The destiny of Nigeria as an independent state, certainly is influenced by the manner of its conception and creation. As a product of colonial and imperialistic adventure, Nigeria’s attempt to evolve a definite and enduring pattern of socio-political existence had been wavering and shallow.
The Nation, perhaps, survives on an ethnocentric platform, where the only bond is a false claim to federalism, whereas every ethnic group give their first loyalty to their various ethnic sentiments.
There had however been calls by the stakeholders for a Sovereign National Conference where the various component units that make up the country will discuss the basis of their corporate existence, but such calls had remained a pipe dream.
Proponents of Sovereign National Conference like the Nobel laureate and literary icon, Prof Wole Soyinka and foremost nationalist, Pa Anthony Enahoro, had insisted that only a Sovereign National Conference that can settle the problems of Nigeria.
In their view, those who are anti Sovereign National Conference are the beneficiaries of a skewed political system that will not want to let Nigeria out of the hook of their grand political deception.
Nigeria had, to a large extent, has also been a victim of party politics.
At independence, Nigeria adopted parliamentary system of government, an indigenous version of the westmister model practiced in Britain, its former colonial overlord. But the parliamentary system was truncated by the military through a coup de’ tat.
The aftermath was series of bloody revolutions including a civil war that threatened the very existence and foundation of the country. The military’s contemptuous seizure of power in the country was stamped on the self righteous notion that the politicians are corrupt.
With the prevailing ethos of the ruling military class operating as a tiny cabal from a dominant part of the country, the minority groups where placed permanently at a disadvantaged position as mere spectators in the game of power.
This compounded the knotty problems of complex relationships in the country.
But passing years often take with them the burdens and struggles of a nation, and sometimes providence plays the ultimate role in shaping the ideals of a country.
With the advent of democratic rule in 1999, Nigerians are begging to keep faith with democracy and obviate the pains of yester years.
Some Nigerians who spoke with The Weekend Tide on the strides of the country on certain critical areas of the economy were ambivalent in their assessment.
Lenu Kpagi, an Assistant Comptroller General of Customs, (retired) thanked God for keeping the country united over the past 50 years.
Kpagi who had a bias for qualitative educational development of the country, decried the high premium placed on paper qualification in the country which had encouraged sharp practices in the education sector in a desperate bid to acquire certificates.
Kpagi recalled that in those days, when students fail exams they worked hard to remedy their deficiencies. Such zeal for hard work, he noted, had disappeared from the educational system as students do not want to learn but want to cut corners to acquire certificates.
He said parents were culpable in the act as some parents go any length to aid and abet their wards to acquire certificates without merit.
“Everybody want to have a certificate so that they can access important positions, especially in government. Some parents bribe teachers to assist their children in getting certificates.
Kpagi who is an educationist and founder of Zina Academy however stated that their was remarkable improvement in terms of internet facilities and modern technologies compared to the past.
The weekend Tide also spoke with some civil society groups.
Adebayo Samuel, strategy coordinator of the Development Partnership International, a civil society organisation, expressed concern over the electoral process in the country.
He said Nigerians should stand firm and expressed their franchise without intimidation as that was the only way of whipping the erring system to line.
He regretted that inspite of glaring inconsistencies in the electoral system, the National Assembly was reluctant to institute the needed reforms.
Rita Kigbara, of the stakeholders Democracy Network, said there was need for a strong civil society presence to put things under check. She said civil society participation in Nigeria was still dismal and need to be re-invigorated.
She hinted that blind materialism had beclouded the reasoning of Nigerian law makers to the extent that they are less concerned about stabilising the polity through practical reform programme.
She called on the president, Dr Goodluck Jonathan to restore the hope of Nigerians by exerting strict supervision of the various agencies and machineries of government to be proactive and make expectations of Nigerians a reality.
Dr Chime Onumba, a safety management expert and academic, said there was nothing to celebrate.
According to him, Nigeria’s political system is a mockery of democracy, as critical issues such as resource control, economic manpower and, electricity are yet to be addressed.
He noted that the tyranny of mere will had blinded the conscience of the political leaders of the country and they are only concerned about what they can milk out of the system.
To him, the violence in various parts of the country which had claimed innocent lives is an epitome of a decadent society.
On political reforms, he said it was totally, wrong and unacceptable for the North to claim exclusive right to governance. He also kicked against the idea of restriction of movements on election days, stating that it was a deliberate plot to cow the electorates to submission of the political whims and caprices of the wielders of power.
He blamed the numerous problems of the country on politicians whom, he accused of dubiously manipulating the system and exploiting the citizenry.
Dr Onumbu also called for higher remuneration for University lecturers and civil servants, which, according to him, are the highest victim of hyper inflation in the country.
Artiste Decries High Cost Of Music Production
A Port Harcourt based artiste and song writer Reginald Bekinbo popularly known as JahReigns has lamented the high cost of music production in Rivers State.
Bekinbo who is also the acting chairman of the Performing Musicians Employers Association Of Nigeria (PMAN) Rivers Chapter made this known in an interview with The Tide Entertainment yesterday.
According to him, the cost of music production in the State is becoming alarming.
He explained that for one to get a music done you will have to pay twenty-five thousand naira (#25,000) for a track and pay an extra amount for fuel where there is no power, saying that this does not get the work done, as the 25,000 fee covers the voiceover only.
“ It is quite disheartening that you pay such an amount for just a track’s voiceover, then you take to another Studio for the Mix and master of the song, which would cost you not less than #20’000 for upcoming artistes at my level. It does not end there each time you go for mixing you have to buy fuel for the mixer which does not include promotion and videoing of the song,” he lamented.
He said that as an artiste, he also has a clothing store just to support his career, saying most singers have chosen the brain drain for themselves and you can not blame them because it is difficult to excel as an Artiste here in the State.
“ It is clear why people go to Lagos to establish their career. Just imagine a situation where someone heard my song and wanted to meet me and some other person told him that if he wanted to see me he should come to Victoria Street, the young man said he thought l should be in Lagos and they eventually found me at Victoria Street in Port Harcourt. Where l have my clothing store. What could be more degrading? Situation like that devalues your person as an Artiste, l mean, it depreciates your worth,” he added.
Bekinbo who recently released a video on one of his singles titled “Ngwanu” said that though the video has not been played in a cable station, could be downloaded from the internet, noting that the cost of shooting and promoting a video or song is alarming.
“ It is not easy at all,, I met the cable guy and he said that for International and Local promo for the video is eight hundred and fifty naira(850,000) while for local, here would cost me four hundred and fifty naira(450.000).
I am yet to afford the fee. If you go to Redem Station to play your audio you will pay not less than two hundred naira, so what we do is to befriend DJ’s and in a studio you have up to three DJ’s you will give them #20,000 and then, make sure to send them callcard at least three times in a month.
He said that if well-meaning individuals in the State would do well to extend helping hand or support the music industry it will go a long way to motivating Artistes in the State.
He however mentioned king of Okochiri, Kingdom, His Royal Father Ateke Tom as an individual and Gravings Records as an organization that have been supportive, saying that each time they to perform for them they made sure to at least take care of them.
“ If the needed motivation is given l tell you, with a million naira we could realize five Million in three months,” he assured.
By: Nancy Briggs
Pheelz, BNXN, Others Make FIFA 23 Soundtrack
Pheelz’s ‘Finesse’ featuring BNXN FKA Buju and Bad Boy Timz’s ‘Skelele’ featuring Olamide, Seun Kuti’s Ku ku Kee Me ft. American rapper Black Thought as well as 2022 Qatar Official world cup song, Hayya Hayya (Better Together) by Davido ft. Trinidad Cardona, & Aisha have been included in the soundtrack for FIFA 23 console game.
The full FIFA 23 soundtrack has been officially confirmed by EA, with over five hours of music in the game in total across its different modes.
The Tide Entertainment reports that the Afrobeats stars will join a long list of other artists spread across the world to make up the Soundtrack of one of the highest-selling video games.
Fireboy DML’s ‘Scatter’ and Rema’s ‘Beamer featured on EA Sports, Fifa 21 official soundtrack.
Introducing the FIFA23 Soundtrack.
Featuring over 100 songs from artists representing 34 countries. Listen now on Spotify.
The VOLTA soundtracks were introduced from FIFA 20. The songs on that mode drive street action with the latest and greatest in grime, electronic, and hip-hop.
With artists including Labrinth, Role Model, and Odesza, the full list of songs in FIFA 23 is something of an eclectic mix.
These customised kits – which are designed to personify each artists’ personality – will be available for players to unlock through certain objectives from 27th September when early access for the game mode launches.
Pheelz and others also designed Custom FUT kits for FIFA 23.
In a press release on Thursday, EA teased: “The carefully curated mixture of hip hop, alternative, electronic dance and pop music transports players directly into the game of street football.”
Artists such as Jack Harlow, ROSALIA, Pheelz and Central Cee have also played a bigger part in the game, designing their own FIFA Ultimate Team kits.
FIFA 23 was released worldwide on PlayStation 5, Xbox Series X|S, PC, Stadia, PS4, and Xbox One on /
Afrobeats Category May Soon Be Added To The Grammy Awards
The Chief Executive Officer (CEO) of Recording Academy, Mr Harvey Mason Junior has disclosed in a press conference in Ghana that the institution is considering the addition of an Afrobeats category to next year’s 65th Annual Grammy Awards.
The Tide Entertainment Reports that TurnTable Charts, a Nigerian chart analytics platform and magazine, tweeted a segment of the conference captured on video, in which Mason says he and other Recording Academy brass “just had a meeting literally about six or seven days ago with leaders from the Afrobeats community” to discuss the potential move.
“We had a virtual listening session where we heard from Afrobeats creators and just talked about ‘What are the different subgenres? What are the needs? What are the desires?,’” he adds. “And my goal is to represent all genres of music, including Afrobeats, at the Grammys.” he said.
Mason makes it clear in the video, however, that the decision is far from final.
“I don’t decide categories,” he explains.
“The categories are decided by proposals submitted by members.
“The members can say ‘Harvey, I want an Afrobeat category…’ So that process has started now. I think the listening session last week was very important, very valuable, and a step towards that path.”
The Recording Academy is now considering an Afrobeats category at the annual Grammys ceremony .
Harvey Manson Jr., the CEO of The Academy, revealed in an interview with the press in Ghana over the weekend.
The Afrobeat music genre was established by the legendary Fela Anikulapo-Kuti in the late 1960s and early 70s, however, it gained international appeal in the late 2010s due to the influence of the genre’s flag bearers- Wizkid, Burna Boy and Davido.
It has become one of the most influential genres across Africa and the rest of the world.
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