The Ion film festival has been described as the biggest thing to happen to the Nigerian Movie Industry as it has created opportunities for practitioners in Nollywood to partner with their counterparts in Hollywood, Bollywood and other film industries in the world. Thanks to the Rivers State government for being the first state in Nigeria to host the international event for the first time in the African continent.
Speaking on distribution network as one of the key issues that militate against the growth of the movie industry in Nigeria, The Director General of the National Film and Video Censors Board (NFVCB), Mr Emeka Mba noted that the censors board is doing every thing possible to sanitise the movie industry in Nigeria and to put a stop to piracy through their distribution network. He said NFVCB is not film maker or distributor, but trying to regulate the industry to enable it meet with international standards.
The NFVCB boss stressed that the truth of the matter is that distribution derives from content, if the industry and distribution systems are weak, it will manifest itself with piracy, reduced sales among others which is what is happening now in the industry.
He said what the board has done in the past two years is to try and engineer a process that will yield a structure in the industry which is called the new distribution frame work based on the laws on ground to segment the industryal and make room for structure to take place within the industry, not to produce or finance films.
The Director General also noted that piracy manifest when there is weak distribution in the industry. He said movie producers should take advantage of the festival because the gains are enormous. According to him, Nollywood has struggled over the last 15 years and we have gotten to this level. What we need now is to be firmly implanted, create the connections between the other industries. He said Bollywood of India share, the same similarity with Nollywood, they were informal, but now working together with government and industry people coming together as a result, have created an industry that makes Bollywood thrive today.
He said, Nigerians should learn from what Bollywood has done, he maintained that though there is no one module to follow, the foundamental code code is that we must have a structure because it stimulates growth and guarantees sustainable growth as well as standard because when they are lacking you will find fragmentation in the system”.
On the role of government, he said the Nigerian market is commercially oriented, adding that government can give financial incentives, encourage training and making sure that film institutes are supported and help facilitate the easy export of Nigerian movies, but we must be clearly minded on what government should do because if we want government to come in fully, it might not be to the interest of the industry, because it might come to a stage where they will be looking for handouts from government.
Also speaking with The Tide Entertainment, a top Nollywood actor, Sam Dede of the Isakabafame said the ION international film festival is a welcome development, but Nollywood has to gain from it if not there is no justification spending the tax payers money on the event.
He said with the big names in Hollywood, Bollywood, Gollywood etc, Nollywood should be able to learn from them in other to move the industry forward which is the goal of the international event.
Seven Notable Moments In Late Baba Suwe’s Life
Renowned Nigerian comic actor, Babatunde Omidina, popularly known as Baba Suwe, passed away on Monday, November 22 at the age of 63.
Baba Suwe’s demise was announced by his son, Adesola Omidina, on social media.
Here are seven key things to remember about the popular late Nollywood comic actor.
Baba Suwe was born on August 22, 1958.
State of origin
Baba Suwe was a native of Ikorodu, Lagos State.
He was born and grew up in Lagos Island.
Baba Suwe had his primary and secondary education in Lagos and Osun States, in the South-Western part of the country.
Baba Suwe was renowned for the comic role he played and featured in scores of movies – including those produced by him – such as Iru Esin, Ebi Olokada, Baba Londoner, Obelomo, Elebolo, Larinloodu, and Baba Jaiye Jaiye, among many others.
Baba Suwe’s health worsened as Tampan denied abandoning him
Omidina began acting in 1971.
He, however, came into limelight after he featured in a Yoruba movie titled ‘Omolasan’, which was produced by Obalende.
Demise of his wife
The comic actor was, married to comedienne Omoladun Omidina, who died in September 2009. It was one of the most devastating moments in the life of Baba Suwe.
Drug Trafficking accusation
In 2011, Baba Suwe was accused of cocaine trafficking by the National Drug Law Enforcement Agency (NDLEA) .
The allegation was later described as false and defamatory by a court in Lagos which ordered that Baba Suwe should be paid N25 million as compensation.
He, however, lamented that he did not receive any payment years after the ruling.
The veteran actor died on Monday, November 22, 2021, after he was said to have battled an illness for a long period. He was 63 years old.
ENIFF Showcases 50 Films From 15 Countries
The Eastern Nigeria International Film Festival, ENIFF, last Wednesday, in Enugu commenced the showcase of 50 films from 15 global countries.
The four-day event features among other films, a Moroccan movie, “Ultimate King”, Nigerian best narrative movie, “Yahoo Plus” and other award-winning movies.
Co-founder of ENIFF, Obianujuaku Akukwe-Nwakalor, who spoke with newsmen in Enugu at the commencement of the premiere, on Wednesday, disclosed that the film festival features the participation of major Nollywood actors such as Pet Edochie.
Akukwe-Nwakalor however regretted that Nollywood, which had its roots in the southeast has been taken away from the zone due to equipment deficit and support for the dwindling fortunes of actors and artistes, who are based in the east.
She also said that the development had forced most of the southeast-based actors and artistes to relocate to Lagos where there are better opportunities for the industry.
She said, “They (actors and artistes) are struggling because they don’t have the right equipment; they don’t have the right support; they don’t have money.
“To produce a film that can compete, that can at least be on NETFLIX, you need millions of Naira and the people here(East) don’t understand what it means to invest. If I tell you to invest N100 million into my film, you don’t understand and because you don’t understand how you are going to make N300 million from it, you are not going to invest”.
Akukwe-Nwakalor, with the co-founder, Mr Chris Odili, is hosting a film festival called Eastern Nigeria International Film Festival (ENIFF) in Enugu through the Eastern Nigeria Film and Arts Initiative, said the idea was to bridge and set up a creative hub in the southeast.
“We’re basically bridging the entertainment space or grid and set up a creative hub in the southeast part of Nigeria.
“Yes, we have pockets of things going on here. But, you will agree with me that we’re taking a back seat. We’re the backbenchers right now when it comes to entertainment space. Everything happens in Lagos.
“I came from Abuja and things as basic as finding a projector were very difficult. This is because people don’t use nor demand such here.
“We have forgotten that the Nollywood industry actually started from here in the southeast. But we have lost the steam”, Akukwe-Nwakalor said.
The idea of the festival, she explained, was to come back home, set up a space where the young ones, particularly those in the schools, could be trained to learn about film education, bringing in facilitators from different parts of Africa and the world so that they can learn from best hands what the creative space is about.
“We are starting from education. We are teaching them first to understand how this works. Until you understand, that will shift your mindset and when your mindset is shifted you can now begin to think of how to make money.
Ramsey Nouah Accuses Directors Of ‘Mediocre Nollywood Production’
Nigerian veteran Nollywood actor, Ramsey Nouah, has blamed directors in Nollywood of mediocre Nollywood production.
According to him, Nollywood needs a lot of improvements before it can be considered satisfactory for viewers.
Our source reports that Ramsey Nouah said, “I still find a lot of disconnect between the technicality and creativity in my industry right now. I see that the creative, which is the art part of filmmaking, is still not as deep as I want it to be.
“Performances from the actors are not deeply rooted. We have good quality techniques going on, but it’s almost like oil and water not mixing properly.
“If you can’t get an Oscar-winning performance from an actor the fault is not the actor, but the director’s. If you can’t deliver as an actor, the problem is the director that cast you”.
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