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Rainforest Conservancy In Bayelsa State: Need For Action



This initiative is aimed at the establishment of civil society-led indigenous people-owned rainforest conservancies in Bayelsa State and is in line with the principles and spirit of the Ramser Convention on Wetlands; Convention on Biodiversity (CB) and the UN Convention on Climate Change (UNCCC). It is expected that the indigenous landowners, civil society organisations and NGOs will co­manage the conservancies with government and donor agencies.

Climate change and global warming are the greatest problems of the world today. Over the last few years, and in different fora across the globe, world leaders; environmentalists; policy makers and other stakeholders have met to discuss possible solutions to the various environmental problems arising from climate change.

The environment has been decaying so fast so much that it may no longer fully support any form of life in the next few decades if humanity do not come together and fight this degradation. In this regard, humans are the most affected. There are a lot of vehicular emissions and gas flaring in Bayelsa State. There is deforestation and destruction of biodiversity. More carbon dioxide is replacing oxygen in the atmosphere. These problems have serious adverse effect on the environment and sustainability of life on the planet earth. So far no concrete action is being undertaken by the various governments in Nigeria and something urgent needs to be done.

Conservation of biodiversity and pollution of the environment. Oil extraction started in Bayelsa State some Background

Oil extraction industry and urbanisation are in plain contradiction with the 50 years ago with the discovery of Oloibiri oilfield. Today, however, Bayelsa State is one of the leading producers of oil and gas’ among the oil mineral producing states in the country. Since 1996 when Bayelsa State was created with capital at Yenagoa, there has been accelerated deforestation and loss of biodiversity in the capital city area. The city is being developed physically without any Environmental  Impact Assessment being carried out to determine the extent of environmental damage being done to the environment and the people who inhabit the capital.

To check this air pollution and loss of biodiversity problem, Development Pathfinder, an NGO, is of the opinion that a small Rainforest Conservancy Project be initiated to convince the indigenous landholding families to put their land into best practices of sustainable forest management, sustainable eco-farming and sustainable eco-tourism.

The initiative is timely so as to mitigate the forthcoming destruction of biodiversity that will arise from the Integrated Oil and Gas Project and the Gas Power Station both at Gbarain near Yenagoa.

Development Pathfinder will network with all levels of government; all oil exploration and exploiting companies and donor agencies to support this initiative since it is a global property meant to maintain the planet earth.


A conservancy may be defined as a specified piece of land or territory which natural resources must be managed under best practices by the indigenous landholding families, thus making it a civil society led approach. None, one or more villages communities may be located within a conservancy. The object of conservancy is sustainable forest management, using various tools such as forest landscape zonation; reduced impact logging; forest stewardship or certification, environmental governance, sustainable agriculture, livestock, fishing, fresh water resources management; wildlife culture and wetland management. Obviously, this will bring about tourism based community development, through ecotourism and more jobs will be created and poverty will be greatly reduced in the conservancies.

Experiences in other countries

A number of countries all over the world are into conservation. Namibia gained independence from South Africa in 1990. its land mass is 823, with a population of about 2 million. It has four biomes: desert, savanna, woodland, and wetland. Its economy depends greatly on natural resources, minerals, agriculture, fisheries, wild life tourism. In 1996, four conservancies were in existence. By 2002, 35 conservancies have emerged. This brings some 15,300.000 hectares of land under best practices in natural resources management.

In South Africa, there are both natural and urban based conservancies. In Australia indigenous people have title to land and lease some to the government for national park and co-managed with the indigenous people. Thus in Australia, the government and indigenous people are working together to advance the environment sustainably.

In countries where oil is extracted, in South America (Costa Rica, Gyuatemala, mexico, Peru etc) indigenous reserves are operated by the natives in partnership with their governments, the oil companies and donor agencies.

Since 1990s, Cross River State communities have introduced sustainable forest management techniques. Ever since, they are not only being supported by donor agencies but also gaining a lot through eco-tourism. One of the best success stories is the Ekuri initiative in Akamkpa LGA of the state.


-Reduction of carbon emissions to reduce climate change

– Introduction of Environmental Governance

– Introduction of Local Community Agenda 21

– Sustainable forest management

– Culture and indigenous people

-rural livelihood and poverty eradication

– Eco-tourism based community development

– Wetland management

– Marine conservancy and zoning

– Seed farm centre

-Wildlife farming

– Forest landscaping and zoning

– Sustainable agriculture and fishes

– Maintain meteorological station

-Any other activity to restore the environment in line with global demands.

Pilot Projects

There could be as many conservancies as possible particularly at industrial stations and oilfields as well as in other areas where families are willing to participate. Examples include:

i. Brass Island

ii. Gbarain Gas Plant area

iii. Egunema (100ha), Epebu

iv. Oguta (100ha), Epebu

v. Obimonoti (100ha) Otuabula II

vi. Agili Otuabagi, Ogbia

Funding Mechanism

This project expects partnership and funding from various sources-multilateral, bilateral, international NGOs; National, State and Local Authority and Private organisations. The funding of rain forest conservancy establishment is highly supported by the Multilateral Environment Agreement (MEAs) which is relevant for the state.


The GEF was set up by the UN system to fund projects as part of the Clean Development Mechanism of the Kyoto protocol. It allows development providers to improve projects such as this to reduce green house gases to achieve sustainable development. Nigeria is a member of GEF and there is a Bureau in the Federal Ministry of Environment, Abuja which is supporting projects in some states in the country.

Above all, the state government should as a matter of urgency establish an independent rainforest conservancy trust fund which will not only promote project documentation and transaction cost, but also kick start small projects before soliciting for help.


The ability of a people or community to follow sustainable development path is determined to a large extent the capacity of its people and institutions. This statement is taken from chapter 37. Agenda 21, the blue print for sustainable futures produced by the Earth summit in 1992 at Rio De Janeiro. Brazil. But more than a decade and 3 half after, the international community continues to grapple with the theory and practice of capacity building in sustainable development and how best it can be anested.

A conservancy approach to natural resource management when indigenous people control their resources to meet global properties of biodiversity of climate change is in accordance with Agenda 21, the blue print of sustainable futures. It is also the best approach to governance for environmental sustainability in line with MDGs. Bayelsa State and indeed other states in Nigeria should therefore embrace the idea of developing conservancies so that our environment and its natural resources may be reasonably conserved.


Sam Egunema

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Artiste Decries  High Cost Of Music Production



A  Port Harcourt based artiste  and song writer Reginald  Bekinbo  popularly known as JahReigns has lamented the high cost of music production in Rivers State.
Bekinbo who  is also the acting chairman of  the Performing Musicians Employers Association  Of Nigeria (PMAN) Rivers Chapter made this known in an interview with The Tide Entertainment yesterday.
According to him, the cost of music production in the State is becoming alarming.
He explained that  for one to get a music done you will have to pay twenty-five thousand naira (#25,000) for a track and pay an extra amount for fuel where there is  no power, saying  that   this does not get the work done, as  the 25,000  fee covers the voiceover only.
“ It is quite disheartening  that  you pay such an amount for just a track’s voiceover, then you take to another Studio for the Mix and master of the song, which would cost you not less than #20’000 for upcoming artistes at my level. It does not end there each time you go for mixing you have to buy fuel for the mixer which does not include promotion and videoing of the song,”  he  lamented.
He said that as an artiste, he also has a clothing store just to support his career, saying most singers have chosen the brain drain for themselves and you can not blame them because it is difficult to excel as an Artiste here in the State.
“ It is clear why people go to Lagos to establish their career. Just imagine a situation where someone heard my song and wanted to meet me and some other person told him that if he wanted to see me he should come to Victoria Street, the young man said he thought l should be in Lagos and they eventually found me at Victoria Street in Port Harcourt. Where l have my clothing  store. What could be more degrading? Situation like that devalues your person  as an Artiste, l mean, it depreciates your worth,” he added.
Bekinbo who recently released a video on one of his singles titled “Ngwanu”  said that though the video has not been played in a cable station,  could be downloaded from the internet, noting that the cost of shooting and promoting a video or song is alarming.
“ It is not easy at all,, I met the cable guy and he said that for  International and Local  promo for the video  is eight hundred and fifty naira(850,000) while for local, here   would cost me four hundred and fifty naira(450.000).
I am yet to afford the fee. If you go to Redem  Station to play your audio you will pay not less than two hundred naira, so what we do is to befriend DJ’s and in a studio you have up to three DJ’s you will give them  #20,000 and then,  make sure to send them callcard at least three times in a month.
He said that if well-meaning individuals in the State would do well to extend helping hand or support the music industry it will go a long way to motivating Artistes in the State.
He however mentioned king of Okochiri, Kingdom, His Royal Father Ateke Tom as an individual and Gravings Records as  an organization that have been supportive, saying that each time they to perform for them they made sure to at least take care of them.
“ If the needed motivation is given l tell you, with a million naira we could realize five Million in three months,”  he assured.

By: Nancy  Briggs

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Pheelz, BNXN, Others Make FIFA 23 Soundtrack



Pheelz’s ‘Finesse’ featuring BNXN FKA Buju and Bad Boy Timz’s ‘Skelele’ featuring Olamide, Seun Kuti’s Ku ku Kee Me ft. American rapper Black Thought as well as 2022 Qatar Official world cup song, Hayya Hayya (Better Together) by Davido ft. Trinidad Cardona, & Aisha have been included in the soundtrack for FIFA 23 console game.
The full FIFA 23 soundtrack has been officially confirmed by EA, with over five hours of music in the game in total across its different modes.
The  Tide Entertainment reports that the Afrobeats stars will join a long list of other artists spread across the world to make up the Soundtrack of one of the highest-selling video games.
Fireboy DML’s ‘Scatter’ and Rema’s ‘Beamer featured on EA Sports, Fifa 21 official soundtrack.
Introducing the FIFA23 Soundtrack.
Featuring over 100 songs from artists representing 34 countries. Listen now on Spotify.
The VOLTA soundtracks were introduced from FIFA 20. The songs on that mode drive street action with the latest and greatest in grime, electronic, and hip-hop.
With artists including Labrinth, Role Model, and Odesza, the full list of songs in FIFA 23 is something of an eclectic mix.
These customised kits – which are designed to personify each artists’ personality – will be available for players to unlock through certain objectives from 27th September when early access for the game mode launches.

Pheelz and others also designed Custom FUT kits for FIFA 23.

In a press release on Thursday, EA teased: “The carefully curated mixture of hip hop, alternative, electronic dance and pop music transports players directly into the game of street football.”

Artists such as Jack Harlow, ROSALIA, Pheelz and Central Cee have also played a bigger part in the game, designing their own FIFA Ultimate Team kits.

FIFA 23 was released worldwide on PlayStation 5, Xbox Series X|S, PC, Stadia, PS4, and Xbox One on /

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Afrobeats Category May Soon Be Added To The Grammy Awards



The Chief Executive Officer (CEO) of Recording Academy, Mr Harvey Mason Junior has disclosed in a press conference in Ghana that the institution is considering the addition of an Afrobeats category to next year’s 65th Annual Grammy Awards.
The Tide Entertainment Reports that TurnTable Charts, a Nigerian chart analytics platform and magazine, tweeted a segment of the conference captured on video, in which Mason says he and other Recording Academy brass “just had a meeting literally about six or seven days ago with leaders from the Afrobeats community” to discuss the potential move.
“We had a virtual listening session where we heard from Afrobeats creators and just talked about ‘What are the different subgenres? What are the needs? What are the desires?,’” he adds. “And my goal is to represent all genres of music, including Afrobeats, at the Grammys.” he said.
Mason makes it clear in the video, however, that the decision is far from final.
“I don’t decide categories,” he explains.
“The categories are decided by proposals submitted by members.
“The members can say ‘Harvey, I want an Afrobeat category…’ So that process has started now. I think the listening session last week was very important, very valuable, and a step towards that path.”
The Recording Academy is now considering an Afrobeats category at the annual Grammys ceremony .
Harvey Manson Jr., the CEO of The Academy, revealed in an interview with the press in Ghana over the weekend.
The Afrobeat music genre was established by the legendary Fela Anikulapo-Kuti in the late 1960s and early 70s, however, it gained international appeal in the late 2010s due to the influence of the genre’s flag bearers- Wizkid, Burna Boy and Davido.
It has become one of the most influential genres across Africa and the rest of the world.


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