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2019: ‘How Nigerians Spent N76bn In Cinemas’

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Nigerian spent almost seven billion naira (N6,976,882,087) to watch films in the cinemas in 2019. The report is based on the data provided by cinemas and gathered by cinema Exhibitions-Association of Nigeria (CEAN).
The year opened with ‘Aguaman”, Chief Daddy and ‘Up North’ sitting on the top three of the chart with estimated combined earnings of N68,263,512 million. Earnings remained low for February, making it the lowest growing month with a total of N291.8 million.
By March, viewership picked up steadily and the earnings were almost doubled from that of February leading to a total of N434,432,431. It was gathered that earnings from April climbed from N186,929,188 million in its third week to N342,382, 389 in its final week.
The month closed with estimated total earnings of N734,151,060 million due to a major boost from Disney’s end game. In may there was a massive dip in earnings similar to that experienced in February with End game’, The Intruder and ‘Longshot’, it earned a total N367,498,554 million.
June opened with N161,132,714, but closed with N100,663,647 leading to a total earning of N576,322,779 million in July the highest grossing film for the period was Blind ‘Lagosians, the film grossed the highest in come in cinemas in June. In the first week of July, the movie earned N37.4 million.
For the last weekend in August, Blind Lagosians settled at member 20 with “once upon a time in Hollywood” struggling at number 19, the ‘Get up’ had dropped to number 5.
It was gathered that cumulatively, the cinemas earned over N3 billion in the first half of 219 and over N1.2 billion in July and August of the same year.
In September, Angel Hs Fallen’ topped the box office with a gross of N40,434,564 million it was followed by fast and furious: Hobbsand Shaw and Nollywood film. The millions which debuted at number three raking in N10,046.476 million.
‘Angel has fallen’ remained on top for the second week with ‘Hustlers’ debuting at number one at the third week: By the end of the month, cinemas earnings had dropped by 13 percent with Rambo: Last Blood at number one.
In October ‘Love is War’ started strong with N141,228,280 in first week, fast and furious: Hobbs and Shaw Sank to bottom in its 10th week, the same was the case for the ‘Lion King’ which was in its 12th week.
However, ‘Joker’ snagged the number one spot by the second week of October with the cinema gross totaling N83,703,650 that week. By the third week Gemini man’ pushed ‘Joker’ to the second place and Nollywoods ‘Chrastor Baby’ debuted at number three.
At the final week, the four top films week maleficent ‘Black and Blue, Gemini man and Joker in that order with Chraster Baby at number six. The total gross was N88,063,047 million.
November opened with terminator: The Park fate on top ranking in N37,267,747 million maleficient now in its third week earned N18, 459, 252 million in second place.
Nollywood was at the sixth place with Sluator Baby which made N4,298,150 million and living and Bondage: Breaking free debuted in its first weekend at number seven. The second week Living in Bondage: Breaking Free sat on top in its first full week and made N48,492,825 million pushing terminator to second place. Elevator Baby dropped to number eight and the week closed at N114, 331,989 million.
Living in Bondage continued its winning streak and suffered only seven percent decrease, but was pushed to second place by the end of the month ’21 Bridges’, ‘The Ghost’ and ‘The House of Truth’ debuted at seventh place.
December opened with living in Bondage redeeming its number one spot, followed by ’21 Bridges and Frozen. The total gross of the week N85,863,384 which was a hundred percent increase. By the third week there was another 44 percent increase with ‘Jumanji debuting and making N59,313,872 million and ‘Your Excellency’ grossed N36,652,637 million.

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Davido Narrates How His Song Became President’s Ringtone

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Nigerian megastar, Davido shares how his father recognised that his music was getting big.
Davido says his hit single ‘Dami Duro’ was the president’s ringtone
During an interview with newsmen, Davido spoke on the early days of his career and how he eventually got his father’s approval to make music.
The Grammy nominee shared the familiar story of how he left school in Atlanta and returned to Nigeria to pursue music without his father’s blessing which later led to his business mogul dad getting him arrested.
“I don’t think he did not want me to do music, he just wanted me to be successful as whatever I did because he got a blueprint for me already,” Davido said on his father’s early reaction to his decision to make music.
“He is so supportive and he checks on everything…My dad picks my album. When I am done, I send him all the tracks and my dad goes through all the records and gives me a paragraph each,” Davido narrates the personal interest and support his Dad gives him.
“My dad gave me the name Davido…The first show I did, he arrested me, the fans, the promoters,” Davido said laughing as he narrated the story of how his father got him arrested after he returned to Nigeria without his consent and had his first show as a 17-year-old. “He just wanted me to finish school,” Davido added about his father’s insistence that he get a university degree.
The three time Grammy nominee was asked when his father recognised that his music was getting big and he revealed it was when his hit song ‘Dami Duro’ was the president’s ringtone.
“When my song was the president’s ringtone,” Davido said.
While he did not mention the president or the country, Davido is likely referring to the exploit of former Nigerian president Goodluck Jonathan who was the head of state between 2010 – 2015.
During the interview, Davido also mentioned his plans as a businessman beyond music. He revealed he had a production house called Coco House which he describes as a media house for creatives. He also added that he intends to get into crypto.

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Funke Akindele’s New Film Premiers, Dec

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Nollywood actress and filmmaker, Funke Akindele has announced that her upcoming film, Everybody Loves Jenifa, a spinoff from the Jenifa franchise will premiere in December.
“Been long you saw Jenifa!!!!”  Akindele said.
While a December premiere is confirmed, details on the film remain unknown. However, the new title, Everybody Loves Jenifa, suggests a potential return to the core elements that have made the franchise popular. With Akindele leading the creative team, viewers can anticipate the return of familiar characters and humorous storylines.
The sitcom, Jenifa’s Diary has been a major Nigerian television show since its debut in 2015. The series centres around the main character played by Akindele, and has featured Folarin “Falz” Falana, Lolo, Juliana Olayode, Lota Chukwu, Paschaline Alex Okoli, and late Aderounmu Adejumoke.
The Tide Entertainment reports that it has also had spin-offs and sequels like Aiyetoro Town (2019), which is set in Jenifa’s village, and Jenifa on Lockdown (2021).
Akindele played Jenifa in the first film in the franchise, Jenifa (2008), a village girl who travelled to the city in pursuit of fortune. Muhydeen S. Ayinde directed the movie.
The movie was nominated for four Africa Movie Academy Awards in 2009 including, Best Original Soundtrack, Best Actress in a Supporting Role, and Best Nigerian Film. For her performance in this movie, Akindele took home the Africa Movie Academy Award for Best Actress in a Leading Role.

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Halliday  Attributes Collaboration Hindrance To Sentiments, Others

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The convener, South South Media Week, Tammmy  Halliday has attributed the lack of unity and collaboration in the PortHarcourt  entertainment industry to sentiments, baggages and trust issues.
He made this known yesterday, during an interview with newsmen in Port Harcourt.
According to him, some things that spur baggages are family background, personal experience with colleagues or other people, saying that when someone has been reaped or used by  any of his colleagues or someone else, he might not want to work with some other persons because of trust issue.
This goes along with baggages, where he now sees his other colleagues as one and same with the one who used him and so this continues to hinder collaborations in the industry.
He advised that as an entertainer you should get better, visible and  exposed as the industry required.
He said  that the key factor that can help collaboration is growth, explaining that growth would make entertainers live beyond baggages, adding that if you are good at what you do, and know what you want and where you are going with it , then you are good to go.
“You can seek an advice from a legal practitioner, professional or a senior colleagues to ensure that you (entertainer) get it right.
It is not a bad idea to serve or work with someone, because you serve to rise in the industry. You have to be well  rooted, but, you should be able to know want you want and where you are going with what you do, this will help you move on, when it is no longer working for you, otherwise, you will remain there and keep complaining and then it gets to that point where you begin to see that person as a reaper,” he said.
Mr Halliday who also do corporate social responsibility award via his platform,  South South Media Week stated that critical communication is important in any situation, with a critical approach,  no doubt you will  always be on the right track.
Speaking on criteria for awarding awards, he maintained that it is on numbers, affiliations, fanbase, followership, association and sales of the person or organisation in question, saying that these also works  for collaboration with an artiste, because they are factors that facilitate growth in the industry.
Categories of award that are  awarded through the platform includes, entrepreneur award of the year, innovation award of the year and others.

Nancy Briggs

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