City Crime
Order Buhari, NASS To Withdraw Bills To Gag Media, SERAP Tasks African Commission
The Socio-Economic Rights and Accountability Project (SERAP) has asked the African Commission on Human and Peoples’ Rights in Banjul, The Gambia to “issue provisional measures to urgently stop the Nigerian government and National Assembly from supporting and pushing through two bills to gag the media, and impose arbitrary and harsh punishment on journalists, broadcast stations, media houses and media practitioners in Nigeria.”
SERAP said, “The complaint, addressed to the Chairperson of the commission, Mr Solomon Ayele Dersso, and Commissioner and Special Rapporteur on Freedom of Expression and Access to Information in Africa, Ms Jamesina Essie L. King, is brought pursuant to Articles 55 and 56 of the African Charter on Human and Peoples’ Rights and Rule 100 of the Rules of Procedure of the African Commission.”
The complaint followed the move to push through two repressive bills to amend the National Broadcasting Act, and to amend the Nigeria Press Council Act.
The bills are reportedly sponsored by Chairman, House Committee on Information, Hon Segun Odebunmi (PDP, Oyo State).
In the complaint dated June 26, 2021, and signed by SERAP Deputy Director, Kolawole Oluwadare, the organization said, “The push by the Nigerian government and the National Assembly to support and pass the two anti-media bills is unlawful, as passing the bills would be contrary to the country’s obligations to respect, protect, promote and fulfil the right to freedom of expression, access to information and media freedom under Articles 1 and 9 of the African Charter.”
According to SERAP, “These anti-media bills are the latest threats to freedom of expression, access to information and media freedom in the country. The bills are not in keeping with the provisions of the Declaration of Principles on Freedom of Expression in Africa, which supplements Articles 1 and 9 of the African Charter.”
SERAP said, “The commission has the power to request provisional measures from the Nigerian government and National Assembly under Rule 100 of the Rules of Procedure to prevent irreparable harm and threats to human rights including freedom of expression, access to information and media freedom as urgently as the situation demands.”
The complaint reads in part, “The bills include retrogressive provisions that threaten human rights, including freedom of expression, access to information and media freedom, and could criminalize reporting and give the government overly broad powers and oversight over journalists, broadcast stations, media houses and media practitioners.
“If passed into laws, the bills would be used by those in power to intimidate and harass their critics, and to stifle freedom of expression, access to information and media freedom. The bills would have a chilling effect on the media thereby inducing some measure of self-censorship.
“Media freedom, which is an aspect of the right to freedom of expression, is now generally recognised as an indispensable element of democracy. The mass media promotes the free flow of information, which enables citizens to participate in a meaningful and informed manner in the democratic process.
“The actions by the Nigerian government and National Assembly are contrary to Articles 1 and 9 of the African Charter, and have thereby violated Nigeria’s positive obligation under Article 1 to recognise the rights, duties and freedoms and to adopt legislative or other measures to give effect to them.”
“SERAP regularly relies on the media to carry out its mandate in the promotion of transparency and accountability and respect for socio-economic rights of Nigerians.
“The Nigerian government and National Assembly are directly responsible for pushing the bills that would gag the media and impose harsh punishment on journalists, broadcast stations, media houses and media practitioners in the country, action in violation of the African Charter, and therefore, also in violation of Article 1 of the Charter.
“Nigerians, broadcast stations, media houses and media practitioners in the country face a real and immediate risk of violation of their rights to freedom of expression, access to information and media freedom if the anti-media bills are not urgently withdrawn.
“The Nigerian government and National Assembly have failed to produce any evidence that the two bills are necessary or lawful, and in the absence of such, SERAP asks the commission to order the immediate withdrawal of the bills by Nigerian authorities.
“The media also serves as a watchdog by scrutinising and criticising public officials over the way they manage public affairs and public resources. In the performance of these functions, the media’s debate on public issues should be uninhibited, robust and wide-open. Speech concerning public affairs is more than self-expression; it is the essence of self-government.
“A free press is the lifeblood of a healthy democracy, one in which journalists are both benefactors and beneficiaries of human rights and carrying out their professional duties to inform their communities and enable democratic participation.
“Individual journalists cannot do their jobs if the institution of the press is compromised or if the legal protections for that institution are subject to approvals by political authorities.
“The exhaustion of domestic remedies requirements set out in Article 56(5) of the African Charter has been met. There are no effective or sufficient local remedies available to the Complainant.
“Nigerian courts do not entertain cases on the legality of anti-media and anti-human rights bills. Also, one of the lawmakers pushing the bills Mr Odebunmi Olusegun has reportedly boasted that ‘No court will stop us from passing the bills. Requiring SERAP to exhaust domestic remedies in such circumstances would be a mockery of justice.
“Under the bills, the National Broadcasting Commission (NBC) can shut down TV and radio stations ‘in the public interest’ and the press code must be approved by the Minister of Information. The overly broad definition of public interest opens the door for the Nigerian government to crackdown on freedom of expression, access to information and media freedom.
“The bills would also allow the Nigerian government to jail journalists, fine newspapers up to N10million ($20,000) or close them for up to a year if they publish ‘fake’ news. Under the bills, journalists could be held liable for the offence committed by their organisations and can be made to pay heavy fines.”
SERAP, therefore, urged the commission to request the following provisional measures from the Nigerian government and National Assembly, “Immediately withdraw the oppressive bills to gag the media. The first is the bill to amend the National Broadcasting Act, and the second, is the bill to amend the Nigeria Press Council Act.
“Immediately end harassment and intimidation of journalists, broadcast stations, media houses and media practitioners in Nigeria, and to respect the rights to freedom of expression, access to information and media freedom, Unless the African Commission urgently intervenes in this case, there is a risk of irreversible denial of the complainant’s and Nigerians’ rights, which in turn will render nugatory the resolutions and declarations by the African Commission on freedom of expression, access to information and media freedom.
“Give assurances that they will not support and pass the anti-media bills being pushed by Nigerian authorities. The Nigerian authorities should also give assurances that they will fully implement the resolutions and declarations on freedom of expression, access to information and media freedom in the country.
“Undertake a prompt review of Nigerian legal framework and administrative practices on freedom of expression, access to information, and media freedom to ensure their consistency and compatibility with the African Charter, and resolutions and declarations by the African Commission. Pending this, the Nigerian government should take concrete steps to respect, protect, promote and fulfil the rights to freedom of expression, access to information and media freedom, and ensure that journalists and media practitioners are able to carry out their work freely, without any intimidation and harassment”, SERAP added.
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Women In STEAM: Overcoming underrepresentation: A Nigerian woman’s journey in Asian tech, design
In this episode of Women in STEAM, Nabhel Harmony, a Nigerian product designer living in Indonesia, reflects on her journey navigating the global tech industry as an African woman in the room.
Ms Harmony says underrepresentation is a major challenge, often leading to bias and underestimation.
PT: What inspired you to pursue a career in product design?
Ms Harmony: I began as a graphic designer in 2017, first learning CorelDRAW to help my mom with flyers, then building skills with Adobe Suite and working at a printing press. The real shift happened during my master’s programme when I came across a Microsoft UX video. That moment, along with learning Figma, inspired me to pursue product design. Since then, I have focused on creating intuitive, human-centred digital experiences, driven by the belief that design should be both impactful and useful.
PT: What experiences or skills do you think are essential to break into the field?
Ms Harmony: I think the essentials for breaking into design right now come in two layers. First, you still need a strong foundation in UX, understanding user needs, problem-solving, and being able to communicate ideas clearly. Tools like Figma are great, but more important is learning how to think like a designer: how to frame problems, test assumptions, and iterate.
The second layer is adaptability. With the rise of AI-powered tools like Stitch, Claude, Cursor, Lovable and others, the way we design is evolving. These tools can speed up workflows and even generate starting points for us, but they do not replace the need for critical thinking or empathy. I always encourage new designers to learn the traditional UX process and experiment with AI tools to see how they can supercharge creativity and productivity.
Finally, I would say, the designers who will thrive are those who are curious, willing to explore, and able to use both human insight and machine assistance to create experiences that feel truly meaningful.
PT: Can you share an example of a project that had a significant social impact, and how you approached designing for that specific challenge?
Ms Harmony: One project with real social impact was the redesign of iglooconnect, a platform that links smart locks with services like Airbnb. The old system was clunky and confusing, creating barriers for property managers, small businesses, and international users, sometimes even affecting safety and livelihoods. I approached it with empathy, becoming a user myself, gathering insights from support teams, and studying competitors.
We streamlined user flows, simplified navigation, and improved accessibility. The result was a platform that now supports thousands globally, helping property managers focus on hospitality, enabling small businesses to grow, and making the experience intuitive for international users. It reinforced for me that good design isn’t just about looks, it’s about equity, trust, and opportunity.
PT: As a senior product designer, what qualities do you look for in a design team, and how do you foster a collaborative and innovative environment?
Ms Harmony: As a senior product designer, I look for curiosity, empathy, and resilience in a design team. Curiosity drives exploration, empathy ensures we design for people and collaborate well, and resilience helps us embrace feedback and ambiguity. To foster collaboration and innovation, I focus on building trust, encouraging open dialogue, celebrating collective wins, and creating a safe space for experimentation and growth.
PT: As a design tutor, how do you approach mentoring junior designers, and what advice would you give to those looking to grow in their careers?
Ms Harmony: I mentor by focusing on mindset over tools. I encourage juniors to see design as problem-solving, not just screen-making. I give them small, real projects to build confidence, and I make feedback a two-way process so they learn to see critique as growth.
My advice is simple: stay curious, build portfolios that show your process (not just polished screens), and find a design community to learn with. Skills evolve, but curiosity, empathy, and resilience will always set great designers apart.
PT: Can you discuss your approach to designing accessible and user-centred solutions, and how you balance business needs with user requirements?
Ms Harmony: My approach to accessible, user-centred design starts with empathy. I focus on understanding user pain points, then simplify flows to make products clear, inclusive, and intuitive. To balance this with business needs, I connect user pain points to outcomes such as efficiency, adoption, and retention. For example, in one of my recent projects, I simplified access flows for property managers by creating an integrated dashboard which not only improved usability but also reduced support tickets, creating value for both users and the business.
PT: What challenges have you faced as a woman of African descent in the tech and design industries, and how have you overcome them?
Ms Harmony: One of the biggest challenges I have faced as a woman of African descent in tech and design is representation. Living in Asia, particularly here in Indonesia, I have often found myself as the only African woman in the room, which sometimes meant dealing with bias, being underestimated, or having to work harder to prove my expertise.
I have overcome this by leaning into resilience and community. I built networks with other designers and used those connections for support and growth. More importantly, I let my work speak for itself, focusing on delivering impact and creating meaningful solutions.
PT: How do you think designers can give back to the community, and are there initiatives you have been involved in to promote design education and awareness?
Ms Harmony: One of the most meaningful ways designers can give back is by creating access to knowledge, to opportunities, and representation. For many people, design may feel like an unfamiliar career path, especially now with the rapid rise of AI. And the first barrier is often simply not knowing where to start. By mentoring, sharing resources, and opening doors, we can demystify design and make it more inclusive.
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I have been mentoring women who are breaking into tech and design through She Code Africa. Additionally, I mentor on ADPList, guiding emerging designers worldwide on career growth. Last year, I partnered with the Interaction Design Foundation (IxDF) to provide free and discounted memberships, extending access to high-quality courses that many may not otherwise be able to afford. I also run a Telegram tech community of over 800 designers, where I regularly share opportunities like jobs, internships and courses that can help someone to take the next step in their career. Altogether, these efforts have allowed me to support hundreds of aspiring designers in building strong foundations and finding their place in the industry.
PT: How do you stay up-to-date with the latest design trends and technologies, and what resources would you recommend for others looking to do the same?
Ms Harmony: I stay up to date by staying active online, especially on Twitter (X). It may sound a little cheesy, but it genuinely works for me. I follow thought leaders and official design team accounts like Google Design, Microsoft Design, and tools like Figma and Framer on Twitter (X) and LinkedIn. I also make it a point to experiment with new tools as they are released, particularly AI-powered ones like Figma Make, Cursor, Lovable, and Stitch. From time to time, I complement this with online courses, which help me strengthen my foundation and stay adaptable.
For others, I would recommend a balance: structured learning through platforms like the Interaction Design Foundation or Coursera, paired with mentorship opportunities on ADPList or She Code Africa for aspiring African women in tech. That mix of formal education, community learning, and hands-on exploration is what keeps you not only up to date but truly adaptable in such a fast-moving field.
PT: What message would you like to convey to women and underrepresented groups who are interested in pursuing a career in tech and design, but may be hesitant or unsure?
Ms Harmony: My message would be simple: you belong here. Tech and design can sometimes feel intimidating, especially when you don’t see many people who look like you in the room, but your perspective is not just valid, it’s valuable. The industry needs diverse voices and experiences to create solutions that work for everyone. If you are hesitant, start small. Take a course, join a community like She Code Africa and surround yourself with people who will support and encourage you. Do not wait until you feel “ready”; none of us ever really does. Growth comes from trying, learning, and showing up consistently.
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