Entertainment
Big Dreams Nigeria Talent Hunt Show Set For Debut
The producer of Nigeria’s blockbuster stage drama, “Hertitude”, Mrs Kesiena Obue, last Wednesday said that the “A list drama would be staged at the National Theatre, Lagos in December.
Obue told a news conference at the VIP Room, National Theatre, Iganmu, that the blockbuster stage drama had received lots of commendation, hence, the need for lovers of drama to enjoy it more.
The Tide source reports that Hertitude is a stage drama weaved on a the woman left behind with three daughters, Kesiena, Rume and Ogor, who struggled to keep the home front through reunion.
The story also screened a series of betrayals that eventually disrupted their already dysfunctional lives in a play that also takes the stage with dance and music.
On the lessons from the drama, the playwright, Obue, who also wrote the blockbuster film, “Lagos Bling”, said the drama depicted all the social categories of life, the high, low and middle class.
“The film, Hertitude, is metaphorical because it takes us round the three classes in the society, the elite, middle and lower and our moral pictures in life.
“When it comes to morality, the society has different standards and many only take sides when one of the morality does not favour them. It is also parental abuse.
“The play dwells so much on parental abuse which most people in the society don’t like to talk about and also the question of immorality which has been exemplified in the play.
“Hertitude is like a smokescreen of what individuals are inside and what they really are inside when people are not there, the real ugliness inside us, our flaws and imperfections,” she said.
Obue said that the drama also depicted a spiritual linkage which many seek ways to deal with so “Hertitude is a drama for all because it has the real lessons of life which many seek for. It is like a spiritual healing for many seeking for help to find their compass.
“The film also tells us about how to find ourselves out different and solutions provided around us which we must be able to decipher if it suits us or not.
“The film, though it has women as principal characters, it is not a feminism storyline but a drama centred on women’s role and their impact in shaping the society,” she said.
It was gathered that Hertitude will be on stage at the Cinema Hall 1, National Theatre from December 14 to December 22. It will also return on December 25, December 28 and December 29 at 5 p.m.
The drama will also be staged on January 1, January 4 and January 5, 2020, while the ticket will be at seven points in Lagos, namely: Ariyatickets. com, africticket. com. Slots shops and others.
“Big Dreams Nigeria” talent hunt show set for de”Big Dreams Nigeria”, a talent hunt show geared towards discovering and developing young talents in acting, music and stand-up comedy across Nigeria, is set to debut”, its organisers said.
According to reports Mr Kingsley Amafibe, Project Director of the Big Dream Nigeria Talent Show project, stated this last Wednesday at a pre-event interactive session in Abuja.
Registration for participation is free, as the initiative is to offer talented and passionate youths a platform to express themselves and be discovered in the creative industry, and thereby reduce unemployment rate.
“Registration will be opened on Nov. 10, for our budding talents in music, acting and comedy nationwide to participate.
“We shall hold auditions in 11 states, including the FCT, Lagos, Jos, Benin, Kaduna, Enugu and Calabar, among other cities across Nigeria.
“A total number of 45 youths, 15 each for acting, music and comedy categories, will be selected for the grand finale in Lagos,” he said.
The Project Director further explained that the 45 selected young talents will be camped. He added that while in camp, professional filmmakers, artistes and other stakeholders will train and share experiences with the young and at the end, movies and music produced by them would be screened.
Entertainment
Ijaw Nation Day Festival Begins, Today
All is now set for the three-day cultural event tagged, Ijaw ‘Nation Day Festival’ expected to commence today, in Lagos State.
The fiesta is organised by Miebaka Aggo, a professional cyclist and an Ijaw son who is currently based in Lagos State.
Aggo, who disclosed this to The Tide Entertainment yesterday, said that the cultural event which is organised annually, serves as a reminder of the Ijaw culture to the ijaws residing in Lagos State
’For the cultural festival is to show the Ijaws in Lagos our tradition, so they don’t forget,’ he said.
According to him, the fiesta will feature cultural displays such as masquerades, Ijaw dance performances, boat regatta and traditional wrestling, arts and crafts displays and musical performance.
Meanwhile, preparations are ongoing to host a traditional sports festival this year end in Bayelsa Sate or Rivers State of the Niger Delta region.
‘“The traditional sports festival will be held in Niger Delta this year end or early next year. It is a big budget,” he explained.
He mentioned that the organisers are hopeful of sponsorship from companies and well-meaning individuals in the region.
Sports to be contested for include
1. Wrestling
2. Swimming
3. Canoeing
4. Draft
5. Aquathlon(run, swim, run respectively)
6. Triathlon (bike, swim, run)
“However, 5 and 6 are borrowed Olympic sports that favour our region because we can swim, but the major sports to expect are wrestling, swimming and canoeing,” he said.
Nancy Briggs
Entertainment
Life And Times Of Goddy Oku
“In his book, ‘The Wings’, drummer-turned-guitarist, Manford Best, wrote extensively and glowingly of the pivotal role Goddy played in his music career, in the face of his (Manford’s) natural challenge”
On Friday, January 19, 2024, Chief Tony Okoroji, the Chairman of Copyright Society of Nigeria (COSON), Chief Uche Emeka Paul, Sir Angus Power Nwangwu and other members of COSON were in Ukpo, Dunukofia Local Government Area, Anambra State to pay the last respects of COSON to Engr Goddy Ogomegbunam Oku. Describing Oku as an “iconic musician…long-term motivator of the music industry…leader of the Hygrades, proprietor of Godiac Studios…a great man and a true genius”, Chief Okoroji draped the casket with the flag of COSON. To perform this rite of passage, Okoroji flew in from Lagos, Paul flew in from Abuja, Nwangwu drove in from Enugu and other members arrived from various states reflecting the esteemed regards Goddy Oku commanded in the COSON family. My experience with Goddy Oku and those of others as contained in the following dirge epitomise the essence of Okoroji’s graveside oration. Goddy was really a “long-term motivator of the music industry”.
During the Nigerian civil war, my family took refuge in Umuchima, down the valley at the outskirts of Orlu, Imo State. One evening, my father returned from Orlu with a message from my friend, Emeka Ifejika, that Biafra Army Officers Training School (BAOTS) was setting up a pop band and they were searching for a bass guitarist. Goodness gracious!!! I was the bassist of The Hardnuts, my defunct teenage band in Port Harcourt; so, I saw it as the opportunity to avoid conscription, which had intensified at the time. Very early the next morning, I sneaked through the back into the sprawling scenic compound of Bishop Shanaham College, Orlu, which housed BAOTS and, as God would have it, I met Goddy Oku. For three hours, he drilled me on bass guitar playing, basic chord progressions and eventually accepted me as bassist/vocalist of the proposed band. An identity card and a “Pass” were quickly prepared to enable me return to Umuchima the next day, pick up my personal effects and report for duty.
With Dona Dyke (Donatus Nwadike) on drums and Goddy on lead guitar/vocals, we became The Silhouettes, a power trio that played side-by-side Sunny Nwamama of “Umunwanyi ji ukwu achodi” fame. That was at a time Jimi Hendrix Experience, James Gang, Emerson, Lake & Palmer, Cream, Grand Funk Railroad and other Power Trios were hip in Europe and America but hadn’t emerged in the West African music scene; so, our ensemble was peculiar or odd, if you prefer.
One day, Warrant Officer Murphy introduced a young man by name Justus Nnakwe (JU-Xperience) to Goddy and appealed that he (Justus) should be taught an instrument. Within two weeks, Goddy drilled Justus and transformed him from a complete neophyte to a rhythm guitarist. Eventually, JU had his first outing and The Silhouettes morphed into a four-some at an event for the Commandant of BAOTS, Colonel Tim Onwuatuegwu. Thereafter, Goddy groomed a singer whose entry gave the band a greater body and earthy sound. At the end of the civil war, I returned home to Port Harcourt, Rivers State, cofounded The Blackstones Band in January 1970 and chased the stars until 1972 when societal and family pressure leashed me back to school in the United States where I consistently earned pocket change thru playing guitar; the trade in which Goddy Oku groomed and gowned me.
Goddy mentored numerous artists in his days; the list is virtually endless. Sonny Okosuns, John Kerry, Nelly Uchendu, Panam Percy Paul, Chris Okotie, Felix Liberty, Felarday, Clement Amaechi and a host of others. Kenny Koburn (KK) once reminisced on how he broke bounds in high school to watch The Blackstones perform at Golf Course Hotel, Owerri in the early 1970s. Enamored by the performance of the bassist of the band, KK said he dropped out of school and headed to Enugu where he was tutored to play bass guitar by Goddy Oku. Subsequently, KK co-founded Founders Fifteen of Port Harcourt. In his book, ‘The Wings’, drummer-turned-guitarist, Manford Best, wrote extensively and glowingly of the pivotal role Goddy played in his music career, in the face of his (Manford’s) natural challenge. Before his demise, Prof Frank Onyezili (Frank Zilly of The Fractions) narrated to me the crucial role Goddy played in his music career before he returned to school. Goddy it was who played the classical guitar interlude in “Igede” by Celestine Ukwu. Arguably, “Igede” stands out as the first instrumental music in the Highlife genre and one of the most memorable songs of Celestine Ukwu.
Over the years, Goddy and I maintained contact and I visited him periodically. We even planned that he’d do one week with me in Port Harcourt and we’d embark on a musical pilgrimage to Abak, Akwa Ibom State to visit Emmanuel Ntia of Solo Hit fame, but that didn’t come to fruition. However, when JU came home in April 2021, I hopped into Enugu on the 13th and the three of us spent one night of reminiscences. We put two mattresses on the floor in Goddy’s parlor and played guitar and talked all night. We relived our collective experiences and walked through the engagements we played during the civil war. It was a memorable night.
JU Xperience, Goddy and
The next morning, April 14, 2021, we took a group photograph without realising that that would be the last time we’d see each other. First, JU sailed to the great beyond in far away China and now Goddy is gone; a rather grim reminder of my sitting at the “Departure Lounge of Life”.
May the creative soul of Godfrey Ogomegbunam Oku rest in the Bosom of God, Amen.
Jason Osai
Entertainment
TB Joshua:This Is Why Victims Do Not Speak Up -Seun Kuti
Seun Kuti has weighed in on the ongoing controversy regarding late Nigerian Prophet, TB Joshua, and states that the vilification of victims is why they do not speak up.
Seun Kuti does not believe that all people who do good things are completely good people.
“I don’t care if he took your family to space, you aren’t everybody,” he said.
The Tide Entertainment reports that the singer aired his views on the issue on Wednesday, charging “religious people” to “do better.”
“Eyin Elebi. Once person someone shares money and rice for people, he is a good person automatically,” he said.
”When this man was alive, he was sooo powerful that his criminal negligence, according to state coroner in Lagos led to the death of 84 people and he didn’t spend one second in police station and you want some young women to come and do what?! When Timis wife came out, you all turned a married woman to a prostitute like magic! That’ is why victims do not speak up!! E du Betta, religious people!!”
Going further, he slammed people who defend the late prophet on the grounds that he helped them one way or another, stressing that the experience of some is not the experience of all people.
In his words, “I don’t care if he took your family to space, and he was good to you, you are not everybody! Because a politician helped one person he would prove to the world that the man is a ‘good person!’ News flash- YOU ARE NOT EVERYBODY!!!”
The late prophet and his church have become the subject of controversy after a three part documentary produced by the BBC, highlighted the negative experiences of ex-Synagogue Church of all Nations members, who called the church “a cult”. Some women also accused TB Joshua of rape, forced abortions, child abuse and overall abuse. These claims have become a topic of discourse ever since with some siding with the church and others choosing to believe the victims.
However, the church has denied all the allegations.
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