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Entertainers Storm King Of Boys’ Premiere

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Kemi Adetiba’s new movie “King of Boys” had its world premiere on October 21, 2018. The A-List event brought together the very best of entertainments in Nigeria. The stylish event which was themed “Gangster Royalty” saw the likes of Dare Art Alade, Ebuka, Noble Igwe, Toni Tones and a host of others who graced the red carpet.
The premiere marked the first time the movie was aired to the pubic and while a lot of talk from the premiere has been themed around the fashion, the film has also generated a lot of positive buzz due to its strong compelling story. Many have called the movie a break from the norm and a perfect movie ahead of the election year, particularly due to its themes of political conflict and the quest for power.
One of the major highlights of the event was the epic entrance of lead actress Sola Sobowale who was accompanied by dancers and additional drummers. The film follows the story of Alhaji Eniola Salami, a business woman and philanthropist with a checkered past and a promising political future. She is a pillar of society, loved by many feared by most and truly known by a select few.
As her political ambitions see her out growing the underworld connections responsible for her considerable wealth, she is drawn into a power struggle that threatens everything she holds dear. To come out of this on top, she will use every ounce of the cunning, ruthlessness and strategy that took her to the top as well as the loyalty of those closest to her, but who can she really trust.
Speaking ahead of the movie premiere, Kemi Adetiba expressed her delight at finally being able to tell such a compelling story. “After the huge success of the wedding party, I wanted to try my hands on a different style of story telling, one that would show my versality as a director and story teller. Yes the process of making the movie might have been tedious as we shot in over 75 different locations, but we are very proud of what we’ve created and we can’t wait to share this with the world,” she remarked.

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Why I Am Not Ready To Have Kids Yet-Burna Boy

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Grammy-winning Nigerian singer, Damini Ogulu, aka Burna Boy, has opened up about why he is not ready to be a father yet.
According to the 32-year-old, he is not ready to have kids yet because he can not give them the attention they deserve.
Burna Boy disclosed this while responding to questions from newsmen, in a recent interview.
He explained that he would have children when he is settled or married.
“Why have not I had kids yet? Bro, because I don’t want to have kids yet,” he said.
“Have you seen my mum the way she loves me? Have you seen my dad the way he loves me?I know I can not give that to anyone right now with the life I’m living. So until I’m settled and I can be there for my children everyday, I’m not having no kid.
“I feel like my kids deserve better than I got. And I got both my mum and dad so you understand?”
On the allegations that he is impotent, Burna Boy said, “When I see the bants and the things people say about me not being able to have kids, I said this is unimportant. Let’s assume that it is true that I could not even have kids, you know that there’s something called IVF? But that is not even true,” he summed up.

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2Baba’s  20 Years Anniversary Of  ‘Face 2 Face’

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May 15, 2024, made it 20 years since Nigerian seminal superstar, 2Baba released his debut album, ‘Face 2 Face’.
Before 2Face Idibia (Now 2Baba) left the boy band Plantashun Boiz to chase a solo career, he was adjudged by many to be the band’s most talented member.
In fact, superstar rapper, Eedris Abdulkareem could not resist the urge to point this out in ‘Wackawikee MC,’ where he dissed former Remedies members, Tony Teitula and Eddy Montana as well as the Plantashun Boiz.
It was this huge expectation based on proven talent that preceded the release of 2Baba’s debut album, ‘Face 2 Face’ which was an emphatic statement of his ability and ambitions.
The Tide Entertainment reports that released under the iconic Nigerian music label, Kennis Music on 15th May 2004, ‘Face 2 Face’ would carry the zeitgeist of Nigerian pop music in the 2000s with heavy hip-hop and RnB influences.
For 2Face, the album was crafted to position him for commercial success justifying his decision to leave the Plantashun Boiz. ‘Face 2 Face’ would achieve this as it houses some of the biggest hit tracks that defined the 2000s and rocketed 2Baba as the face of Nigerian pop music.
‘Face 2 Face’ welcomes listeners to 2Baba’s world where he shares his many thoughts through mind- blowing lyrics, melodies, and compelling versatility.
“Today is the first day of the rest of my life,” he says in the hit song ‘Nfana Ibaga,’ where he delivers his statement of intent that will alter the direction of change in the Nigerian soundscape.
2Face had many things to share and he found exciting ways to communicate these thoughts. When he raps about love on the hit track ‘Ole’ he effortlessly molds melodies in unprecedented fashion.
2Baba is arguably Nigeria’s most gifted artist and his unbelievable ability shines in elevated lyricism, remarkable shapeshifting, and mind blowing delivery.
The acceptance of his fallibility offers food for thought on the lyrical masterclass ‘U No Holy Pass,’ where he cautions his critics who have a lot to say over his decision to leave Plantashun Boiz and the way he chooses to live his life. This record is one of those songs that reminds listeners that there is about nothing 2Baba can- not do as he effortlessly flows over the strings and drums of Rock music.
While the album carries significant hip-hop influences, it also has the palpable RnB music that shaped the American soundscape in the early 2000s.
On ‘Right Here’, 2Baba pours out his heart on a brilliant domestication of RnB and hip hop hybrid popular with Western RnB stars like Usher, Craig Davids and Joe.
The album’s biggest song is the classic guitar ballad, ‘African Queen’ which will break the commercial roof of Nigerian and African music. If there is any such thing as a perfect song, it will be ‘African Queen’ as the writing, delivery and production make for a perfect combination that is one of the most important records in the history of Nigerian mainstream pop music.
The success of 2Baba’s ‘African Queen’ transcended the shores of Africa as it was used in the 2006 Hollywood movie, ‘Phat Girls’ which was one of the earliest exportation of Nigerian mainstream pop music.
2Baba is known for being an artiste who constantly uses his music to speak on social justice and this is a trait that runs back 20 years ago.
On ‘police Skit,’ listeners get a commentary on the state of the Nigerian Police who are hardly distinguishable from armed robbers.
2Baba is one of Nigeria’s music’s most indefatigable hitmakers and he laid the blueprints for what is to come on the groovy party-starter ‘Keep on Rocking’ feat Natives & Lil Seal where he effortlessly switches language and flows.
‘Face 2 Face’ is a product of an era when artists craft wholesome albums with something for every listener and a concerted effort to carry a national outlook. Tracks like the gospel tune ‘Thank U Lord’ and ‘Odi Ya’ feat Black Face where he showcases his Benue roots point to this effort.
20 years after its release, ‘Face 2 Face’ is celebrated as a hall-of-fame Nigerian album that laid the blueprint for the hit projects in the Nigerian mainstream.
‘Face 2 Face’ showed listeners many sides of 2Baba – the singer, the rapper, the songwriter, the sage, the hitmaker, and ultimately, the pacesetter.

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Davido Reacts To Report Of Sacking His Lawyer

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Nigerian Afrobeats singer, David Adeleke, popularly known as Davido, has debunked reports that he sacked his lawyer and longtime friend, Bobo Ajudua, over embezzlement.
The Tide Entertainment gathered that Davido recently sacked his long-term business partner and lawyer, Bobo Ajudua for embezzling $370,000.
However, reacting, the singer said, that was not the case.
He clarified that they are still friends even though they are no longer business partners.
”This was not the case at all! We are still very good friends! In business, things evolve and change all the time! Please, everyone disregard this narrative.”

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