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Encouraging The Art Of Remake In Nollywood

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Whenever a remake of a film is announced, it either raises interests to the possibilities or gets fans in a tizzy. Some remakes are cash-grab based, allowing the studio to capitalize on existing Intellectual Property (IP).
However, remakes aren’t always as bad a thing as social media rants would have you believe. While some are unnecessary, some are updates which take advantage of the change in film technology since the original film was made, and also the changing times. Not many fans of The Thomas Crown Affair (1999), Ocean’s 11 (2001), The Italian Job (2003) know that they are remakes of films of the same title from 1968, 1960 and 1969 respectively.
Sometimes Hollywood remakes a film from another country. The Departed (2006) which finally won Martin Scorsese a Directing Oscar is a remake of a Hong Kong film, Infernal Affairs (2002). The Magnificent Seven (1960) is a remake of Japanese film, The Seven Samurai (1954). Chris Nolan’s third film Insomnia (2002) is a remake of a Norwegian film of the same name from 1997. Bringing it closer to the Motherland, Boda Boda Thieves (2015) is a remake cum adaptation of Vittoro Da Sica’s classic, Bicycle Thieves (1948), transplanting it from post World War 2 Italy to working-class Uganda.
It is even more interesting to note that some filmmakers have remade their own films. Alfred Hitchcock remade The Man Who Knew too Much (1934) in 1956. Michael Haneke did a remake of Funny Games (1997) in 2007; the first in his home country of Austria and the second after he was established in the United States.
Do you love the movie Heat (1995) which put Robert De Niro and Al Pacino together on screen for the first time? Fun fact, it’s a remake of a TV movie called LA Takedown (1989). Both were written and directed by Michael Mann. With Heat, Mann now as a more experienced director, had more creative control, a bigger budget and two of America’s finest actors as his leads.
This begs the question, What if Nigerian filmmakers had the chance to revisit and remake some of their films?
The earliest days of Nollywood had many limitations in terms of know-how, equipment and other restrictions. Big budget films could afford to shoot on Betacam SP. Intermediate budget, U Matic. Low budget: Super VHS, No budget: VHS
Today some Nollywood films are shot with the same cameras and lenses available to Hollywood and Bollywood productions. What would some of those classics look like with the equipment available today and recon- textualised for a Post Military Nigeria?
What would a Diamond Ring, Silent Night, Rattlesnake, Hostages, Karashika, look like with today’s working cinematographers and dynamic range of today’s cameras. How would they feel with grading and colour correction not available 15- 20 years ago?
Why remake?
Well, a lot of things have changed over the years in terms of what’s possible in filmmaking in Nigeria. A filmmaker with a DSLR, good prime lenses and Adobe Premier on a high-speed laptop can achieve a lot more than what was possible between the mid-90s and early 2000s on built-in single-lens cameras and Non Linear Editing (NLE).

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Davido Narrates How His Song Became President’s Ringtone

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Nigerian megastar, Davido shares how his father recognised that his music was getting big.
Davido says his hit single ‘Dami Duro’ was the president’s ringtone
During an interview with newsmen, Davido spoke on the early days of his career and how he eventually got his father’s approval to make music.
The Grammy nominee shared the familiar story of how he left school in Atlanta and returned to Nigeria to pursue music without his father’s blessing which later led to his business mogul dad getting him arrested.
“I don’t think he did not want me to do music, he just wanted me to be successful as whatever I did because he got a blueprint for me already,” Davido said on his father’s early reaction to his decision to make music.
“He is so supportive and he checks on everything…My dad picks my album. When I am done, I send him all the tracks and my dad goes through all the records and gives me a paragraph each,” Davido narrates the personal interest and support his Dad gives him.
“My dad gave me the name Davido…The first show I did, he arrested me, the fans, the promoters,” Davido said laughing as he narrated the story of how his father got him arrested after he returned to Nigeria without his consent and had his first show as a 17-year-old. “He just wanted me to finish school,” Davido added about his father’s insistence that he get a university degree.
The three time Grammy nominee was asked when his father recognised that his music was getting big and he revealed it was when his hit song ‘Dami Duro’ was the president’s ringtone.
“When my song was the president’s ringtone,” Davido said.
While he did not mention the president or the country, Davido is likely referring to the exploit of former Nigerian president Goodluck Jonathan who was the head of state between 2010 – 2015.
During the interview, Davido also mentioned his plans as a businessman beyond music. He revealed he had a production house called Coco House which he describes as a media house for creatives. He also added that he intends to get into crypto.

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Funke Akindele’s New Film Premiers, Dec

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Nollywood actress and filmmaker, Funke Akindele has announced that her upcoming film, Everybody Loves Jenifa, a spinoff from the Jenifa franchise will premiere in December.
“Been long you saw Jenifa!!!!”  Akindele said.
While a December premiere is confirmed, details on the film remain unknown. However, the new title, Everybody Loves Jenifa, suggests a potential return to the core elements that have made the franchise popular. With Akindele leading the creative team, viewers can anticipate the return of familiar characters and humorous storylines.
The sitcom, Jenifa’s Diary has been a major Nigerian television show since its debut in 2015. The series centres around the main character played by Akindele, and has featured Folarin “Falz” Falana, Lolo, Juliana Olayode, Lota Chukwu, Paschaline Alex Okoli, and late Aderounmu Adejumoke.
The Tide Entertainment reports that it has also had spin-offs and sequels like Aiyetoro Town (2019), which is set in Jenifa’s village, and Jenifa on Lockdown (2021).
Akindele played Jenifa in the first film in the franchise, Jenifa (2008), a village girl who travelled to the city in pursuit of fortune. Muhydeen S. Ayinde directed the movie.
The movie was nominated for four Africa Movie Academy Awards in 2009 including, Best Original Soundtrack, Best Actress in a Supporting Role, and Best Nigerian Film. For her performance in this movie, Akindele took home the Africa Movie Academy Award for Best Actress in a Leading Role.

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Halliday  Attributes Collaboration Hindrance To Sentiments, Others

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The convener, South South Media Week, Tammmy  Halliday has attributed the lack of unity and collaboration in the PortHarcourt  entertainment industry to sentiments, baggages and trust issues.
He made this known yesterday, during an interview with newsmen in Port Harcourt.
According to him, some things that spur baggages are family background, personal experience with colleagues or other people, saying that when someone has been reaped or used by  any of his colleagues or someone else, he might not want to work with some other persons because of trust issue.
This goes along with baggages, where he now sees his other colleagues as one and same with the one who used him and so this continues to hinder collaborations in the industry.
He advised that as an entertainer you should get better, visible and  exposed as the industry required.
He said  that the key factor that can help collaboration is growth, explaining that growth would make entertainers live beyond baggages, adding that if you are good at what you do, and know what you want and where you are going with it , then you are good to go.
“You can seek an advice from a legal practitioner, professional or a senior colleagues to ensure that you (entertainer) get it right.
It is not a bad idea to serve or work with someone, because you serve to rise in the industry. You have to be well  rooted, but, you should be able to know want you want and where you are going with what you do, this will help you move on, when it is no longer working for you, otherwise, you will remain there and keep complaining and then it gets to that point where you begin to see that person as a reaper,” he said.
Mr Halliday who also do corporate social responsibility award via his platform,  South South Media Week stated that critical communication is important in any situation, with a critical approach,  no doubt you will  always be on the right track.
Speaking on criteria for awarding awards, he maintained that it is on numbers, affiliations, fanbase, followership, association and sales of the person or organisation in question, saying that these also works  for collaboration with an artiste, because they are factors that facilitate growth in the industry.
Categories of award that are  awarded through the platform includes, entrepreneur award of the year, innovation award of the year and others.

Nancy Briggs

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