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Battle Royal As COSON’s Crisis Deepens

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That all is not well with the Copyright Society of Nigeria (COSON) is stating the obvious as things have fallen apart in the entertainment society following accusations of deceit, high handed, manipulations and incompetence against the leadership of the body, led by Chief Tony Okoroji on one side and Efe Omorogbe on the other side.
In 2010, the Copyright Society of Nigeria was born with the aim of negotiating, granting copyright licences and collecting royalties, distributing same to copy- right owners and curbing the bitting case of piracy that has plagued the Nigerian music industry. Prior to its set up, there were multiple music bodies including the Nigeria Copyright Council, Music Collective Society of Nigeria (MCSN) and the Performing Musicians Association of Nigeria (PIMAN) who had promised to represent the interest of creators (musicians).
Their failure to deliver on these promises led to the call for a singular body/Collective Management Organisation (CMO), as a result. The following organisations, WASPAN, MCSN and COSON joined to become the sole body that represents Nigerian musicians, but COSON backed with the support of other national associations, including PMAN won the battle and was fully licensed to collect royaltics and other rights on behalf of Nigerian artistes.
Almost eight years since operations kicked off, one cannot make a boast of COSON’s stability as it has been faced with unending crisis and more recently is the seeming power tussle between different factions within the body. It all came to the knowledge of the public on December 7th 2017 when COSON announced after an emergency board meeting that Okoroji had been rid of his position as COSON chairman.
Following a vote of confidence conducted by 10 active members of COSON management board, including Okoroji the vote which was conducted at the COSON House at Ikeja had stakeholders and representatives of the Nigerian Copyright Commission (NCC) responsible for regulating the activities of COSON in attendance, Okoroji was said to have lost to fellow board member and renowned talent Manager, Efe Omorogbe, who was immediately declared chairman of COSON.
Brief introduction of the prime parties involved in the crisis:
Chief Tony Okoroji: Tony Okoroji is an author and retired musician whose musical works reigned supreme in the ‘70s and ‘80s. At 29, Okoroji was elected National President of PMAN. Thereby making him the youngest president in the association’s history. The award winning entertainment stakeholder is the CEO of Tops limited, a Lagos based entertainment and events consultancy film.
Efe Omorogbe: Also a very respected executive in Nigeria entertainment, he is a co-founder of music publishing company, 5ive music group, founder and CEO music management and record company, now music limited, co-founder and director of 960 music group and longtime manager of Nigeria Pop Icon 2 Face Idibia.
On December 19, nearly a forthnight after Omorogbe took over the leadership of COSON, things took a different turn after Sir Victor Uwaifo, Head of the Organisation’s General Assembly announced the reinstatement of Tony Okoroji condemning the previously conducted change of chairmanship procedure as conspirational, the management board was also reconstituted and six members who were in support of Tony Okoroji’s removal including Efe Omorogbe were taken off COSON management board.
Omorogbe saw the action as ridiculous and unconstitutional explaining that board of directors are elected by members of COSON and as such it is impossible to dissolve/inaugurate a new board without the knowledge and participation of the members. He staged his purported comeback and reinstatement, created a lot of drama and claimed he had been reinstated by the General Assembly members who did not elect him as chairman in the first place.
According to him, you elect directors and directors choose a chairman, but in their desperation, they didn’t put all of these into account. He said the board’s decision to sack Okoroji stems from excessive cases of unethical practices and improper procedures for approval of funds releases.
Omorogbe had earlier in the year released a lengthy 9-point statement that accused Okoroji of gross abuse of power, alleging that Okoroji paid himself the sum of N22, 500,000 (twenty two million, five hundred thousand naira) through his company, Tops Limited.
He alleged that the amount was from MTN’s settlement payment for royalties without the approval and signature of both the Finance Committee Chairman, Mr Joel Ajayi and other board members which contradicts COSON’s rule that all payments above N2,000,000 (two million naira) must be approved by the board. Okoroji was also accused of misappropriating a quoted sum of N26,200,000 (twenty six million two hundred naira) as incurred by his company, Tops Ltd in the execution of the COSON’s week.
A series of events which contractually are allowed to hold on the condition that Production Company can independently generate the funding, as a collective management organisation, matters are discussed internally by members of the board before implementation, but the embattled Chairman, Tony Okoroji according to Omorogbe continues to unapologetically take actions without consulting the directorial board thus leading to cases of misrepresentation.
“He run the society like his personal hustle, it was difficult for Okoroji to separate himself from COSON as he sees COSON and himself as one” Omorogbe said. He further alleged that Okoroji has been orchestrating manipulative and deceitful devices presenting the well deserved benefits of right owners as an act of benevolence in a bid to buy over their loyalty.
He stressed that the movies are collected to be distributed, if you are a member that is what is due, you either based on general distribution or specific distribution and no single person has the power to determine whether you get stuff or you don’t get stuff, he stated.

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Davido Narrates How His Song Became President’s Ringtone

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Nigerian megastar, Davido shares how his father recognised that his music was getting big.
Davido says his hit single ‘Dami Duro’ was the president’s ringtone
During an interview with newsmen, Davido spoke on the early days of his career and how he eventually got his father’s approval to make music.
The Grammy nominee shared the familiar story of how he left school in Atlanta and returned to Nigeria to pursue music without his father’s blessing which later led to his business mogul dad getting him arrested.
“I don’t think he did not want me to do music, he just wanted me to be successful as whatever I did because he got a blueprint for me already,” Davido said on his father’s early reaction to his decision to make music.
“He is so supportive and he checks on everything…My dad picks my album. When I am done, I send him all the tracks and my dad goes through all the records and gives me a paragraph each,” Davido narrates the personal interest and support his Dad gives him.
“My dad gave me the name Davido…The first show I did, he arrested me, the fans, the promoters,” Davido said laughing as he narrated the story of how his father got him arrested after he returned to Nigeria without his consent and had his first show as a 17-year-old. “He just wanted me to finish school,” Davido added about his father’s insistence that he get a university degree.
The three time Grammy nominee was asked when his father recognised that his music was getting big and he revealed it was when his hit song ‘Dami Duro’ was the president’s ringtone.
“When my song was the president’s ringtone,” Davido said.
While he did not mention the president or the country, Davido is likely referring to the exploit of former Nigerian president Goodluck Jonathan who was the head of state between 2010 – 2015.
During the interview, Davido also mentioned his plans as a businessman beyond music. He revealed he had a production house called Coco House which he describes as a media house for creatives. He also added that he intends to get into crypto.

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Funke Akindele’s New Film Premiers, Dec

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Nollywood actress and filmmaker, Funke Akindele has announced that her upcoming film, Everybody Loves Jenifa, a spinoff from the Jenifa franchise will premiere in December.
“Been long you saw Jenifa!!!!”  Akindele said.
While a December premiere is confirmed, details on the film remain unknown. However, the new title, Everybody Loves Jenifa, suggests a potential return to the core elements that have made the franchise popular. With Akindele leading the creative team, viewers can anticipate the return of familiar characters and humorous storylines.
The sitcom, Jenifa’s Diary has been a major Nigerian television show since its debut in 2015. The series centres around the main character played by Akindele, and has featured Folarin “Falz” Falana, Lolo, Juliana Olayode, Lota Chukwu, Paschaline Alex Okoli, and late Aderounmu Adejumoke.
The Tide Entertainment reports that it has also had spin-offs and sequels like Aiyetoro Town (2019), which is set in Jenifa’s village, and Jenifa on Lockdown (2021).
Akindele played Jenifa in the first film in the franchise, Jenifa (2008), a village girl who travelled to the city in pursuit of fortune. Muhydeen S. Ayinde directed the movie.
The movie was nominated for four Africa Movie Academy Awards in 2009 including, Best Original Soundtrack, Best Actress in a Supporting Role, and Best Nigerian Film. For her performance in this movie, Akindele took home the Africa Movie Academy Award for Best Actress in a Leading Role.

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Halliday  Attributes Collaboration Hindrance To Sentiments, Others

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The convener, South South Media Week, Tammmy  Halliday has attributed the lack of unity and collaboration in the PortHarcourt  entertainment industry to sentiments, baggages and trust issues.
He made this known yesterday, during an interview with newsmen in Port Harcourt.
According to him, some things that spur baggages are family background, personal experience with colleagues or other people, saying that when someone has been reaped or used by  any of his colleagues or someone else, he might not want to work with some other persons because of trust issue.
This goes along with baggages, where he now sees his other colleagues as one and same with the one who used him and so this continues to hinder collaborations in the industry.
He advised that as an entertainer you should get better, visible and  exposed as the industry required.
He said  that the key factor that can help collaboration is growth, explaining that growth would make entertainers live beyond baggages, adding that if you are good at what you do, and know what you want and where you are going with it , then you are good to go.
“You can seek an advice from a legal practitioner, professional or a senior colleagues to ensure that you (entertainer) get it right.
It is not a bad idea to serve or work with someone, because you serve to rise in the industry. You have to be well  rooted, but, you should be able to know want you want and where you are going with what you do, this will help you move on, when it is no longer working for you, otherwise, you will remain there and keep complaining and then it gets to that point where you begin to see that person as a reaper,” he said.
Mr Halliday who also do corporate social responsibility award via his platform,  South South Media Week stated that critical communication is important in any situation, with a critical approach,  no doubt you will  always be on the right track.
Speaking on criteria for awarding awards, he maintained that it is on numbers, affiliations, fanbase, followership, association and sales of the person or organisation in question, saying that these also works  for collaboration with an artiste, because they are factors that facilitate growth in the industry.
Categories of award that are  awarded through the platform includes, entrepreneur award of the year, innovation award of the year and others.

Nancy Briggs

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