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Focus On Cultural Dynamics Of Rivers State

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The existence and use of
exceptional customs and traditions in African myths, songs, poetry and tales cannot be adequately accounted for in terms of socio-anthropological ideas.
Such incidents as traditional burial and marriage ceremonies as well as wrestling can be regarded necessarily as expressions of actual human experiences conveyed in strict accordance with the principle of verisimitude to life. This offers the “mirror” or “charter” of traditional code of conduct.
There are such fantastical incidents and situations best seen and understood as being essentially the products of an artistic process evolved out of the peoples traditional and moral realities. In this way, the use of such incidents in all their grossness and psychological improbability is in itself only a manifestation of the cultural principles of art.
The process of justifying the idea of African Culture as a valid and aesthetically satisfying art form has produced in ways, not quite intended, a number of important and desirable effects on the people. Some of the more habitual and distinctive modes of moral cultural expressions are employed and used by different ethnic groups as integral parts of their artistically creative process.
These forms of expression can be audibly noticed in an instance of the actual performance of a given ethnic group and composition.
For example, the Kalabaris, Ikwerres, Ogba and the various ethnic groups in Rivers State have elaborate funeral obsequies and have identified various forms of burial and marriage ceremonies for various classes of people. Just as the Kalabaris as an independent body per se have two main degrees of marriage showing the different extents to which the woman belongs to the husband, so the Ikwerres, have three main categories of burial ceremony, and marriage. For older people or chiefs who die, the Kalabari have elaborate wake-keeping ceremonies at which the corpse is moved from bed to bed in rooms of increasing elaborate decoration. For the Ikwerre, several cows ranging from 6 to 10 are slaughtered for the burial of an old man of about 100 to 120; years for an average person of 50 to 70 years, one cow is killed with a tortoise, goat, dog and a cock in a ceremony to be performed by the first son of the dead man. These rites are not accorded to anyone below the stipulated ages.
For many African Cultures, the actual condition of traditional forms are often very difficult to analyse and describe accurately. For many cultures, there are forms and effects that are not given proper attention in the Nigerian context. The idea of the traditional African use of the various cultural elements as additional modes of traditional expression has now became sufficiently recognised that these elements are generally considered as very important dimensions of aesthetic appraisal of our cultures and customs.

 

Shedie Okpara

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Davido Narrates How His Song Became President’s Ringtone

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Nigerian megastar, Davido shares how his father recognised that his music was getting big.
Davido says his hit single ‘Dami Duro’ was the president’s ringtone
During an interview with newsmen, Davido spoke on the early days of his career and how he eventually got his father’s approval to make music.
The Grammy nominee shared the familiar story of how he left school in Atlanta and returned to Nigeria to pursue music without his father’s blessing which later led to his business mogul dad getting him arrested.
“I don’t think he did not want me to do music, he just wanted me to be successful as whatever I did because he got a blueprint for me already,” Davido said on his father’s early reaction to his decision to make music.
“He is so supportive and he checks on everything…My dad picks my album. When I am done, I send him all the tracks and my dad goes through all the records and gives me a paragraph each,” Davido narrates the personal interest and support his Dad gives him.
“My dad gave me the name Davido…The first show I did, he arrested me, the fans, the promoters,” Davido said laughing as he narrated the story of how his father got him arrested after he returned to Nigeria without his consent and had his first show as a 17-year-old. “He just wanted me to finish school,” Davido added about his father’s insistence that he get a university degree.
The three time Grammy nominee was asked when his father recognised that his music was getting big and he revealed it was when his hit song ‘Dami Duro’ was the president’s ringtone.
“When my song was the president’s ringtone,” Davido said.
While he did not mention the president or the country, Davido is likely referring to the exploit of former Nigerian president Goodluck Jonathan who was the head of state between 2010 – 2015.
During the interview, Davido also mentioned his plans as a businessman beyond music. He revealed he had a production house called Coco House which he describes as a media house for creatives. He also added that he intends to get into crypto.

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Funke Akindele’s New Film Premiers, Dec

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Nollywood actress and filmmaker, Funke Akindele has announced that her upcoming film, Everybody Loves Jenifa, a spinoff from the Jenifa franchise will premiere in December.
“Been long you saw Jenifa!!!!”  Akindele said.
While a December premiere is confirmed, details on the film remain unknown. However, the new title, Everybody Loves Jenifa, suggests a potential return to the core elements that have made the franchise popular. With Akindele leading the creative team, viewers can anticipate the return of familiar characters and humorous storylines.
The sitcom, Jenifa’s Diary has been a major Nigerian television show since its debut in 2015. The series centres around the main character played by Akindele, and has featured Folarin “Falz” Falana, Lolo, Juliana Olayode, Lota Chukwu, Paschaline Alex Okoli, and late Aderounmu Adejumoke.
The Tide Entertainment reports that it has also had spin-offs and sequels like Aiyetoro Town (2019), which is set in Jenifa’s village, and Jenifa on Lockdown (2021).
Akindele played Jenifa in the first film in the franchise, Jenifa (2008), a village girl who travelled to the city in pursuit of fortune. Muhydeen S. Ayinde directed the movie.
The movie was nominated for four Africa Movie Academy Awards in 2009 including, Best Original Soundtrack, Best Actress in a Supporting Role, and Best Nigerian Film. For her performance in this movie, Akindele took home the Africa Movie Academy Award for Best Actress in a Leading Role.

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Halliday  Attributes Collaboration Hindrance To Sentiments, Others

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The convener, South South Media Week, Tammmy  Halliday has attributed the lack of unity and collaboration in the PortHarcourt  entertainment industry to sentiments, baggages and trust issues.
He made this known yesterday, during an interview with newsmen in Port Harcourt.
According to him, some things that spur baggages are family background, personal experience with colleagues or other people, saying that when someone has been reaped or used by  any of his colleagues or someone else, he might not want to work with some other persons because of trust issue.
This goes along with baggages, where he now sees his other colleagues as one and same with the one who used him and so this continues to hinder collaborations in the industry.
He advised that as an entertainer you should get better, visible and  exposed as the industry required.
He said  that the key factor that can help collaboration is growth, explaining that growth would make entertainers live beyond baggages, adding that if you are good at what you do, and know what you want and where you are going with it , then you are good to go.
“You can seek an advice from a legal practitioner, professional or a senior colleagues to ensure that you (entertainer) get it right.
It is not a bad idea to serve or work with someone, because you serve to rise in the industry. You have to be well  rooted, but, you should be able to know want you want and where you are going with what you do, this will help you move on, when it is no longer working for you, otherwise, you will remain there and keep complaining and then it gets to that point where you begin to see that person as a reaper,” he said.
Mr Halliday who also do corporate social responsibility award via his platform,  South South Media Week stated that critical communication is important in any situation, with a critical approach,  no doubt you will  always be on the right track.
Speaking on criteria for awarding awards, he maintained that it is on numbers, affiliations, fanbase, followership, association and sales of the person or organisation in question, saying that these also works  for collaboration with an artiste, because they are factors that facilitate growth in the industry.
Categories of award that are  awarded through the platform includes, entrepreneur award of the year, innovation award of the year and others.

Nancy Briggs

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