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How Davido Conquered Music Industry

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Davido had a stellar 2017 and is back at the apex of the Nigerian music industry thanks to hard work and a few other factors.
Following a stellar 2017 where he was crowned as the artiste of the year at  various award shows, Davido has picked off from where he stopped and The Tide examines his winning formula.
2017 will go down as one of his best years yet. It was the year where everything he touched turned to the proverbial gold. From singles like, ‘If’ to ’Fall’, Davido scored hits and ended the year on a solid note with ’Fia’ and ’Like dat’.
The singer has kicked off things in 2018 with the same energy as after putting out his single, ’Flora my flawa’, which is making major waves, his features on DJ E Cool’s ‘Ada’ and Larry Gaaga’s ‘Doe’ have also enhanced his reputation as he continues work on his sophomore album
So what exactly has been working for the Omo Baba Olowo? We take a look at five factors that has shaped the success of his career thus far.
Two years ago, Davido signed an international deal with Sony Music which gave birth to the ‘Son of Mercy’ EP.
It was a project that the young artist had hoped will help seal his breakthrough into the international market, so he changed his sound, collaborated with foreign acts and experimented in terms of what he had to offer.
But the E.P failed to do more than a sprinkle in the global waters, hence, he was forced to re-prioritize and identify where his motivation and market lies.
No artist enjoys creating in a vacuum, everyone wants acceptance and a broad audience. So for Davido, it was either for him to be a dog in no man’s land or a king in his homeland.
He made the choice, reverted to the formula that worked and has since enjoyed not just a bigger recognition but increased acceptance of his artistic prowess.
It may sound cliché but hard work has done it for the averagely talented act.
Over the past few years, Davido has put out more singles, featured in more collaborations, released more videos and performed on almost every platform across the world as any other person in the industry.
There has been no days off for him, since he chose this path and the progress has been evidenced in not just his music but his stagecraft.
Davido is putting in the work like someone without a plan b, who has no other choice but to make this succeed in life.
3. Consistently putting out relatable singles and slangs
Davido has been consistent such that everywhere you turn, there is almost a Davido song for every occasion. From ’Back when’ where he tells a story of ‘humble beginnings’, to ‘Skelewu’, where he drops the anthem for a new dance.
On ’Daddy’ with Reminisce, he joins the prayer gang of everyone who seeks wealth while with his singles like ‘Ekuro’, ‘If’, ‘fall’  and ‘flora my flawa’, he has steadily built the lover boy profile and warmed inside into the heart of his female fans.
He has also identified how endearing catch-phrases like ’30 billion in my account’ appeal to his audience and this he has utilised in most of his songs.
One major problem in the Nigerian music industry is the quality of our lyrics.
While we boast of many musicians, they mostly fall short when it comes to writing proper lyrics or creatively being able to capture their ideas into words.
Song writing is accepted as a profession and even rewarded in other parts of the world. It is however an anathema in Nigeria that exists underground but cannot be discussed publicly.
Davido has over the years understood the difference between a musician and a song writer, even though he has ended up being called out for this by several artistes.
There are claims he employed the services of sensational singer Teni Entertainer to ghostwrite on ‘Like dat’ and it does look like that is a ploy he has continued to adopt to get to his envisioned heights.

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Davido Narrates How His Song Became President’s Ringtone

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Nigerian megastar, Davido shares how his father recognised that his music was getting big.
Davido says his hit single ‘Dami Duro’ was the president’s ringtone
During an interview with newsmen, Davido spoke on the early days of his career and how he eventually got his father’s approval to make music.
The Grammy nominee shared the familiar story of how he left school in Atlanta and returned to Nigeria to pursue music without his father’s blessing which later led to his business mogul dad getting him arrested.
“I don’t think he did not want me to do music, he just wanted me to be successful as whatever I did because he got a blueprint for me already,” Davido said on his father’s early reaction to his decision to make music.
“He is so supportive and he checks on everything…My dad picks my album. When I am done, I send him all the tracks and my dad goes through all the records and gives me a paragraph each,” Davido narrates the personal interest and support his Dad gives him.
“My dad gave me the name Davido…The first show I did, he arrested me, the fans, the promoters,” Davido said laughing as he narrated the story of how his father got him arrested after he returned to Nigeria without his consent and had his first show as a 17-year-old. “He just wanted me to finish school,” Davido added about his father’s insistence that he get a university degree.
The three time Grammy nominee was asked when his father recognised that his music was getting big and he revealed it was when his hit song ‘Dami Duro’ was the president’s ringtone.
“When my song was the president’s ringtone,” Davido said.
While he did not mention the president or the country, Davido is likely referring to the exploit of former Nigerian president Goodluck Jonathan who was the head of state between 2010 – 2015.
During the interview, Davido also mentioned his plans as a businessman beyond music. He revealed he had a production house called Coco House which he describes as a media house for creatives. He also added that he intends to get into crypto.

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Funke Akindele’s New Film Premiers, Dec

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Nollywood actress and filmmaker, Funke Akindele has announced that her upcoming film, Everybody Loves Jenifa, a spinoff from the Jenifa franchise will premiere in December.
“Been long you saw Jenifa!!!!”  Akindele said.
While a December premiere is confirmed, details on the film remain unknown. However, the new title, Everybody Loves Jenifa, suggests a potential return to the core elements that have made the franchise popular. With Akindele leading the creative team, viewers can anticipate the return of familiar characters and humorous storylines.
The sitcom, Jenifa’s Diary has been a major Nigerian television show since its debut in 2015. The series centres around the main character played by Akindele, and has featured Folarin “Falz” Falana, Lolo, Juliana Olayode, Lota Chukwu, Paschaline Alex Okoli, and late Aderounmu Adejumoke.
The Tide Entertainment reports that it has also had spin-offs and sequels like Aiyetoro Town (2019), which is set in Jenifa’s village, and Jenifa on Lockdown (2021).
Akindele played Jenifa in the first film in the franchise, Jenifa (2008), a village girl who travelled to the city in pursuit of fortune. Muhydeen S. Ayinde directed the movie.
The movie was nominated for four Africa Movie Academy Awards in 2009 including, Best Original Soundtrack, Best Actress in a Supporting Role, and Best Nigerian Film. For her performance in this movie, Akindele took home the Africa Movie Academy Award for Best Actress in a Leading Role.

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Halliday  Attributes Collaboration Hindrance To Sentiments, Others

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The convener, South South Media Week, Tammmy  Halliday has attributed the lack of unity and collaboration in the PortHarcourt  entertainment industry to sentiments, baggages and trust issues.
He made this known yesterday, during an interview with newsmen in Port Harcourt.
According to him, some things that spur baggages are family background, personal experience with colleagues or other people, saying that when someone has been reaped or used by  any of his colleagues or someone else, he might not want to work with some other persons because of trust issue.
This goes along with baggages, where he now sees his other colleagues as one and same with the one who used him and so this continues to hinder collaborations in the industry.
He advised that as an entertainer you should get better, visible and  exposed as the industry required.
He said  that the key factor that can help collaboration is growth, explaining that growth would make entertainers live beyond baggages, adding that if you are good at what you do, and know what you want and where you are going with it , then you are good to go.
“You can seek an advice from a legal practitioner, professional or a senior colleagues to ensure that you (entertainer) get it right.
It is not a bad idea to serve or work with someone, because you serve to rise in the industry. You have to be well  rooted, but, you should be able to know want you want and where you are going with what you do, this will help you move on, when it is no longer working for you, otherwise, you will remain there and keep complaining and then it gets to that point where you begin to see that person as a reaper,” he said.
Mr Halliday who also do corporate social responsibility award via his platform,  South South Media Week stated that critical communication is important in any situation, with a critical approach,  no doubt you will  always be on the right track.
Speaking on criteria for awarding awards, he maintained that it is on numbers, affiliations, fanbase, followership, association and sales of the person or organisation in question, saying that these also works  for collaboration with an artiste, because they are factors that facilitate growth in the industry.
Categories of award that are  awarded through the platform includes, entrepreneur award of the year, innovation award of the year and others.

Nancy Briggs

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