Entertainment
Garden City And Challenge of Waste Management
Samuel Joseph
There is no gainsaying the fact that the environment constitutes a vital sector in the economy of any nation. The fact that all economic activities take place in an environment underscores the importance of the environment. It is for this reason that nations especially the developed countries have had to evolve sound and comprehensive policies and programmes that address issues or problems emanating from the environment either natural or man made. The objective being to protect and preserve the environment (both physical and human) for the use of future generations.
Of course, waste management is a strategic component of environmental management. The significance of waste management especially on the population cannot be over emphasized when viewed on the desire for a safe and healthy population for economic activities to thrive. That is to say a safe and healthy population is a “sine qua non” for sustainable economic growth and development of any nation.
In Rivers state waste management has become a recurring phenomenon. Obviously it is one issue that successive administrations have not been able to address squarely despite the huge resources expended. The truth is that .previous administrations lacked a clear cut waste management policy neither did they conscientiously execute whatever policy they had on ground. And so Rivers State and particularly Port Harcourt the state capital and its environs remain beset with waste management problems and their adverse ramifications.
The common manifestation of an inefficient and ineffective waste management system is the ugly sight of heaps of refuse dotting various street corners, littering, blocked drains, over grown weeds, makeshift structures, abandoned vehicles and metal scraps with high level of noise ‘pollution completing the cycle.
All these no doubt abound in Port Harcourt city and its environs. The situation poses serious challenge to the present administration which from all indications is desirous of confronting the menace head long through the Integrated Waste Management System.
When you talk about problems of sanitation and the waste management programme which the Amaechi administration inherited, what readily comes to mind is de-silting of drains and refuse evacuation by contractors. Even as narrow and crude as this policy is, its implementation had proved to be as tough as a hard nut. These contractors have indeed failed the state as they only engage in what some environmental experts describe as mere distribution of waste.
These contractors are simply ill prepared even for the simple task of refuse evacuation, or de-silting of drains. They lack the professional skill to do the job. Their technical and logistical capacities are nothing to write home about. Their often hired rickety trucks and poorly equipped and motivated personnel speak volume of the ineffective service they render. Exposure, littering and fly dumping are common features during refuse evacuation. As for de-silting contractors, silts from the drains are never evacuated into trucks for disposal after each operation, only for the waste to be washed into the drains and for them (contractors) to de-silt again. It is a vicious circle that makes no meaning and probably a deliberate ploy to keep them busy.
To these contractors, sanitation job is just like any other business where you make as much profit as you can even if the outcome is a glaring non performance. The love or passion for the environment is not in their reckoning and so they cannot muster the zeal or efforts to do their job excellently and be happy. They are not irritated by the heaps of refuse in their areas of operations as they wait for their monthly payment.
In this situation the regulatory bodies are not free from blame ‘either as they have also failed to discharge their duties creditably. They lack the capacity to supervise, monitor and extract compliance and in the case of default exert appropriate sanctions that will serve as deterrent and even in cases where they attempt control, the contractors who are mostly untouchables because of their political connections treat them with levity or out rightly ignore them and so the rot continues.
We could also blame the poor sanitary situation on the attitude of the people. In fact the whole mess had assumed an attitudinal dimension. This is as a result of the nonchalant attitude of previous administrations, a situation which made people to become complacent with environmental hygiene as they indulge in all manner of dirty habits at home and in public. Thus, people accumulate waste in their homes and dispose off anywhere’ it suits them even in drains. It became fashionable to litter the streets with waste in a manner that defies the efforts of government to keep the city clean.
The cause of the perennial flooding in Port Harcourt, each time it rains has also partly been traced to clogged drains that hinder water flow although some of these drains are mere gutters that lead to nowhere and this brings us to the issue of channels and discharge outlets that make up a comprehensive drainage system.
There is also the menace of banners and posters. The indiscriminate pasting of posters and banners and even sign boards on every available space has grossly defaced the city. This, coupled with pervasive street trading has created the impression of a city in dire need of sanity.
It is against this backdrop one would appreciate the significance of the stakeholders meeting called by the Hon. Commissioner for Environment Mr. Kingsley Chindah on July, 2009 at the conference hall of Ministry of Justice. The meeting was essentially to reappraise and evaluate the performance of the present waste management programme which could be described as ad hoc viz-a-vis the new Integrated Waste Management System of the Rivers State government in order to achieve the synergy needed to ensure a clean and healthy environment.
Truly, the commissioner did not mince words or pretend in admitting failure on the part of every stakeholder (contractors, regulators and the public) as far as the present system is concerned and called for a reawakening. A new consciousness for all those involved in environmental sanitation in the state, particularly the need for major players to display professionalism and competence in their operations.
Refuse and de-silting contractors have a major role to play and should begin to get serious and committed in doing their job with pride and dignity and not just a profit making venture. The government wants to see improved performance in refuse collection with the goal of professionalizing the system and has thus put in place concrete measures designed to raise the standard to achieve optimum result. And contractors who do not meet the minimum standard will be shown the way out for serious minded professionals to come in.
For instance, to qualify as a contractor in the new dispensation you need at least three trucks and not rickety ones with evidence of experience or past performance in the job. Dumpsite managers should have excavators in addition to pollution control measures to achieve operational efficiency. In order to motivate staff of contractors, they are obliged to provide workman insurance scheme for their employees who are indeed exposed to health risk. To address the problem of delayed payment, contractors are to discuss with their bankers for bank guarantee to ensure free flow of funds in the system.
The government, in order to ensure decency has regulated waste disposal period for the public otherwise called garbage time which is now 6pm to 12 midnight. At the same time refuse contractors are now to engage in night evacuation which is most convenient and devoid of the hassles experienced in the day time. Contractors will employ road sweepers in their zones and also carry out litter control including checking the menace of posters and banners in their operational areas.
Gospel artistes in Rivers State are set for a praise and worship concert in Port Harcourt, tagged “The Next Level” to celebrate one of their own, Wilberforce Afriye, as he turns 40 this month.
The concert which is expected to hold at the Full Gospel Church of God (INC), situated at 27A Ndoki Street besides NAFDAC Office, Borikiri, is organised to celebrate the birthday of the gospel singer, Afriye come September 17
The Tide Entertainment gathered that no fewer than 11 gospel artistes have been invited to grace the occasion.
According to Afriye, Willy B Entertainment Empire is his company’s name , and it is projecting the birthday Celebration.
He disclosed tthat he will use the forum to drop one of his new songs.
Invited gospel ministers to perform at the event include Suzzy Animusic, Jesus Boy, Caroline Alfred, Jenny Paul, Jimmy White, Prince David and Douglas & TLAC, Wales Babs, lyke D Combophonist, and Pastor Saviour Ekanem
Also ministers to officiate at the event are Rev. (Dr.) Frank Opunye, and Rev. Iniobong Jimmy.while dress code for the concert remains white.
By; Nancy Briggs
The Nigerian entertainment industry is unarguably one of the profitable industries in the country. The Tide Entertainment reports that the fast-growing industry will generate $14.8 billion revenue in 2025. The industry revenue is expected to rise from $7.7 billion in 2021 to $9 billion in 2022, $10.7 billion in 2023, $12.6 billion in 2024 and $14.8 billion in 2025. 85% of this revenue will be generated by access to the Internet.
The Tide Entertainment
gathered that Nigeria’s media and entertainment industry is one of the fastest growing creative industries in the world. It has the capability to become the country’s greatest export, with projected annual growth rate of 8.6 per cent and a compound annual growth rate (CAGR) of 19.3per cent from 2018-2023.
In 2021, Nigeria’s film industry contributed 2.3per cent and about N239 billion ($660 million) to GDP and predicts that the industry will increase its export revenue earnings to over $1 billion. The motion picture and music recording industry exceeded 2020 estimated $806 million revenue contributing about N730 billion to the country’s GDP.
The traditional TV and home video segment is the industry’s second-largest market. However, due to competition from other segments, its market share is projected to decline from 9% to 6% contrary to its expected rise from $692m in 2021 to $865m in 2025. Therefore, this led to the key players in the sector capitalizing on the internet wave. For instance, Arise TV, Channels TV and Television Continental (TVC) have advanced towards the internet to retain their relevance in the media sector.
The market share of newspaper and consumer magazine, out-of-home advertising, and TV advertising sub-sectors are expected to reduce to one percent each by 2025 with their revenue at $173 million, $158 million, and $179 million respectively.
The Nigerian Film Industry (Nollywood) is globally recognised as the second largest film producer in the world with the financial value of the film industry put at $6.4 billion as of 2021. Nollywood contributes 2.3 per cent to Nigeria’s Gross Domestic Product (GDP) with over 2500 movies produced annually.
According to the Cinema Exhibitors Association of Nigeria, every Nollywood movie that has a theatrical release has collectively grossed more than N800 million, with some of them even making more than double what others did. One of such films is Jade Osiberu’s ‘Brotherhood’, which was released on September 23rd, 2022 in Nigerian cinemas. It grossed over N165 million in less than one month since its release and It has grossed N328, 881,120 in the 14th week of its release. Brotherhood was the number 1 Nollywood film at the box office for 10 consecutive weeks.
Also, Femi Adebayo’s ‘King of Thieves’, which was released on April 8, 2022 in Nigerian cinemas grossed about N317, 792,250. After its successful run at the box office, Prime Video acquired the rights to stream it on its platform.
Streaming platforms like Netflix and Prime video have made watching movies in our comfort zones possible. Quite a number of Nollywood movies had excellent ratings in 2022. One of it is Anikulapo, a Netflix original movie produced by Kunle Afolayan. This Non-English film was released on 30th September, 2022, it was watched for 8.7 million hours within 11 days of its release and was ranked number 1 globally on Netflix. It grossed N12,599,900 in two weeks at the cinemas.
Another Netflix original movie which was released on 28th October, 2022 is Mo Abudu’s ‘Elesin Oba: The King’s Horseman’ The film is an adaptation of Prof. Wole Soyinka’s “Death and the King’s Horseman”. It was ranked Number 1 amongst the top 10 movies in Nigeria within 24 hours of launch. It grossed N4,971,800 within a week of hitting the cinemas.
Other top Nollywood movies released in 2022 include: Mo Abudu’s “Blood sisters”. A 4-part exhilarating series, it ranked number 1 in Nigeria within 24 hours of its launch on Netflix and 11, 070,000 hours of viewing within the first week. Another original Netflix movie is Bolanle Austen-Peters’ “Man of God”. 24 hours after its releaser, it topped the charts in Nigeria and also one of the top ten movies in U.S and Canada.
Far from Home produced by Inkblot productions and written by Dami Elebe is another top Netflix series which ranked Number 1 within 24 hours of its release. Also, Passport produced by Vincent Okonkwo made N86,207,925 within 9 weeks of its release and is one of the top Nollywood movies in 2022.
In addition, Nollywood is wrapping up the year on a good note with its high grossing movies currently showing in the cinemas. One of it is Funke Akindele’s ‘Battle on Buka Street’ which was released on 16th December, 2022. This movie has grossed over N360 million within three weeks of its release, this is the highest grossing title for the weekend in the west African territory and highest one day grossing for a Nollywood film with N41 million.
Another movie currently doing well in the cinemas is Ijakumo (The Born Again Stripper) produced by Toyin Abraham Ajeyemi. This movie was released in cinemas nationwide on 23rd December, 2022 and it grossed over N87 million in just seven days of its release, this is the biggest opening week for a Nollywood film in 2022. It has grossed N136 million in 11 days of its release, making it the 4th highest Nollywood movie of the year 2022.
According to Stears Business, Nigeria’s music industry is the second best-performing entertainment and media consumer market in the world. The study conducted by Statista in Nigeria revealed that the music sector’s revenue grew from 26 million dollars in 2014 to 34 million dollars in 2018. This figure, as projected by Statista is expected to grow to 44 million dollars in 2023.
In 2022, Nigerian artistes outdid themselves which gave them a global recognition. A lot of Nigerian songs received a great number of views across streaming platforms like Spotify, YouTube, Apple Music, Boomplay and Audiomack.
According to Dataleum, the top 10 most viewed Nigerian music videos on YouTube released in 2022 include: Rema’s “Calm down” with 299 million views, Burma boy’s “Last last” with 140 million views, Kizz Daniel’s “Buga” with 107 million views, For my hand by Burna boy ft Ed Sheeran with 70 million views, Finesse by Pheelz ft BNXN with 61 million views, Rush by Ayra Starr with 53.1 million views, No wahala (remix) by 1da Banton ft Kizz Daniel & Tiwa Savage witth 53 million views, Bandana by Fireboy ft Asake with 44 million views, Overloading by Mavin All Stars with 44 million views and Sungba (remix) by Asake ft Burna boy with 35 million views.
The most streamed Nigerian artiste of the year is Burna boy with three billion streams on Spotify. His 2022 album, “Love Damini” was the number 1 Nigerian album on Apple Music in 2022. Also, the album surpassed 350 million streams on Spotify, making it the highest-streamed African album of 2022. The Grammy Award winner recently broke records as he became the first artiste to garner over 600 million views on Boomplay.
In addition to this, his 2022 lbum “Love Damini” is the fastest growing project, amassing 300 million streams within four months of its release, thereby becoming the first project to collate such numbers on Boomplay. Career wise, It was a successful year for Burna boy as he bagged two awards at the Music of Black Origin (MOBO) Awards which was held on 30th November, 2022. The two awards he received were for the “Best African Music Act, 2022” and “Best International Act, 2022” respectively.
According to TurnTable Charts, in 2022 Asake had the greatest breakout year Nigeria has ever seen. After dominating 2022 with his hit releases, Asake crowned it with his record-breaking debut album “Mr Money with the Vibe”. This album was the number one album 12 weeks consecutively after its release racking up over 292 million streams across streaming platforms.
It also peaked at number one in 26 countries on Apple Music album chart, held 2nd position on billboard world album chart and the first album to have all its tracks occupy the first 12 spots on Apple Music Nigeria Top 100.
To cap the year, The YBNL signee won the “Artist of the year” award at African Muzik Magazine Awards (AFRIMMA), he won the “Breakout Artiste of the year” award at NET honours Class of 2022 and he got his first international award nomination at the MOBO awards 2022 in the Best African Music Act Category. Music Streaming Platform, Audiomack announced Asake as its artist of the year due to the success of his debut album which has become the highest-charting album by a Nigerian artiste on Audiomack which received over 330 million streams on the platform.
Year 2022 was undoubtedly the year of significant wins for the Nigerian Music Industry. One of the major wins is that Six Nigerian artistes featured in the Blank Panther: Wakanda Forever soundtrack. Tems with “No woman, no cry”, Fireboy DML with “Coming back for you”, Burna boy sang “Alone”, CKay sang “Anya Mmiri”, Bloody Civilian and Rema stirred us with “Wake up”, lastly Rema thrilled us with “Pantera”
In addition, Wizkid and Burna boy sold out the Madison Square Garden with 20,789 capacity. This was another win for the Nigerian music industry in 2022. Coupled with this is Davido being on the Qatar 2022 World Cup Official Anthem and he also performed at the World Cup final.
Also, in June 2022, Tems won two awards at the Black Entertainment Television (BET) awards after receiving 3 nominations which were the Best Collaboration with Justin Bieber and Wizkid, Best International Act and Best New Artist. She won the “Best Collaboration and Best International Act” categories.
Some top Nigerian songs which captivated the music lovers in 2022 include: Buga by Kizz Daniel ft Tekno which became the first song to hit 100 million streams on Boomplay, it hit its first million within 24 hours after its release, it set a new record for the biggest streaming week ever, raking in 11.4 million streams in a week and 47.5 million radio streams debuting at Number 2 on radio. The song enjoyed domestic and international acceptance making it the most shazamed song worldwide and the most googled song in Nigeria.
Buga kept Kizz Daniel on Spotify’s top artiste chart for 13 consecutive weeks after its release. In the recently announced All Africa Music Awards (AFRIMA) 2022 nominations list, Kizz Daniel gained 5 nominations for his effort in “Buga” including Best Male Artiste in Western Africa, Song of the Year, Artiste of the Year, Best African Collaboration, and Best Artiste, Duo or Group in African Pop.
Another top Nigerian song is Burna Boy’s Last Last, a sample of Toni Braxton’s 2000 single “He wasn’t man enough”. It is the most streamed African song on Spotify with over 145 million streams and among the top 100 songs on Apple Music globally in 2022.
Other top Nigerian songs in 2022 are: Overloading by Mavin All Stars, Asake’s Terminator, Joha, Peace be unto you, Palazzo by Asake ft DJ Spinall, Bandana by Asake ft Fireboy DML, Oxlade’s Ku Lo Sa and Crayon’s Ijo Laba Laba.
Despite the challenges faced by entertainment industry, ranging from Financing, Taxation, Distribution and Marketing Channels, Copyrights infringements and Piracy, it achieved significant growth in 2022 and is the fastest growing industry in the world. The Nigerian entertainment industry still holds the second largest market globally as no stone was left unturned in the year 2022.
By: Jacob Obinna & Nancy Briggs
The Cinema Exhibitors Association of Nigeria (CEAN) on Tuesday said it realised N278 million as ticket sales across cinemas in the month of February, nationwide.
CEAN’s National Chairman, Mr Ope Ajayi, who, disclosed this in an interview with newsmen in Lagos, added that the cinemas also had 122,295 gross admission within the period under review.
Cinemas experienced a drastic decline in sales in February when compared with N819 million sales made in January.
Ajayi blamed the cash crunch and poor network service delivery being experienced by POS operators nationwide for the decline in sales.
He similarly noted that cinemas experienced an all time lull in the week of the Presidential and National Assembly elections.
He explained further that cinemas had limited content to exhibit in the month of February, as movie producers avoided releasing movies during the election period.
“A couple of reasons are responsible for the drop in sales. We lost a weekend of sales during the Presidential and National Assembly elections, Nigerians’ attention was focused on voting across the country.
“Cash crunch and POS failures, affecting trading generally is also affecting the cinemas.
“Many movie producers and distributors avoided releasing movies during the election period. So, content was also somewhat limited,” he said.
Ajayi said the top films exhibited in cinemas across the country in February were “Antman” and “Love in a Pandemic”.
He listed films to watch out for in the month of March as : “Creed III”, “What Love Got To Do With It”, “Shazam Fury of the gods”, “John Wick iv”, “Different Strokes” and “Dungeons and Dragons83”.
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