Entertainment
RSG Vows To Make CARNIRIV World’s Largest Carnival
River State Government has formally flagged off activities for this year’s edition of its internationally acclaimed cultural fiesta popularly referred to as CARNIRIV 2012, declaring its intention to make the annual event one of the world’ biggest cultural festivals.
This year’s festival, which is branded CARNIRIV 2012 Port Harcourt 100 Edition, will hold from Saturday 8 to Saturday 15, December 2012. It is being celebrated in a special way this year as it coincides with the commemoration of the 100 years’ existence of the City of Port Harcourt.
Addressing a world media conference at Hotel Presidential, Port Harcourt, on Thursday, where the detail programme of activities for this year’s CARNIRIV was announced, the state government also unveiled an dvancement plan for the CARNIRIV brand with the projection to make it one of the world’s biggest cultural fiestas by 2015.
The Commissioner for Culture and Tourism, Dr. Nabs Imegbu, said the intention of the administration of Governor Rotimi Amaechi was not just to make CARNIRIV a platform to project the rich cultural value of people of the state, but to make it become a major pillar for the socio-economic growth of the state.
The commissioner, who added that CARNIRIV is the second largest cultural event in Nigeria revealed further that the government also desires to make CARNIRIV one of the most sought -after cultural fiestas in the world by tourists. To this end, he said the state government was doing all that was necessary to make CARNIRIV 2012 like no other, in terms of planning, content, logistics, security, attendance and participation among others.
“A carnival is about big media, big mobilisation and big performance, and we are improving on these at every yearly edition of CARNIRIV”, he said while assuring prospective guests and tourists that the yearly edition of CARNIRIV,he said while assuring prospective guests and tourists that the carnival would be an unforgettable experience. He informed that his ministry and the Rivers State Tourism Development Agency (RSTDA) are collaborating to actualise the policy of the state government on cultural revival by according CARNIRIV its pride of place as a focal policy thrust of the Amaechi administration.
In his presentation, the Director-General, RSTDA, Dr. Sam Dede, stated that the growth potential for CARNIRIV was unlimited, and that was why the state government was projecting it to become a global brand with the largest support and attendance possible. “CARNIRIV will evolve into a recognizable global brand beyond the imminent demands of 2012 edition. Our projection is to make it a carnival brand of reckon and a recognisable global brand that would become the biggest cultural fiesta by 2015, in terms of impact, benefits and attendance,” he declared.
Dede added that the envisioned future for CARNIRIV also included its financial autonomy, stating that the era of dependence on government subventions was over. In the light of this, he explained that this year’s carnival has been packaged to attract more corporate sponsors as well as deliver greater return on investment. The director-general further gave a thumb-up for the carnival for its wide acceptance among the people while assuring that it would continue to impact the prosperity of the people
On the activities lined up for the carnival, he stated that the carnival would be kick-started on On Saturday, December 8 with a Stage Performance entitled King Jaja, which renders momentous account of the earliest migrations of the Riverine peoples onto the precipice of Western reckoning. Another activity is the Old Port Harcourt Town Groove, this is designed to enliven the fond memories of the city.
Other activities include, kids Carnival in demonstration of the importance attached to children in Carnival CARNIRIV and by extension tourism development in the state while Carnival Praise Jam is meant to uplift and inspire spiritual ambience for which Port Harcourt is renowned. Local and international groups including Soweto Gospel Choir from South Africa are expected to feature during the praise jam.
There will also be the unveiling of the Carnival Monument one of which is the CARNIRIV ‘88 monument. The old carnival monument is the symbol of CARNIRIV, the oldest carnival in Nigeria established in 1988, has just been renovated into a befitting memorabilia. The second is the new CARNIRIV monument, a towering monument to mark the Port Harcourt 100 Edition of the Carnival.
CARNIRIV 2012 Colloquium, a forum for intellectual discourse on issues that border on the state and nation, is another A-list event outlined for the carnival with the Nobel Laureate; Prof. Wole Soyinka expected to give the keynote address.
Monday, December 8 is the grand official opening of CARNIRIV 2012 and it will commence with the opening of with the opening of the Carnival Village by Governor Rotimi Amaechi. ‘This is an elaborate display of fireworks.
Entertainment
Ijaw Nation Day Festival Begins, Today
All is now set for the three-day cultural event tagged, Ijaw ‘Nation Day Festival’ expected to commence today, in Lagos State.
The fiesta is organised by Miebaka Aggo, a professional cyclist and an Ijaw son who is currently based in Lagos State.
Aggo, who disclosed this to The Tide Entertainment yesterday, said that the cultural event which is organised annually, serves as a reminder of the Ijaw culture to the ijaws residing in Lagos State
’For the cultural festival is to show the Ijaws in Lagos our tradition, so they don’t forget,’ he said.
According to him, the fiesta will feature cultural displays such as masquerades, Ijaw dance performances, boat regatta and traditional wrestling, arts and crafts displays and musical performance.
Meanwhile, preparations are ongoing to host a traditional sports festival this year end in Bayelsa Sate or Rivers State of the Niger Delta region.
‘“The traditional sports festival will be held in Niger Delta this year end or early next year. It is a big budget,” he explained.
He mentioned that the organisers are hopeful of sponsorship from companies and well-meaning individuals in the region.
Sports to be contested for include
1. Wrestling
2. Swimming
3. Canoeing
4. Draft
5. Aquathlon(run, swim, run respectively)
6. Triathlon (bike, swim, run)
“However, 5 and 6 are borrowed Olympic sports that favour our region because we can swim, but the major sports to expect are wrestling, swimming and canoeing,” he said.
Nancy Briggs
Entertainment
Life And Times Of Goddy Oku
“In his book, ‘The Wings’, drummer-turned-guitarist, Manford Best, wrote extensively and glowingly of the pivotal role Goddy played in his music career, in the face of his (Manford’s) natural challenge”
On Friday, January 19, 2024, Chief Tony Okoroji, the Chairman of Copyright Society of Nigeria (COSON), Chief Uche Emeka Paul, Sir Angus Power Nwangwu and other members of COSON were in Ukpo, Dunukofia Local Government Area, Anambra State to pay the last respects of COSON to Engr Goddy Ogomegbunam Oku. Describing Oku as an “iconic musician…long-term motivator of the music industry…leader of the Hygrades, proprietor of Godiac Studios…a great man and a true genius”, Chief Okoroji draped the casket with the flag of COSON. To perform this rite of passage, Okoroji flew in from Lagos, Paul flew in from Abuja, Nwangwu drove in from Enugu and other members arrived from various states reflecting the esteemed regards Goddy Oku commanded in the COSON family. My experience with Goddy Oku and those of others as contained in the following dirge epitomise the essence of Okoroji’s graveside oration. Goddy was really a “long-term motivator of the music industry”.
During the Nigerian civil war, my family took refuge in Umuchima, down the valley at the outskirts of Orlu, Imo State. One evening, my father returned from Orlu with a message from my friend, Emeka Ifejika, that Biafra Army Officers Training School (BAOTS) was setting up a pop band and they were searching for a bass guitarist. Goodness gracious!!! I was the bassist of The Hardnuts, my defunct teenage band in Port Harcourt; so, I saw it as the opportunity to avoid conscription, which had intensified at the time. Very early the next morning, I sneaked through the back into the sprawling scenic compound of Bishop Shanaham College, Orlu, which housed BAOTS and, as God would have it, I met Goddy Oku. For three hours, he drilled me on bass guitar playing, basic chord progressions and eventually accepted me as bassist/vocalist of the proposed band. An identity card and a “Pass” were quickly prepared to enable me return to Umuchima the next day, pick up my personal effects and report for duty.
With Dona Dyke (Donatus Nwadike) on drums and Goddy on lead guitar/vocals, we became The Silhouettes, a power trio that played side-by-side Sunny Nwamama of “Umunwanyi ji ukwu achodi” fame. That was at a time Jimi Hendrix Experience, James Gang, Emerson, Lake & Palmer, Cream, Grand Funk Railroad and other Power Trios were hip in Europe and America but hadn’t emerged in the West African music scene; so, our ensemble was peculiar or odd, if you prefer.
One day, Warrant Officer Murphy introduced a young man by name Justus Nnakwe (JU-Xperience) to Goddy and appealed that he (Justus) should be taught an instrument. Within two weeks, Goddy drilled Justus and transformed him from a complete neophyte to a rhythm guitarist. Eventually, JU had his first outing and The Silhouettes morphed into a four-some at an event for the Commandant of BAOTS, Colonel Tim Onwuatuegwu. Thereafter, Goddy groomed a singer whose entry gave the band a greater body and earthy sound. At the end of the civil war, I returned home to Port Harcourt, Rivers State, cofounded The Blackstones Band in January 1970 and chased the stars until 1972 when societal and family pressure leashed me back to school in the United States where I consistently earned pocket change thru playing guitar; the trade in which Goddy Oku groomed and gowned me.
Goddy mentored numerous artists in his days; the list is virtually endless. Sonny Okosuns, John Kerry, Nelly Uchendu, Panam Percy Paul, Chris Okotie, Felix Liberty, Felarday, Clement Amaechi and a host of others. Kenny Koburn (KK) once reminisced on how he broke bounds in high school to watch The Blackstones perform at Golf Course Hotel, Owerri in the early 1970s. Enamored by the performance of the bassist of the band, KK said he dropped out of school and headed to Enugu where he was tutored to play bass guitar by Goddy Oku. Subsequently, KK co-founded Founders Fifteen of Port Harcourt. In his book, ‘The Wings’, drummer-turned-guitarist, Manford Best, wrote extensively and glowingly of the pivotal role Goddy played in his music career, in the face of his (Manford’s) natural challenge. Before his demise, Prof Frank Onyezili (Frank Zilly of The Fractions) narrated to me the crucial role Goddy played in his music career before he returned to school. Goddy it was who played the classical guitar interlude in “Igede” by Celestine Ukwu. Arguably, “Igede” stands out as the first instrumental music in the Highlife genre and one of the most memorable songs of Celestine Ukwu.
Over the years, Goddy and I maintained contact and I visited him periodically. We even planned that he’d do one week with me in Port Harcourt and we’d embark on a musical pilgrimage to Abak, Akwa Ibom State to visit Emmanuel Ntia of Solo Hit fame, but that didn’t come to fruition. However, when JU came home in April 2021, I hopped into Enugu on the 13th and the three of us spent one night of reminiscences. We put two mattresses on the floor in Goddy’s parlor and played guitar and talked all night. We relived our collective experiences and walked through the engagements we played during the civil war. It was a memorable night.
JU Xperience, Goddy and
The next morning, April 14, 2021, we took a group photograph without realising that that would be the last time we’d see each other. First, JU sailed to the great beyond in far away China and now Goddy is gone; a rather grim reminder of my sitting at the “Departure Lounge of Life”.
May the creative soul of Godfrey Ogomegbunam Oku rest in the Bosom of God, Amen.
Jason Osai
Entertainment
TB Joshua:This Is Why Victims Do Not Speak Up -Seun Kuti
Seun Kuti has weighed in on the ongoing controversy regarding late Nigerian Prophet, TB Joshua, and states that the vilification of victims is why they do not speak up.
Seun Kuti does not believe that all people who do good things are completely good people.
“I don’t care if he took your family to space, you aren’t everybody,” he said.
The Tide Entertainment reports that the singer aired his views on the issue on Wednesday, charging “religious people” to “do better.”
“Eyin Elebi. Once person someone shares money and rice for people, he is a good person automatically,” he said.
”When this man was alive, he was sooo powerful that his criminal negligence, according to state coroner in Lagos led to the death of 84 people and he didn’t spend one second in police station and you want some young women to come and do what?! When Timis wife came out, you all turned a married woman to a prostitute like magic! That’ is why victims do not speak up!! E du Betta, religious people!!”
Going further, he slammed people who defend the late prophet on the grounds that he helped them one way or another, stressing that the experience of some is not the experience of all people.
In his words, “I don’t care if he took your family to space, and he was good to you, you are not everybody! Because a politician helped one person he would prove to the world that the man is a ‘good person!’ News flash- YOU ARE NOT EVERYBODY!!!”
The late prophet and his church have become the subject of controversy after a three part documentary produced by the BBC, highlighted the negative experiences of ex-Synagogue Church of all Nations members, who called the church “a cult”. Some women also accused TB Joshua of rape, forced abortions, child abuse and overall abuse. These claims have become a topic of discourse ever since with some siding with the church and others choosing to believe the victims.
However, the church has denied all the allegations.
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