Nation
Stakeholders Advocate Local Solutions To Challenges In Africa’s Oil And Gas Industry

Key stakeholders and policy leaders in Africa’s oil and gas industry, and other related sectors have stressed the need for Africa to look within for solutions to Africa’s problems in the face of global economic challenges.
The stakeholders who gathered at the third edition of the African Local Content Roundtable which took place in Abuja between October 25 and 26, 2023 with the theme “Fostering Local Content In Africa for Africans,” jointly agreed that the concept of local content is not merely a policy, but a catalyst for transformation.
They noted that the roundtable is a conduit through which inspirations can be channelled into concrete achievements.
Setting the context at the Pan-African engagement, the Executive Secretary of the Nigerian Content Development and Monitoring Board (NCDMB) Engr. Simbi Wabote, noted that one of the greatest challenges bedevilling the African Oil and Gas industry is local manufacturing of components.
According to him, “90 percent if not more of the equipment that we use are imported because we’ve not focused on how to manufacture some of the components in-country.”
While noting that “the importance of developing homegrown cost-effective affordable and scalable solutions to address local challenges cannot be overemphasised,” the NCDMB boss identified prioritisation of research and development as well as funding as key to delivering local content goals on the continent.
He, therefore, called for robust engagements on quality service and equipment manufacturing, cross-border partnerships, intensive out-of-the-box thinking and improvement of funding sources or leveraging additional funding sources to overcome the funding challenges of oil and gas producing countries.
“The time for change is now and it is our collective responsibility to usher in a new era of local content development and implementation in Africa’s oil and gas industry,” said Wabote, adding that “the NCDMB stands as a key advocate In local content development not just in Nigeria but Africa as a whole.”
Similarly, the Secretary General of the African Petroleum Producers’ Organisation (APPO), Omar Farouk, lamented that Africa has continued to be dependent on foreign oil and gas technologies despite being in the oil producing business for nearly 100 years and making billions from oil and gas projects.
“We have sadly been conditioned to believe that such dependency is normal. More alarming is the fact that the African continent has the highest proportion of its population living in energy poverty with over 600 million Africans living without access to electricity and millions of others living without any access to modern energy. 70% of the oil we produce is exported. 70% of the gas is also exported”, Farouk said.
“Africa must be allowed to use its affordable and readily available source of energy mainly oil and gas. Today’s developed countries used it to get to where they are today, we must be allowed to also use it to lift the living conditions of our people and get them out of poverty”, he added.
While challenging stakeholders to take advantage of the roundtable in addressing the legitimate concerns, Farouk assured of APPO’s commitment to changing “the pathetic situation.”
On his part, Nigeria’s Minister of State for Petroleum Resources (Oil), Senator Heineken Lokpobiri, said that the theme of this year’s Roundtable is “very appropriate for Africa to evolve from not just supplying raw materials, but developing capacity and capability to explore, produce and process its hydrocarbons resources into petroleum derivatives for its own use.”
He commended the NCDMB, APPO and Heritage Times (HT) for organising the roundtable which he said “aligns with the renewed hope agenda of President Bola Tinubu that is anchored on positioning the Nigerian economy to look inward for goods, services and manpower needs of strategic sectors of the economy.”
Also present at the event was the Group Chief Executive Officer of the Nigerian National Petroleum Company Limited (NNPCL), Mele Kolo Kyari, who stressed the need for Africa to prioritise and promote local content development in all aspects of operations.
According to him, “Africa must ensure a future where it is driving the technological advancement and innovation that is tailored to address our peculiar challenges. The continent must also ensure a just energy transition in line with climate change objectives. This means we must begin to empower local businesses, create jobs and add value to our economies beyond what we have done in the past decade. Therefore, this is a call to a commitment to utilising our own resources, expertise and workforce to maximise the benefits of our energy sector.”
Represented by the Chief Innovation Officer NNPCL, Muniru Mai, the GCEO said the state oil company “understands the importance of local content and have made it the centre of our operations, we are committed to achieving the highest level of local content in all of our projects from upstream exploration to downstream activities.”
As part of activities lined up for the first day of the local content roundtable, stakeholders went on a visiting tour to the Nigerian National Petroleum Company (NNPC) Research, Development and Innovation Centre in Abuja.
The tour saw stakeholders observe the need for the centre to double its effort in forging partnerships, collaboration and cooperation with African peers with a view to delivering on local content goals in the oil and gas industry. They also assured the centre of providing any support it needs to help foster local content in Africa’s oil and gas industry.
A visiting tour was also paid to Amal Technology, a gas leak detector production facility. Notably, the company is a project that was instituted and supported by the NCDMB.
The tour allowed stakeholders to evaluate the impact of the NCDMB in initiating and catalysing the growth of indigenous oil and gas companies.
Activities of the fast-growing company struck chords of excitement in the APPO scribe who not only lauded the efforts of the Board but appreciated how far Amal Technology has come in just 5 years.
“Africa is changing. Time was when success was measured on import capacity. We live in an age where ideas, indigenous capacity and exports define success. We can only transform the continent by looking within,” said Ibrahim.
“We are happy to see NCDMB supporting young men and women to chart a path in Africa’s oil and gas industry which has a future. At APPO we understand the importance of partnership and are ever ready to provide Amal Technology the support it needs.”
Since its maiden edition, the African local content roundtable has continued to play an important role in advancing local content development across Africa by raising awareness of its importance, formulating supportive policies and ultimately strengthening capacities of capabilities of local players across the oil and gas value chain.
The 3rd edition of the African Local Content Roundtable aims to review innovative approaches instituted by the African Petroleum Producers Organisation (APPO) Member Countries to drive Local Content development and sustainability of Africa’s hydrocarbon resources.
The yearly series of the Roundtable which was conceived and first hosted by the Nigerian Content Monitoring and Development Board (NCDMB), was subsequently institutionalized as an APPO Project following the huge success of the inaugural edition held between June 3 & 4, 2021, at the NCDMB Towers in Yenagoa, Bayelsa State, Nigeria.
Nation
HYPREP Inducts 100 Ogoni Youths For Creative Arts Training

The Hydrocarbon Pollution Remediation Project(HYPREP) has inducted and given orientation to 100 Ogoni youths for training on Creative Arts. The beneficiaries were drawn from Khana, Gokana, Tai and Eleme Local Government Areas of Rivers State.
The induction and orientation ceremony, which took place at the CRAB of the Department of Theatre Arts of the University of Port Harcourt on Wednesday, was a prelude to the training proper, billed to commence next Tuesday.
As usual, HYPREP issued undertaking forms to the trainees, for them to complete and submit as a guarantee that they would subject themselves to the requirements of the programme as well as be of good behaviour throughout the four-month duration of the training.
HYPREP also announced that it would pay N150,000 to each of the beneficiaries monthly, as transport and feeding allowance, stressing, however, that only those who fully participate in the training would be entitled for the allowance.
Speaking at the event, the Project Coordinator of HYPREP, Prof Nenibarini Zabbey, welcomed the trainees to the programme, saying, HYPREP’s projects are evolving and that one thing that is happening today is that the Project has gotten leadership right, by making promises and keeping those promises.
According to him, the Project had equally promised to move away from rudimentary skills acquisition to high impacts acquisition levels, which it has kept today by sponsoring the training on Creative Arts.
He noted that in planning its livelihood programmes for Ogoni youths, HYPREP has taken time out to look for skills that would add value to the lives of the beneficiaries.
Zabbey, who was represented at the event by the Director of Technical Services, Prof Damian-Paul Aguiyi said by packaging the Creative Arts training, it was expected that the Ogoni people would have their own version of Nollywood known as Ogoniwood just as Nigerians are familiar with Hollywood, Bollywood, Kannywood and Nollywood.
To achieve this goal, the Project Coordinator explained that it was the reason for choosing a reputable establishment like Halibiz Consult Limited, to partner with the Department of Theatre Arts of the University of Port Harcourt, which he described as one of the most prestigious in the Niger Delta, for the training of the beneficiaries.
He also indicated that in doing this, HYPREP was desirous of going for talents that would help the Ogoni people grow in the film industry, and urged the beneficiaries to take the training seriously.
Zabbey equally enjoined the trainees to put in their best so that in the next three to five years, they would carve a niche for themselves and become forces to reckon with in the film industry.
On her part, HYPREP’s Head of Sustainable Livelihood, Mrs Josephine Nzidee said HYPREP does what it says it will, stressing that the process of training Ogoni youths on specialised skills started three years ago.
According to her, the selection process for the training was rigorous and transparent, and was carried out by renowned actors actresses.
She disclosed that the training consists of three major aspects, which include acting, script writing and make-up, while Nollywood actors like Charles Nnoje, Ngezu J. Ngezu and award-winning make-up artist, Jude Odo would be on hand to drill and groom the beneficiaries.
Mrs Nzidee noted that the programme is a specialised training that does not have anything like starter packs but that it is purely a professional certification programme that would launch the beneficiaries into the Nollywood industry in Nigeria.
According to her, the Creative Arts training is one of the four specialised trainings organised by HYPREP to ensure that the Ogoni people are well positioned in vital industries like Aviation, Maritime, Creative Arts and Mechatronics.
She said the last of such trainings on Mechatronics would take place in the coming months, and urged the beneficiaries to take the training seriously so as to put the Ogoni people on the Nollywood map.
She further indicated that while Charles Nnoje and Ngezu J. Ngezu would take the beneficiaries on the practical aspects, Jude Odo would take them on the make-up aspects.
Also speaking, the External Relations Manager of Halibiz Consult Limited, Alabo Experience Douglas said his company gives much premium to standard and quality, and assured that the firm would give the trainees value for the money spent on the programme.
While charging the beneficiaries to be dedicated and punctual, he stressed the need for them to approach the programme with the mindset of being empty so that at the end of the day, they would benefit maximally.
On his part, the Head of the Theatre Arts Department of the University of Port Harcourt, Dr Ovunda Ihunwo said the CRAB is an acronym for Creative Review of Arts and Books, stressing that it was named by renowned playwright, Prof Ola Rotimi.
According to him, the CRAB had nurtured, groomed and produced Nollywood actors and actresses like Bobmanuel Udokwu, Ejike Asiegbu,Francis Duru, Hilda Dokubo, Monalisa Chinda, Julius Agwu, and a host of others, assuring the beneficiaries that they were on fertile environment to hone their talents.
He noted that symbolically, the crab is a nutritious seafood common in the Niger Delta, and reiterated the need for the beneficiaries to come empty for the training, as it were.
Ihunwo disclosed that the theory classes of the programme would run for three weeks while the fourth week would be for the master classes, and urged the trainees to avail themselves of the opportunity to make a difference by telling the Ogoni story, which he described as inexhaustible by themselves, in order to put Ogoni on the map.
Nation
Nasarawa Varsity Student Commits Suicide

A 23-year-old student of Nasarawa State University identified as Jatau Rilokwah, has been reportedly found dead in the university’s senior staff quarters.
A counter-insurgency expert, focused on the Lake Chad region, Zagazola Makama, disclosed this on his X handle on Tuesday.
According to him, the discovery was made on April 27, 2025, by a security officer at the university, Emmanuel Gyawo.
He stated that Gwayo was directed by Prof. Shedrack Jatau to check on his son upon arriving at the residence, and he found Rilokwah hanging from the ceiling.
“Professor Jatau, who was reportedly out of the State at the time, was informed of the incident. A team of police detectives, led by the Divisional Crime Officer of Angwan Lambu, was dispatched to the scene.
“The body showed no signs of violence, and no suicide note was found. Rilokwah was rushed to the Federal Medical Centre in Keffi, where he was confirmed dead by a medical doctor,” he further stated.
He added that the student’s corpse had been deposited in the hospital morgue.
He also quoted police sources as saying that investigations were ongoing to determine the circumstances surrounding the incident.
Nation
Ogun, Nike Art Gallery Set To Transform Olumo Rock

The Ogun State Government has partnered with Nike Art Gallery to establish a new exhibition space at the Olumo Rock Tourist Centre in Abeokuta, a move Governor Dapo Abiodun says is aimed at boosting annual tourist visits from 20,000 to over 100,000.
Abiodun disclosed the plan on Wednesday while receiving the founder of the Nike Art Gallery, Chief (Mrs) Nike Davies-Okundaye, at his office in Oke-Mosan, Abeokuta.
“I went to Olumo Rock about a month ago and I decided that we needed to do something about restoring Olumo Rock to its old glory. From statistics, Olumo Rock hosts about 20,000 people a year in its current state, and I felt that we could increase that to at least ten times,” the governor said.
As part of the plan, an events hall within the tourist centre will be repurposed as a permanent gallery operated by Nike Art Gallery.
“I told them to shut it down. Practically, we want to bring it down and turn it into a gallery for you to use as an exhibition gallery,” he told Davies-Okundaye.
He added that the gallery will be ready before the National Sports Festival in May, when the State will host about 15,000 visitors.
“I want them to be able to see our tourist sites,” he said, listing attractions such as the Olusegun Obasanjo Presidential Library, the Ransome-Kuti family home, and the Adire market among key heritage spots to be showcased.
Highlighting Ogun’s improved infrastructure, the governor said, “Now that we’ve succeeded in having the intra and inter-state roads in place, you can come to Ogun State by rail; you can come by air. We’ve constructed one of the best airports in Nigeria, and very soon, you will be able to come by sea.”
Davies-Okundaye, in her remarks, praised the state’s efforts to promote tourism and pledged to use the new gallery to attract global attention.
“This gallery will bring many Heads of State. The one I opened in Abuja already has more than 10 Heads of State, including those from South Korea and the Czech Republic. The same will happen here,” she said.
She also applauded the Governor for his commitment to the Adire fabric industry.
“Adire is all over Nigeria, but Ogun has been promoting Adire for over 50 years. Today, the only cloth we can call our own is called Adire. This is what we can sell to the Europeans,” she said.
Abiodun reaffirmed his administration’s backing of the Adire industry, citing policies such as the Adire Ogun Digital Marketplace, compulsory wearing of Adire in the state, and provision of solar-powered production equipment to support artisans.
He also revealed plans to open a creative arts and entertainment village in partnership with Bolanle Austen-Peters, expected to be completed within two months.
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