nigeria (MCSN) and the Performing Musicians Association of Nigeria (PIMAN) who had promised to represent the interest of creators (musicians).
Their failure to deliver on these promises led to the call for a singular body/Collective Management Organisation (CMO), as a result. The following organisations, WASPAN, MCSN and COSON joined to become the sole body that represents Nigerian musicians, but COSON backed with the support of other national associations, including PMAN won the battle and was fully licensed to collect royaltics and other rights on behalf of Nigerian artistes.
Almost eight years since operations kicked off, one cannot make a boast of COSON’s stability as it has been faced with unending crisis and more recently is the seeming power tussle between different factions within the body. It all came to the knowledge of the public on December 7th 2017 when COSON announced after an emergency board meeting that Okoroji had been rid of his position as COSON chairman.
Following a vote of confidence conducted by 10 active members of COSON management board, including Okoroji the vote which was conducted at the COSON House at Ikeja had stakeholders and representatives of the Nigerian Copyright Commission (NCC) responsible for regulating the activities of COSON in attendance, Okoroji was said to have lost to fellow board member and renowned talent Manager, Efe Omorogbe, who was immediately declared chairman of COSON.
Brief introduction of the prime parties involved in the crisis:
Chief Tony Okoroji: Tony Okoroji is an author and retired musician whose musical works reigned supreme in the ‘70s and ‘80s. At 29, Okoroji was elected National President of PMAN. Thereby making him the youngest president in the association’s history. The award winning entertainment stakeholder is the CEO of Tops limited, a Lagos based entertainment and events consultancy film.
Efe Omorogbe: Also a very respected executive in Nigeria entertainment, he is a co-founder of music publishing company, 5ive music group, founder and CEO music management and record company, now music limited, co-founder and director of 960 music group and longtime manager of Nigeria Pop Icon 2 Face Idibia.
On December 19, nearly a forthnight after Omorogbe took over the leadership of COSON, things took a different turn after Sir Victor Uwaifo, Head of the Organisation’s General Assembly announced the reinstatement of Tony Okoroji condemning the previously conducted change of chairmanship procedure as conspirational, the management board was also reconstituted and six members who were in support of Tony Okoroji’s removal including Efe Omorogbe were taken off COSON management board.
Omorogbe saw the action as ridiculous and unconstitutional explaining that board of directors are elected by members of COSON and as such it is impossible to dissolve/inaugurate a new board without the knowledge and participation of the members. He staged his purported comeback and reinstatement, created a lot of drama and claimed he had been reinstated by the General Assembly members who did not elect him as chairman in the first place.
According to him, you elect directors and directors choose a chairman, but in their desperation, they didn’t put all of these into account. He said the board’s decision to sack Okoroji stems from excessive cases of unethical practices and improper procedures for approval of funds releases.
Omorogbe had earlier in the year released a lengthy 9-point statement that accused Okoroji of gross abuse of power, alleging that Okoroji paid himself the sum of N22, 500,000 (twenty two million, five hundred thousand naira) through his company, Tops Limited.
He alleged that the amount was from MTN’s settlement payment for royalties without the approval and signature of both the Finance Committee Chairman, Mr Joel Ajayi and other board members which contradicts COSON’s rule that all payments above N2,000,000 (two million naira) must be approved by the board. Okoroji was also accused of misappropriating a quoted sum of N26,200,000 (twenty six million two hundred naira) as incurred by his company, Tops Ltd in the execution of the COSON’s week.
A series of events which contractually are allowed to hold on the condition that Production Company can independently generate the funding, as a collective management organisation, matters are discussed internally by members of the board before implementation, but the embattled Chairman, Tony Okoroji according to Omorogbe continues to unapologetically take actions without consulting the directorial board thus leading to cases of misrepresentation.
“He run the society like his personal hustle, it was difficult for Okoroji to separate himself from COSON as he sees COSON and himself as one” Omorogbe said. He further alleged that Okoroji has been orchestrating manipulative and deceitful devices presenting the well deserved benefits of right owners as an act of benevolence in a bid to buy over their loyalty.
He stressed that the movies are collected to be distributed, if you are a member that is what is due, you either based on general distribution or specific distribution and no single person has the power to determine whether you get stuff or you don’t get stuff, he stated.
Entertainment
Uche Ogbodo Shares Reason Bambam’s Marriage Ended
Critics claimed that her body makeover was one of the reasons she allegedly left the marriage and noted that she was still out in public with the video of her club outing.
Reacting to the allegations, Ogbodo came to Bambam’s defence. She stated that no woman would leave her marriage simply because she went under the knife. According to her, it is the man who drives a woman to leave.
The mother of three further explained that no woman willingly leaves a marriage she has invested in over many years. If a woman does leave, it is the man’s fault, possibly due to abuse that she chooses not to disclose publicly.
She added that a man must have shown the woman disrespect or failed to nurture the marriage.
Ogbodo emphasised that if a man refuses to love, protect, and give peace to his wife, the responsibility for the breakdown rests entirely with him.
It would be recalled that Uche Ogbodo also recently underwent cosmetic surgery and shared videos with her fans online,
The actress had remained on the lips of many Nigerians following her role in the trending movie Love in Every Word.
Entertainment
Kate Henshaw Speaks Against ‘Gate Crashing’
Nollywood actress Kate Henshaw has expressed her distaste for individuals who attend events without being invited. The actress in an Instagram video, spoke about the importance of self respect and being considerate.
Nollywood actress Kate Henshaw has expressed her distaste for individuals who attend events without being invited. The actress in an Instagram video, spoke about the importance of self respect and being considerate.
The Tide Entertainment reports that she questioned the popular act of ‘gate crashing’, regarding it as a rude and disrespectful behaviour. Henshaw also urged Nigerians to refrain from attending gatherings where they are not invited.Nigerian Politics Analysis
”I want to talk about something rampant, has been rampant, and is still rampant. I just want to ask those of you who show up uninvited at events and parties, what’s your purpose? What do you aim to achieve? Then, those of you who receive a card that admits only one person and invite all your village people, don’t check with the host; you pack your people and come. What are you doing there? Why don’t you respect yourself and stay away? It’s rude, you’re a gate crasher. Respect yourself enough to stay away from places you aren’t invited to,” she said.
Entertainment
Oscars Set 2027 And 2028 Dates Ahead Of 100th Edition In 2028
The Academy of Motion Picture Arts and Sciences has unveiled dates for both the 99th Academy Awards and its landmark 100th ceremony. The back-to-back events, set for 2027 and 2028, will mark the final years of the Oscars airing on longtime broadcast partner ABC before a major shift to YouTube.
The 99th Oscars will take place on Sunday, March 14, 2027, followed by the historic 100th edition on Sunday, March 5, 2028. Both ceremonies will broadcast live at 7 p.m. ET from the iconic Dolby Theatre in Hollywood and reach audiences in over 200 territories worldwide. Looking ahead, the Academy has also confirmed a venue change, with the ceremony set to move to the Peacock Theater beginning in 2029, where it will remain through 2039.
The Tide Entertainment reports that the announcement comes amid a shifting broadcast landscape. ABC is gearing up for a packed 2027 schedule, including its debut as the home of the Grammy Awards and its first Super Bowl broadcast in over two decades. Meanwhile, this year’s Oscars telecast saw a dip in viewership, drawing 17.86 million viewers across ABC and Hulu, a 9% decline from the previous year’s five-year high.
Still, excitement around the awards remains strong. The most recent ceremony crowned Paul Thomas Anderson’s “One Battle After Another” as Best Picture, while early buzz for the upcoming season is already building. Anticipated contenders include the Ryan Gosling-led “Project Hail Mary,” Denis Villeneuve’s “Dune: Part Three” starring Timothée Chalamet and Zendaya, and Alejandro G. Iñárritu’s “Digger” featuring Tom Cruise.
No hosts have been announced yet for either ceremony, adding another layer of anticipation to the milestone events.
In addition to confirming the ceremony dates, the Academy also released its full calendar for the 2026–2027 awards season, outlining key milestones from the eligibility period beginning January 1, 2026, to nominations voting in January 2027, and final voting in early March.
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