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Nigeria At 50: A Generational Statement Arts Review

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Nigeria is indeed a country of heterogeneous ideas and visions. This explains the reason behind the cacophony of voices that trail the humongous  N10 billion, now reduced to N6.5 billion, budgetted for Nigeria’s 50th independence anniversary. While many Nigerians rail at the amount, some others see the commemmoration of the nation’s golden jubilee as a long-awaited opportunity to celebrate Nigeria’s 50 years of political independence, and square with some other African countries like Ghana, Senegal and Cameroun.  

 The Thought Pyramid Art Gallery owned by Jeff Ajueshi  is one of those who share the optimistic view.  In preparation  for this, it has assembled a variety  of captivating  art works from seasoned artists to project Nigeria’s image in visual representation to the whole world.                   The art centre located in Wuse 11 Abuja   recently held an exhibition of the art works which captured some of the political and socio-economic happenings in Nigeria since independence.

  Mufu Onifade, one of the 50 exhibiting artists takes a look at  the one -week event which took place in Abuja last week. The exhibition cannot be better  described than a generational statement. He writes:

From now till the end of the year and probably beyond, various artistic nay cultural celebrations would bubble up the space, at various venues across the country. But more importantly, the visual art sub-sector is expected to chronicle the country’s social, economic and political experiences in visual form; and this is one of the thrusts of  the exhibiting show titled Generational Statement. This long-awaited 50th anniversary of independent nationhood exudes a multitude of celebrations, which cuts accross all strata of the society. As a nation of multi-cultural diversity and surplus natural resources, Nigeria is reputed to be practically flowing with milk and honey. These are  visible in some of the creations packaged ready for public consmption.

Since 1960 when she got her independence from colonial masters, Nigeria has constantly and delicately operated as a nation in transition, even among the comity of other nations. Her post-colonial period has brought on her people from various shades of inconsequential imbroglio ranging from politics to enonomics.

The civil war, the recurrent coups and counter-coups, the internal strife and different shades of struggles among her people of many nationalities are characteristic of experiences culminated in the modern day nascent democracy. Such experiences  visually recorded in various media were on display.

In view  of prevailing circumstances, the visual art sub-sector, which has been constantly constrained to the lower ebb of food chain, has, within the purview of robust cultural development, provided unequalled succour to both the nation and her numerous immigrants and visitors. The richness of Nigeria’s aesthetic legacies is re-embossed in the variety and diversity of creative outputs engendered by flourishing generations of Nigerian artists.

Ever since Aina Onabolu, the doyen of Nigerian art took the bull by the horn and transplanted visual arts into the school curriculum in Nigeria, academic training has combined effectively with informal training to produce a profoundly rich sub-sector. By extension, various generations from that era through to the era of the modernist artist, Ben Enwonwu to this contemporary times, have engraved their impressions on the artistic sand of time.

That the Thought Pyramid Art Gallery, Abuja founded and run by its curator, Jeff Ajueshi, has generously assembled an astonishing variety of art works from seasoned practitioners for a commemorative exhibition titled Generational Statement is a bold statement on the volume of creative products on the Nigeria’s creatively fertile soil.

As Ajueshi proudly, but succinctly puts it, this one-of-its-kind show “ parades accomplished artists whose works are capable of telling the story of Nigeria from different perspectives of themes, mediums and aesthetics”. These works, as he explains further, are captured in exquisite paintings and sculptures rendered in an array of mediums and concepts. The exhibition  also addressed “recreation, pre, post, and neo-post freedom of the Nigerian essence” while not losing sight of attracting expressive visual art forms and scholarly critique and commentaries on Nigerian art.

Bruce Onobrakpeya, in recognition of his masterful antecedence and historical relevance to contemporary Nigerian art, was selected as Guest Artist for the show. His catalystic approach to art development is more than enough qualification to play this noble role in the midst of other 50 exhibiting artists including Ben Osawe, Sam Ovraiti, Duke Asidere, Bob Aiwerioba, Enotie Ogbebor, Sam Ebohon and Mufu Onifade. Others are Donald Onuoha, Ogaga Tuodeinye, Rotimi Akinere, Tony Enebeli, Toni Oshiame, Ayodeji Agboola, Nelson Edewor,  Raji Olanrewaju, Ajibade Awoyemi, Ola Balogun, Suraju Adekola, Stanley Dudu, Chukz Okonkwo,Tolu Aliki, Emmanuel Dudu, Ada Godspower, Olumide Oresegun, Klara Nze, lyke Okeyin , Uche Onyishi, Francis Umoh and Stanley Agbontaen.

Chinedu Onuigbo, Moses Zibor, Nelson Okoh, Frank Beli, Joe Essien, Tyna Adebowale, Prosper Akeni, Emmanuel Ozugwo, Babalola Lawson and lke Francis also joined Chike Obieagu, Bob Nosa Uwagboe, George Edozie, Victoria Udoidian, Olufemi Kayo, Oyerinde Olotu, Oviri Aleric, Uche Uzorka, Aldophus Opara, Tom Sater and Godswill Ayemoba to make the show padded with unassuming creativity. These artists are representative of a cross section of generations of contemporary Nigerian artists and their diverse works speak volume about the Nigerian identity in visual form.

Thought Pyramid is one of the few galleries holding the forte in a credible manner in Abuja. It is named after the iconic postulations of one of Nigeria’s political giants, Mallam Aminu Kano whose composite image in the country’s socio-political consciousness, “his unblinking patriotism, his positive iconoclacism, his enlightenment and fervent desire for a strong, united and prosperous nation, through ventilation of progressive and execution of ideals for a respectable visibility in the comity of nations”, are reminiscent of his unequalled legacies.

According to Ajueshi, “At the Thought Pyramid Art Gallery, these qualities and aspirations (for the nation) are shared with the late great patriot”. As a gallery in the promotion of visual arts and culture and the inalienable magic mirror of the sector, the Thought Pyramid goes further to serve as a public space for the singular vision and creativity of thinking heads that create the arts.

As an art centre with untainted world class consciousness, it tells the stories through research, documentation and publication, while, in practical terms, promoting art through exhibitions and providing marketing opportunities within a space conducive for art collectors to comfortably view and acquire rare art works from the nation’s capital city.

All efforts are geared towards the promotion of Nigerian art and culture and one hereby hopes that as Nigeria prepares for her 50th independence anniversary, all these aspirations and operations will, on the long run, rub off on Generational Statement as an avenue to positively project Nigeria’s image in visual representation to the world at large.

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Arts/Literary

Last Laugh

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Title:                 Beyond Expectations

Author:             Reward Akwu

Publisher:          Ollybell Printing Resources, Port Harcourt

Pages:             136

Reviewer:         Boye Salau

 

Whatever instigated Reward Akwu to engage in literary prose writing cannot, with the extreme form of clarity, be dismissed as inconsequential. Like every other journalists, Akwu is one man whose profession and the hurricane of economic survival in Nigeria would hardly permit to venture into a literary expedition.

What then is the driving force? Could it be his personal childhood experience, or the chequered experience of someone dear to him? Certainly, it could not have been his own memorabilia. The author of Beyond Expectation is still one of millions of Nigerians yearning for better life. Otherwise, he would not have remained in the hollow of the Rivers State Newspaper Corporation as a Chief Correspondent till now.

Whatever the reasons are, one is not in doubt that the various chequered experiences of life’s discomfiting paradoxes are the afflatus that make the zephr of history a reality.

In a country where many people are not sure of the next meal, Beyond Expectations clearly captures the reality of hailing from poor background.

The book is somewhat nostalgic about the fate of an average Nigerian man in the village and relieves the heart of the common man with the age long cliché: when there is life, there is hope.

The theme of the book can be located in the fortune of many people who rose from the creek and bottomless pit of life to stardom. The Abiolas, Jonathans, Amaechis fall in this category.

Written in simple narrative form with sublime simplicity, devoid of nebulous words and oratorical fancy, the 136 page novel thematises the pains and hopelessness of a brilliant secondary school boy whose intoxicating puissance and gluttonous appetite for sexual love with his classmate and child of an unforgiving gladiator with huge lubris, became his albatross. It is equivalent of the story of Adam who was sent out of the Garden of Eden for his inability to resist the apple in Eve.

How Chinedu came out of his quandary is what readers of Beyond Expectations should find out themselves.

As expected of a book that has its anthropology in local setting, communal love, family and filial affection are persuasive in this literary enterprise. The author proves that in a society where family bond is in short supply and where the only thing the rich harbours for the poor is hatred, the milk of kindness still flows in some peoples’ vein.

At the same time, the book inveighs the age – long conundrum of ersatz social class and unintentionally illustrates the yawning hiatus that exists between the Teflon rulers and the hoipolloi.

Akwu’s good understanding of the village life and his ability to capture the life and time of the ordinary people in graphic details further enriches the delivery of the book. Though sometimes too elaborate in details, the author succeeds in sending his message to the readers by employing simple diction and local parlance where necessary.

Unlike many books that are often built on hyperbole and far-fetched imagery, Beyond Expectations is convincingly obsessed with imageries that are deeply affecting and the realities of life that are both alluring and perplexing. By my assessment, the book is a fascinating nugget that addresses itself to all classes, age and gender.

Very well as the author tries to make the book flow from page to page, the book could not resist the temptation of unnecessary details, repetition and avoidable typographical errors.

Again, the book is most deficient, or better still not sufficient in suspense. A better application of literary suspense with regards to what befall Chinedu at last would have made the book more intriguing and interesting.

These few ‘slips of the pen’ can, however, be excused being Reward’s first literary expedition in the world of literature.

Without obsessive sense of sheer criticism, Beyond Expectations lives up to its name. It is sufficient for what it is meant to achieve, namely to fortify the forlorn hope, to encourage the poor not to be deterred by their poor background, while at the same time reminding the rich that no condition is permanent in life.

And until one reads the book from page to page, and from chapter to chapter, one may not be able to appreciate well the intrigue and metaphor of this heart-throbbing reality woven as fiction.

 

Boye Salau

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Arts/Literary

The Uncommon Truth

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Contrary to what you think or what you have been told, you are wiser, better and smarter than what you think you are. You are more powerful than you may ever imagine. Inside you dwells the very power, wisdom or intelligence that controls this very world. Thus, the answer to all your problems and challenges is, and always will be within you. It’s in you! In reality, you can never be helpless in this world, and the reason is very simple: “The help is in you,  the only true and lasting help.”

We live in a world where people offer us advice, even before we ask for it. There is nothing wrong with that, but the only problem is that most people are failures, and without direction.  They are still trying to figure out how to get their own lives together.  How can they tell you how to fish when  they don’t even know the path to the river? What does that tell you? Be careful whose advice you act upon. The good news, though, is that all the wisdom and direction you need in life is within you. Success, greatness, wealth and happiness are not found outside you, they are resident in you. The day you become conscious of that truth will mark the beginning of your freedom, for then you will be free from the manipulation of others. Therefore, I wish that you may come to that point in your life where you know beyond doubt that your wealth and riches are not in the hands of any person, company or organisation, but in you. When that consciousness is established in you, then shall you come to terms with this powerful truth: “There is no future in any job, the future is in you; there is no future in any country,  the future lies in you”  That which you seek “without,” can only be found “within.”

The only secret capable of freeing you from the manipulation of others, and the frustration caused by adverse circumstances lies within you.

You were created to be self-reliant, and to decide your own destiny. Embrace that truth. Never let anyone control or manipulate your destiny. You must believe in yourself, trust yourself, think for yourself and act for yourself. Remember, no one can ever let you down or frustrate you if you are not leaning on them. No one can control your life selfishly if you are not seeking for their approval, and you are not intimidated by their disapproval. And no one can hurt your feeling, make you feel angry or disappointed if you are not depending on them for your help, success and satisfaction.

Self-reliance is a necessity should you desire to live a happy and successful life. But self-reliance is only possible when you become conscious of the fact that everything you need for your success and happiness is within you.

Nwibeke, an inspirational writer lives in Port Harcourt.

 

ThankGod Nwibeke

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Arts/Literary

BOOK REVIEW

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Title:                TRAILING NEW TRACKS,

Author:                        JULIET MINIMAH, PORT HARCOURT:

Publisher:        HELPMATE CONSULT LIMITED, 2011.

No of Pages    48pp

Reviewer:        TELLE DANDESON AYASUK

AFRICAN CENTRE FOR EDUCATION                                       AND DEVELOPMENT, PORT HARCOURT

Writing in The Da Vinci Code, Dan Brown stated that “men. go to far greater lengths to avoid what they fear than to obtain what they deserve”. Probably driven by similar opinion, Juliet Minimah has confronted the age-long limitations that generations of potentially great men and women have placed on themselves dying unsung with loads of untapped mental, physical and even spiritual resources. Lots of work has been done in books, journals, documentaries, public lectures, seminars, media events, movies, music, etc to motivate people to achieve by giving expression to their God-given talents and abilities. Yet far too little success has been recorded as many still pine away with inconceivable endowments.

Trailing New Tracks is a motivational piece of work aimed at reawakening millions of people world-wide, who have lost the confidence in brining their natural endowments to fruition. It is a call to action in which the author challenges everyone in this situation to “break new grounds, chart new frontiers and see yourself as a trail blazer”. Juliet Minimah sees this as one certain way to address “the various social, economic and political ills that confront the world today”.

Theme

In Trailing New Tracks, the author explores the theme of Regeneration and Attainment Through Conscious Effort. She sees hope in a world hampered by crises of all kinds, shapes and magnitudes. She attempts to re-engineer attitude through uprightness, conscious effort and the exercise of self-will. In her views, “the adversities of life teach us more lessons than the prosperities of life”.

Philosophy

Minimah attempts, in this work, to communicate with her audience through an elevated art form. The sub genre of philosophy is by no means the easiest way to communicate any message. Credit must be given to this author for her boldness, audacity and fearlessness.

Language

The author employs simple, persuasive and concise language to motivate with ease. She uses the first-person point of view to break down barriers between her and her audience. Mention  must be made of the rich use of biblical allusion.

Audience

Minimah obviously writes to a youthful audience but recommends (in chapter 7) the same sense of activity and attainment to every age. Also, she writes to a universal audience.

Summary

Trailing New Tracks is a motivational piece of art written in a forty-eight page volume in which the author attempts to inspire action towards achievement in a world where confidence and determination are almost completely eroded. The work may be divided into three main parts.

Chapters 1 to 5 persuade the reader to develop a good mind-set devoid of greed and selfishness. The fifth chapter attempts to inspire confidence.

The next two chapters inspire the reader to dream big and be visionary. They emphasize the importance of good company in the realization of good dreams and visions.

In the last twelve chapters, the author canvasses action through uprightness and focus. She warns against the evil of procrastination and fear. She urges the reader to set a pattern for himself and society, take advantage of opportunities as they present themselves and get some extra knowledge and information. She charges the reader to rise above limitations, find hope and the will to achieve and be a problem-solver, a Trail Blazer.

Like every other work of art, there are a few weaknesses which this reviewer must not fail to point out in this work. For space and time, we shall take just three of them.

For a philosophical work, Trailing New Tracks is rather too small in volume and lacks the depth to stand shoulder-to-shoulder with other philosophical works in world -class libraries in Nigeria and universally.

It is the view of this reviewer that the author should have localized her audience and injected aspects of our cultural, social and philosophical ethos which would have made this work more relevant to the African, or indeed, Nigerian reader.

This reviewer also identifies a few grammatical and semantic inconsistencies which could be attributed to the now-popular (printer’s devil.” Particularly, the expression: “Trail New Blaze” (in the introduction) should actually read “Blaze New Trail(s)” (brackets mine) as obtained in the first paragraph of chapter 18.

Conclusion

Juliet Minimah’s Trailing New Tracks is without doubt a great attempt by a young African woman at reaching out to young people and even the older ones to dig deep into their mind and realize the potential hidden there. She challenges them using achievers like Barrack Obama of the United States of America, the first black president of the world’s most powerful nation, and even our own Pat Utomi, who became Presidential Adviser at twenty -seven years of age, to inspire this and other generations to rise to their talents and make new and amazing contributions to their society.

To the extent that Minimah has effectively communicated to her audience, inspiring every reader, irrespective of age and class, I consider Trailing New Tracks as a monumental success and recommend it as a must-read for everyone who aspires for unparalleled greatness.

 

Title:    ORDEALS OF A BABY MOTHER

Author:            JULIET MINIMAH, PORT HARCOURT:

Publisher:        SUNNY ALADE PRINTING PRODUCTION

No of Pages    46pp

Reviewer:        THANKGOD EMEKA EGBUCHU (JP)

PRINCIPAL ASSISTANT REGISTRAR,

RIVERS STATE UNIVERSITY OF SCIENCE

& TECHNOLOGY

INTRODUCTION

May I inform the esteem audience here today, that I am here to appraise the monumental work done by Miss Minimah Ishmeal Juliet, titled “Ordeals of A baby Mother”.

As we all are aware and I know that Minimah Ishmeal Juliet hails from the Ancient City of Opobo in Opobo/Nkoro Local Government Area of Rivers State. Born in the family of Mr. & Mrs. Ishmeal Minimah. Being the first and only female daughter of six children of the parents, graduated from the University of Port Harcourt with a Bachelor of Science Degree in Political and Administrative Studies.

As a template to all her growing contemporaries of  the  female folk in Nigeria, Minimah Juliet, had additional colour on her academic pursuit by possessing a Diploma in law from the Rivers State College of Arts and Science and a proficiency certificate in management from the Nigerian Institute of Management.

Miss Minimah Juliet seem little but mighty and mature intellectually in the field of academic spectrum.

In her book, “Ordeals of a Baby Mother” chapters I to 5 deals with convincing themes, which delved into “Who is a baby mother, Is motherhood a curse, why rejection and ageing forcefully rather than gracefully”, serves as an eye opener which creates awareness needed by mothers and baby mothers across the country over motherhood.

Similarly, chapter six to the last, deals with implications of early motherhood, More advantages for unequal opportunities, Refuse to be a school dropout, Being a baby mother turns you into one true life stories and a word of note, serves to show positive measures a baby mother should take to avoid being victim of the circumstance.

DICTION

Minimah Ishmeal Juliet was very careful in choosing her words to convey the intended action in the book which all levels of individuals can understand easily to read.

The sequence of the chapters flows naturally to the sense of would-be readers of the book. This has demonstrated maturity of articulation of words by the author.

However, we must expect as a matter of fact that the production of this book may experience minor errors, which she accept entirely all the faults to herself but form the basis for her further encouragement to produce the best in her life.

Lastly, in my opinion, the book, “ORDEALS OF A BABY MOTHER” has served the purpose for what it was addressed.

I strongly recommend the book to all ages of womanhood to read,  especially students in secondary schools and higher institutions across the country.

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