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How Music, Films Highlight Nigeria, Ghana’s Rivalry

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Nigeria and Ghana are two West African countries that always seem to be in keen competition over various issues ranging from who cooks the best jollof, whose ladies are the prettiest, whose men are most caring , among otherss. Although both countries have a lot in common, they are actually different in many ways that one can imagine.
Ghana gained independence from the British colonial master in 1958, arguably, the first African nation to actually gain independence, while Nigeria gained hers in 1960. Ghana has relatively lower population of about 25 million people compared to Nigeria’s that boasts of over 180 million people.
In the area of entertainment, it cannot be over-emphasised that the Nigerian music industry has been extremely successful in penetrating the international music scene and gaining global recognition from the streets of Lagos to various parts of the world.
A recent report has it that in Ghana alone, the number of times Nigerian music is played at parties, beaches, university hostels and clubs would surprise any one. Nigerian music videos, are also well patronised as they are usually stimulating and exciting, but the support Ghanaian music gets from Ghanaians is very admirable. As much as they love Nigerian music, they hold their own music closely to heart.
Ghanaians love their music because of how raw and unrefined they are the music is usually sang in their local languages among which are Asante, Twi, Ga and Fante and are characterised by the use of their traditional instruments and tunes to give it the African flavour they really enjoy. Such music gives them the chance to express how good their dance steps are:
Although many Nigerian artistes sing in their local languages, majority of Nigerian music is in pidgin and English languages. Also the Nigerian idea of having fun is very different from that of the average Ghanaian.
Nigerians like likes to ‘flex’ or show the good life, they are very social people who enjoy being live parties. For those in the mega cities like Lagos and Port Harcourt, clubs are a very much preferred destination to just unwind and have fun.
In contrast, Ghanaians seem to be a bit different, Ghanaians are more laid back compared to Nigerians, they love going to the beaches to enjoy the ocean view, while sipping on coconut water straight from the coconut itself as there are numerous toasted cities in Ghana. Although Ghanaians enjoy going to parties as well to groove and get down, Nigerians are believed to do this at a higher level.
Another area of entertainment where both countries compete is the area of film production. As Ghanaian film production slowed down due to poor funding, Nigerian film makers thrive based on combination of oil money and the transition from expensive and laborious celluloid to cheap are easy video cassettes.
In the past decade, the distribution of Nigerian films recorded huge success in Ghana. Producers in both countries saw an opportunity to join forces, people started watching a lot of Nigerian films as both countries went further from including actors from both countries to having crews and writers from both countries collaborating.
Some of the Ghanaian movie stars who have found their way into Nollywood include Nadia Buari, Jackie Appiah, Joselyn Dumas Yvonne Nelson, Yvonne Okoro, Juliet Ibrahim and Martha Nkoma. Others are Trank Artus, Majid Michel, Van Vicker, Chris Attoh and John Dumelo among others.
On the whole, although both countries may bicker about which is the better country, it is merely a healthy completion. Both ways, both countries remain historically interwoven and each is shinning in her own way. In the light of all these differences, they are the ‘ying’ to each others ‘yang” and compliements one another.
This is evidenced by the successful collaboration between both countries in the areas of music and films which has helped to revolutionalise entertainment in West Africa.

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Davido Narrates How His Song Became President’s Ringtone

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Nigerian megastar, Davido shares how his father recognised that his music was getting big.
Davido says his hit single ‘Dami Duro’ was the president’s ringtone
During an interview with newsmen, Davido spoke on the early days of his career and how he eventually got his father’s approval to make music.
The Grammy nominee shared the familiar story of how he left school in Atlanta and returned to Nigeria to pursue music without his father’s blessing which later led to his business mogul dad getting him arrested.
“I don’t think he did not want me to do music, he just wanted me to be successful as whatever I did because he got a blueprint for me already,” Davido said on his father’s early reaction to his decision to make music.
“He is so supportive and he checks on everything…My dad picks my album. When I am done, I send him all the tracks and my dad goes through all the records and gives me a paragraph each,” Davido narrates the personal interest and support his Dad gives him.
“My dad gave me the name Davido…The first show I did, he arrested me, the fans, the promoters,” Davido said laughing as he narrated the story of how his father got him arrested after he returned to Nigeria without his consent and had his first show as a 17-year-old. “He just wanted me to finish school,” Davido added about his father’s insistence that he get a university degree.
The three time Grammy nominee was asked when his father recognised that his music was getting big and he revealed it was when his hit song ‘Dami Duro’ was the president’s ringtone.
“When my song was the president’s ringtone,” Davido said.
While he did not mention the president or the country, Davido is likely referring to the exploit of former Nigerian president Goodluck Jonathan who was the head of state between 2010 – 2015.
During the interview, Davido also mentioned his plans as a businessman beyond music. He revealed he had a production house called Coco House which he describes as a media house for creatives. He also added that he intends to get into crypto.

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Funke Akindele’s New Film Premiers, Dec

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Nollywood actress and filmmaker, Funke Akindele has announced that her upcoming film, Everybody Loves Jenifa, a spinoff from the Jenifa franchise will premiere in December.
“Been long you saw Jenifa!!!!”  Akindele said.
While a December premiere is confirmed, details on the film remain unknown. However, the new title, Everybody Loves Jenifa, suggests a potential return to the core elements that have made the franchise popular. With Akindele leading the creative team, viewers can anticipate the return of familiar characters and humorous storylines.
The sitcom, Jenifa’s Diary has been a major Nigerian television show since its debut in 2015. The series centres around the main character played by Akindele, and has featured Folarin “Falz” Falana, Lolo, Juliana Olayode, Lota Chukwu, Paschaline Alex Okoli, and late Aderounmu Adejumoke.
The Tide Entertainment reports that it has also had spin-offs and sequels like Aiyetoro Town (2019), which is set in Jenifa’s village, and Jenifa on Lockdown (2021).
Akindele played Jenifa in the first film in the franchise, Jenifa (2008), a village girl who travelled to the city in pursuit of fortune. Muhydeen S. Ayinde directed the movie.
The movie was nominated for four Africa Movie Academy Awards in 2009 including, Best Original Soundtrack, Best Actress in a Supporting Role, and Best Nigerian Film. For her performance in this movie, Akindele took home the Africa Movie Academy Award for Best Actress in a Leading Role.

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Halliday  Attributes Collaboration Hindrance To Sentiments, Others

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The convener, South South Media Week, Tammmy  Halliday has attributed the lack of unity and collaboration in the PortHarcourt  entertainment industry to sentiments, baggages and trust issues.
He made this known yesterday, during an interview with newsmen in Port Harcourt.
According to him, some things that spur baggages are family background, personal experience with colleagues or other people, saying that when someone has been reaped or used by  any of his colleagues or someone else, he might not want to work with some other persons because of trust issue.
This goes along with baggages, where he now sees his other colleagues as one and same with the one who used him and so this continues to hinder collaborations in the industry.
He advised that as an entertainer you should get better, visible and  exposed as the industry required.
He said  that the key factor that can help collaboration is growth, explaining that growth would make entertainers live beyond baggages, adding that if you are good at what you do, and know what you want and where you are going with it , then you are good to go.
“You can seek an advice from a legal practitioner, professional or a senior colleagues to ensure that you (entertainer) get it right.
It is not a bad idea to serve or work with someone, because you serve to rise in the industry. You have to be well  rooted, but, you should be able to know want you want and where you are going with what you do, this will help you move on, when it is no longer working for you, otherwise, you will remain there and keep complaining and then it gets to that point where you begin to see that person as a reaper,” he said.
Mr Halliday who also do corporate social responsibility award via his platform,  South South Media Week stated that critical communication is important in any situation, with a critical approach,  no doubt you will  always be on the right track.
Speaking on criteria for awarding awards, he maintained that it is on numbers, affiliations, fanbase, followership, association and sales of the person or organisation in question, saying that these also works  for collaboration with an artiste, because they are factors that facilitate growth in the industry.
Categories of award that are  awarded through the platform includes, entrepreneur award of the year, innovation award of the year and others.

Nancy Briggs

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